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Ceremony Quotes

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Ceremony Quotes

“Together they will spend a happy hour seated side by side..., while Ivy's tender hand guides Duffy's as he traces out laboriously, in pencil, over and over until he has them off pat, the magic letters of his name. More than the wedding itself, that little ceremony there under the lamp, all silent save for the soft scratching of graphite on paper, will mark the true beginning of their life together.”

“The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […] We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us? Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.”

“What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.”

“The more death, the more birth. People are entering, others are exiting. The cry of a baby, the mourning of others. When others cry, the other are laughing and making merry. The world is mingled with sadness, joy, happiness, anger, wealth, poverty, etc.”

“That was the first time I experienced the desperate orgiastic pleasure of this form of public mourning: it was the one place where people mingled and touched bodies and shared emotions without restraint or guilt. There was a wild, sexually flavored frenzy in the air. Later, when I saw a slogan by Khomeini saying that the Islamic Republic survives through its mourning ceremonies, I could testify to its truth.”

“Tonight, Tam will allow... great and terrible magic to enter his body,' Lucien said, staring at the distant fires. 'The magic will seize control of his mind, his body, his soul, and turn him into the Hunter. It will fill him with his sole purpose; to find the Maiden. From their coupling, magic will be released and spread to the earth, where it will regenerate life for the year to come.' My face became hot, and I fought the urge to fidget. 'Tonight, Tam won't be the faerie you know,' Lucien said. 'He won't even know his name. The magic will consume everything in him but that one basic command- and need.' 'Who... who's the Maiden?' I got out. Lucien snorted. 'No one knows until it's time. After Tam hunts down the white stag and kills it for the sacrificial offering, he'll make his way to that sacred cave, where he'll find the path lined with faerie females waiting to be chosen as his mate for tonight.' 'What?' Lucien laughed. 'Yes- all those female faeries around you were females for Tamlin to pick. It's an honour to be chosen, but it's his instincts that select her.' 'But you were there- and other male faeries.' My face burned so hot that I began sweating. That was why those three horrible faeries had been there- and they'd thought that just by my presence, I was happy to comply with their plans. 'Ah,' Lucien chuckled. 'Well, Tam's not the only one who gets to perform the rite tonight. Once he makes his choice, we're free to mingle. Though it's not the Great Rite, our own dalliances tonight will help the land, too.' He shrugged off that invisible hand a second time, and his eyes fell upon the hills. 'You're lucky I found you when I did, though,' he said. 'Because he would have smelled you, and claimed you, but it wouldn't have been Tamlin who brought you into that cave.' His eyes met mine, and a chill went over me. 'And I don't think you would have liked it. Tonight is not for lovemaking.' I swallowed my nausea. 'I should go,' Lucien said, gazing at the hills. 'I need to return before he arrives at the cave- at least to try to control him when he smells you and can't find you in the crowd.' It made me sick- the thought of Tamlin forcing me, that magic could strip away any sense of self, of right or wrong. But hearing that... that some feral part of him wanted me... My breath was painful. 'Stay in your room tonight, Feyre,' Lucien said. , walking to the garden doors. 'No matter who comes knocking, keep the door locked. Don't come out until morning.”

“Grandfather Shi must have loved Ita Thao. His relatives were certainly making his last hours there memorable ones. Though the ceremony did not have strippers (at least none that we saw), there was no shortage of other elements designed to produce 'hot noise' that's an indispensable feature of any Taiwanese funeral. Designed to celebrate the life of the deceased and ensure their smooth passing into the next world, Grandfather Shi's hot noise included gongs mixed with rigorous Buddhist chanting, pop music, karaoke, and later, a live band complete with drummers and an accordion. All of this was taking place under a covered tent set up in the alleyway next to the Cherry Feast Resort, where we'd booked a three-day stay in advance.”

“On one occasion, an ancient great-aunt of mine, hieratically assuming a head-dress of feather and globules of jet, required me to accompany her to the beehives. ‘But you surely don't need a hat, Aunt Jane! They're only at the end of the garden.’ ‘It is the custom,’ she said, grandly. ‘Put a scarf over your head.’ Arrived, she stood in silence for a moment. Then — ‘I have to tell you,’ she said, formally, ‘that King George V is dead. You may be sorry, but I am not. He was not an interesting man. Besides,’ she added — as though the bees needed the telling! — ‘everyone has to die’.”

“Every July, when Eli was growing up, his mother would close the cabin and move the family to the Sun Dance. Eli would help the other men set up the tepee, and then he and Norma and Camelot would run with the kids in the camp. They would ride horses and chase each other across the prairies, their freedom interrupted only by the ceremonies. Best of all, Eli liked the men’s dancing. The women would dance for four days, and then there would be a day of rest and the men would begin. Each afternoon, toward evening, the men would dance, and just before the sun set, one of the dancers would pick up a rifle and lead the other men to the edge of the camp, where the children waited. Eli and the rest of the children would stand in a pack and wave pieces of scrap paper at the dancers as the men attacked and fell back, surged forward and retreated, until finally, after several of these mock forays, the lead dancer would breach the fortress of children and fire the rifle, and all the children would fall down in a heap, laughing, full of fear and pleasure, the pieces of paper scattering across the land. Then the dancers would gather up the food that was piled around the flagpole—bread, macaroni, canned soup, sardines, coffee—and pass it out to the people. Later, after the camp settled in, Eli and Norma and Camelot would lie on their backs and watch the stars as they appeared among the tepee poles through the opening in the top of the tent. And each morning, because the sun returned and the people remembered, it would begin again.”

“This is a day of celebration! Today, we are divorcing the past and marrying the present. Dance, and you will find God in every room. Today, we are divorcing resentment and marrying forgiveness. Sing, and God will find you in every tune. Today, we are divorcing indifference and marrying love. Drink, and play that tambourine against your thighs. We have so much celebrating to do!”

“No man complains of his neighbor for ill management of his affairs, for an error in sowing his land, or marrying his daughter, for consuming his substance in taverns ... in all these he has liberty; but if he does not frequent the church, or then conform in ceremonies, there is an immediate uproar.”

“My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.”

“The fact is that a "minor exorcism" takes place in every Baptism and Confirmation ceremony when we renounce Satan and all his works and empty promises. This prayer service will be along those lines. I'm not saying that anyone involved in the redefinition of marriage is possessed by the devil, which, if that were the case, would require the remedy of a "Major Exorcism," but all of us are certainly subject to the devil's evil influences and in need of protection and deliverance from evil.”

“I had rather munch a crust of brown bread and an onion in a corner, without any more ado or ceremony, than feed upon turkey at another man?s table, where one is fain to sit mincing and chewing his meat an hour together, drink little, be always wiping his fingers and his chops, and never dare to cough nor sneeze, though he has never so much a mind to it, nor do a many things which a body may do freely by one?s self.”

“Ever note, Lucilius, When love begins to sicken and decay It useth an enforced ceremony. There are no tricks in plain and simple faith; But hollow men, like horses hot at hand, Make gallant show and promise of their mettle; But when they should endure the bloody spur, They fall their crests, and like deceitful jades Sink in the trial.”