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Quote by Quentin Tarantino

“It reminds me what Uma Thurman once said about actors improvising: "What most actors call improvising is just stammering and swearing. But another word for improvising is writing. And that's not what you pay actors to do.”

Quote by Quentin Tarantino

Book:Cinema Speculation
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Cinema Speculation

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Quentin Tarantino
Quentin Tarantino

Quentin Tarantino (born March 27, 1963) is an acclaimed American film director, screenwriter, and actor renowned for his distinctive nonlinear storytelling, sharp dialogue, and homage to classic film genres. His 1992 debut Reservoir Dogs gained critical attention, while Pulp Fiction (1994) won the Palme d'Or and an Academy Award, establishing him as a revolutionary force in independent cinema. Known for blending black humor, violence, and pop culture references, Tarantino has created iconic films including Kill Bill, Inglourious Basterds, Django Unchained, and Once Upon a Time in Hollywood. more

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“Not a single scene, situation, idea, or image that was in that screenplay was in my script for Django Unchained. Yet... the essence of what Floyd was trying to accomplish in that script, an epic western with a black heroic cowboy at its center, was the very heart of what I was trying to accomplish with Django Unchained. But even more influential than any one script was having a man trying to be a screenwriter living in my house. Him writing, him talking about his script, me reading it, made me consider for the first time writing movies. The reason I knew how to even format a screenplay was from reading Floyd's screenplays. It would be a long read—from that year of 1978 to me completing my first feature length screenplay -True Romance- in September 1987. But due to Floyd's inspiration I tried writing screenplays. I usually never got that far. I think thirty was by far the furthest I ever got. But I tried. And eventually succeeded.”

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“Many people back then watched the news in abject horror. Hippies, militant black power groups, killer cults that brainwashed suburban kids to drop acid and rise up and kill their parents, young men (the sons of veterans) burning their draft cards or fleeing to Canada, your children calling your policemen pigs, violent street crime, the emergence of the serial killer phenomenon, drug culture, free love, the nudity, violence, and the profanity of the films of New Hollywood, Woodstock, Altamont, Stonewall, Cielo Drive.”

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“Many people back then watched the news in abject horror. Hippies, militant black power groups, killer cults that brainwashed suburban kids to drop acid and rise up and kill their parents, young men (the sons of veterans) burning their draft cards or fleeing to Canada, your children calling your policemen pigs, violent street crime, the emergence of the serial killer phenomenon, drug culture, free love, the nudity, violence, and the profanity of the films of New Hollywood, Woodstock, Altamont, Stonewall, Cielo Drive. To many Americans it was a mosaic that scared the shit out of them”

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“What was it about the I'll kill the bitch guy that cracked our audience up so much? Simple, everyone in the theatre had seen that guy before. I had seen that guy. And when we stepped outside the theatre into the Scottsdale shopping center where the Carson Twin Cinema was located, we might see that guy again. But what really cracked us up was we had never seen that guy in a Hollywood movie.”

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