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Quentin Tarantino

Quentin Tarantino Quotes

Film director

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Famous Quentin Tarantino Quotes

“The share-and-share-alike anti-establishment ethos of the Topanga Canyon Hollywood hippie entertainment class of the late sixties was what Dennis Wilson offered these ragmuffins. However, pretty quickly, these garbage-eating, acid-tripping, clap-ridden, singsong-sounding runaways proved themselves to be a bunch of freeloading ingrates. They wrecked Wilson's pad and cost him thousands of dollars in venereal-disease medicine and lost, stolen, and damaged property. Until, finally, Wilson just moved out of the house and left it to his business manager to evict the squalid squatters.”

“CHAPTER 2: INGLOURIOUS BASTERDS ALDO THE APACHE My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die. Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance. We will be cruel to the Germans, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the German will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sooounds good?”

“Yes, it looks like this Charlie fella took the pimpin' playbook and ingeniously rewrote it for a generation of girls pissed off at their folks. As he watches Pussycat sincerely spew this fella's horseshit, Cliff tries to imagine where she came from. If in the fifties, he'd followed through with his intention to give the pimping game a whirl, he never would have gotten close to a pretty, obviously educated gal like this one. But this whole hippie shit put the whole world out of whack. Now she's offering up her snatch for a lift to Chatsworth. Girls who, before, maybe gave you a hand job at the drive-in will now fuck you and your friend. Where those French dudes supplied their girls with champagne, lipstick, pantyhose, and Max Factor, this Charlie dude supplies his with acid and free love and a philosophy that ties it all together.”

“Not a single scene, situation, idea, or image that was in that screenplay was in my script for Django Unchained. Yet... the essence of what Floyd was trying to accomplish in that script, an epic western with a black heroic cowboy at its center, was the very heart of what I was trying to accomplish with Django Unchained. But even more influential than any one script was having a man trying to be a screenwriter living in my house. Him writing, him talking about his script, me reading it, made me consider for the first time writing movies. The reason I knew how to even format a screenplay was from reading Floyd's screenplays. It would be a long read—from that year of 1978 to me completing my first feature length screenplay -True Romance- in September 1987. But due to Floyd's inspiration I tried writing screenplays. I usually never got that far. I think thirty was by far the furthest I ever got. But I tried. And eventually succeeded.”

“Many people back then watched the news in abject horror. Hippies, militant black power groups, killer cults that brainwashed suburban kids to drop acid and rise up and kill their parents, young men (the sons of veterans) burning their draft cards or fleeing to Canada, your children calling your policemen pigs, violent street crime, the emergence of the serial killer phenomenon, drug culture, free love, the nudity, violence, and the profanity of the films of New Hollywood, Woodstock, Altamont, Stonewall, Cielo Drive.”

“Many people back then watched the news in abject horror. Hippies, militant black power groups, killer cults that brainwashed suburban kids to drop acid and rise up and kill their parents, young men (the sons of veterans) burning their draft cards or fleeing to Canada, your children calling your policemen pigs, violent street crime, the emergence of the serial killer phenomenon, drug culture, free love, the nudity, violence, and the profanity of the films of New Hollywood, Woodstock, Altamont, Stonewall, Cielo Drive. To many Americans it was a mosaic that scared the shit out of them”

“What was it about the I'll kill the bitch guy that cracked our audience up so much? Simple, everyone in the theatre had seen that guy before. I had seen that guy. And when we stepped outside the theatre into the Scottsdale shopping center where the Carson Twin Cinema was located, we might see that guy again. But what really cracked us up was we had never seen that guy in a Hollywood movie.”

“I'm not superstitious in my normal daily life but I get that way about writing, even though I know it's all bullshit. But I began that way and so, that's the way it is. My ritual is I never use a typewriter or computer. I just write it all by hand. It's a ceremony. I go to a stationary store and buy a notebook and then fill it up.”

“I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.”