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Cameraman Quotes

Browse 56 quotes about Cameraman.

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Cameraman Quotes

“He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.”

KidsEmotionalDiedGraveyardKilledCameramanDirectorFayzAlbert Hillsborough
Book:Light
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“In short, in contrast to the magician - who is still hidden in the medical practitioner – the surgeon at the decisive moment abstains from facing the patient man to man; rather, it is through the operation that he penetrates into him. Magician and surgeon compare to painter and cameraman. The painter maintains in his work a natural distance from reality, the cameraman penetrates deeply into its web. There is a tremendous difference between the pictures they obtain. That of the painter is a total one, that of the cameraman consists of multiple fragments which are assembled under a new law. Thus, for contemporary man the representation of reality by the film is incomparably more significant than that of the painter, since it offers, precisely because of the thoroughgoing permeation of reality with mechanical equipment, an aspect of reality which is free of all equipment. And that is what one is entitled to ask from a work of art.”

RealityTechnologyPainterEquipmentEnchantmentCameraman
Book:The Work of Art in the Age of Mechanical Reproduction: An Influential Essay of Cultural Criticism; the History and Theory of Art
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“After the fall of the Soviet Union, if you start the clock, then 47 journalists, reporters, cameramen, photographers have been killed in Russia since the fall of communism. That makes it the third most deadly country on Earth to practice journalism. That's not a record to be proud of.”

IfsHas BeensCountryEarthFallPracticeRecordsProudThirdsUnionsPhotographerRussiaJournalismCommunismJournalistClockSovietReportersBe ProudSoviet UnionCameraman
Author:Daniel Silva
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“The pictures from the first professional photo session that the young David Beckham submitted himself to are extraordinary. He has a barely suppressed smile, as though he and the cameraman are complicit in the understanding that this is not yet David Beckham we see and that there is an element of deceit in selling the photographs as such”

FirstsYoungUnderstandingElementsExtraordinaryPhotographSellingDeceitSessionBeckhamCameraman
Book:On Beckham
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“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.”

KnowsGivingKindGuyReadingLanguageProcessTermLinesVisionWonderfulDirectorsPerformancesPressureScriptsIntenseCommandCinemaVisualsComprehensiveLightingUnder PressureCameraman
Author:Edward Norton
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“Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole.”

WritingMayHas BeensArtMomentsSeemsCoursesGoalRealizingSituationDoubtCreationReaderProvePhotographyAimSeriesImpressionHeelsLensesGrotesqueGreat MomentsCameramanArt Of WritingRafters
Author:E. B. White
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“When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.”

IfsWantGivingFeelingsWantedMovingCasesSucceedDirectorsGiving UpCamerasSafetyMovedReally MeanSafety NetOperatorsCameraman
Author:Barry Sonnenfeld
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“It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.”

PeopleGivingWritingTryingYearsFirstsLittlesWantedJobsFilmThreeSidesChanceStruggleFourAliveDoorsGive MeScriptsPushingEditorsFour YearsNo MoneyStaying AliveBangingCameramanGive Me A Chance
Author:George Lucas
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“I grew up on the sets of Bonanza and most of my (childhood) memory is (on the set of) Little House. I was actually an assistant cameraman on Highway to Heaven. So, I observed my father working for many years. He was a very giving person. I really respected the way he ran his sets. He never treated anyone differently - whether you were the guest star of the show or the grip. Everybody was treated with respect.”

WayGivingYearsLittlesPersonsShowsFatherHouseHeavenStarsMemoriesChildhoodGrewGrew UpTreatedRanGuestsHighwaysAssistantsChildhood MemoriesCameramanGuest Stars
Author:Michael Landon, Jr.
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“I don't think I can break down any doors, but I'm thinking, "Maybe I can be a cameraman, because I love the cameras." And the cameraman would show me how to thread the film, how to repair it, the lenses. That's when you become, like, goony goo-goo about it. You breathe and eat camera, and all of a sudden, you don't want anything else in the world. You finally know, "This is my calling." When you're passionate about something, it doesn't become work. It's art and it's fun. It's arduous, it's sweaty.”

ThinkingKnowsWorldWantArtI CanShowsFilmFunBreakDoorsCallingCamerasPassionateBreatheWorking ItThreadShow MeBreaking DownLensesCameraman
Author:Pam Grier
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“It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.”

PeopleIfsThinkingKnowsShouldTryingActorsSceneDirectorsUnderstoodCamerasVery GoodBe YouLensesLightingGood DirectorsCameraman
Author:Christopher Walken
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“A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.”

LooksMadeEndsUsedThreeFeltTelevisionMajorsIncrediblesSatisfactionCampaignsEnjoyedThe End Of The DayLunchLots Of MoneyFast FoodAnd At The End Of The DayCameraman
Author:Oliver Stone
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“For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.”

IfsKnowsFeelsBelieveImportantSometimesPlayHelpingSongActorsSceneDirectorsShootingLoudSpeakersRescueCameramanRescue Me
Author:Denis Leary
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“My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well.”

IfsGivingWritingWellsImportantFeelingsAbleFilmNextToolsTrainUnderstand MeTechniciansRapportCameraman
Author:Yash Chopra
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“There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.”

WritingPersonsSeemsFilmChoicesActorsDifferencesKnowingDirectDrunkBottlesAdsNot KnowingJust SayingImprovisingMaking ChoicesGetting DrunkCameramanKnowing What To Do
Author:John Cassavetes
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“Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.”

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Author:David Fincher
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“I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.”

PeopleThinkingGivingPersonsHandsCareWorryAudienceInvolvedShotsCamerasMediumsSunsetGimmicksCameramanZoom
Author:Frank Capra
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