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Filmmaker Quotes

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Filmmaker Quotes

“Regarding Clint’s methods (as a director), he was a very impatient man who doesn’t really plan his pictures or do any homework, truthfully. He figures he can go right in and sail right through these things. Clint was just as impatient as an actor, especially in an action picture when directing himself. For example, Clint was always blowing his lines. It’s very hard for him to say more than four lines consecutively. And no matter if Clint forgot his lines, he would insist that the camera pick up the dialogue just where he had left off, without going back and starting the lines over. It was the cameraman’s problem to choose different angles and make the pickups, or transitions, work. Notorious for doing his acting scenes with multiple pickups, Clint had an ironclad belief that everything could be fixed in the editing room. Nobody among his fans would notice the incongruities.”

“IN HIS PRESENCE, I FEEL OUR AXIS RECALIBRATING. Where North was once —and for eons — the assigned pull of the Earth, in Sunny’s universe, all magnets drive us South. Or West. Or deep into the core because that’s more interesting to him. He’s a world-creator; he doesn’t walk from A to B the way most humans do, seeing what’s provided then dealing with, lamenting or pondering it. He creates what he wants and when you walk a path with him, you get shaped and reinvented, too. Not against your will, but more in tune with aspects of it, unfolding into the potential of a secret craving, fully funded. ~Amie, getting to know Sunny in The LOOK”

“Filmmakers can be divided into two categories: those who strive to imitate the world they live in, to re-create the world that surrounds them...and the directors who create their own worlds. Those who create their own worlds are generally the poets... That is why they have trouble getting their films out. Because the audience is used to a symbolic, nonexistent film world...the result of the audience’s own interests and tastes. The directors I named have all opposed this...that the taste of the audience should be the deciding factor. Not because they want to be obscure, but because they actually want to listen secretly. To give expression to what is deep inside those we call the audience.”

“This,” The Actor turns to indicate me, one arm casually wrapped around his good friend’s shoulder, “is the secret weapon I was telling you about. Amie Martine.” “Amie,” he takes my hand, “you look surprised.” “I’m sorry,” my smile’s so nonstop, it’s mechanically difficult to speak, “I guess, when he said ‘producer,’ I—” “—didn’t picture me?” “I’m guilty. Of thinking of you as an actor first.” “Me, too.” His smile antes mine, then wins the bet. “I’m always an actor at heart. That’s who I am. You got it absolutely right.” Compelling dark brown eyes with hints of golden amber. His body conducts such radiance, I’m sure the circuits in this room have all been blown by the solar flares in his present emanation.”

“Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.”