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Taiwan Quotes

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Taiwan Quotes

“What was it like for them to leave home and cross the Pacific, with only the haziest plans for return? In the absence of available connections, they held onto an imaginary Taiwan, more an abstraction—a beacon, a phantom limb—than an actual island. The available technology delivered them there only on special occasions. So, they searched for traces of home in the faces of their classmates; they heard it wafting above the din when they shopped for groceries.”

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Book:Stay True
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“In Taiwan, where bubble tea was invented, people have been drinking Chinese tea styles with milk since Dutch colonization in the seventeenth century. But milk tea-- specifically, Indian black teas where milkiness is as important as the tea-- arrived late, some time around the Second World War. As the story goes, a former bartender, Chang Fan Shu, thought to serve it cold, and shake it like you would a cocktail. When he did this, the fats and proteins in the milk allowed it to form a foam, and he made what people started to call bubble tea. Some shops started serving iced versions, shaken like a cocktail. And then in the eighties, in a Taiwanese tea shop-- and nobody can agree which one-- someone had the idea of adding chewy pearls of tapioca starch to the bubble tea, making bubble tea-squared. New variants quickly appeared. Earl Grey boba tea. Milkless jasmine green tea or osmanthus versions. A lot of the time the tea was lost completely, most notably in the crystalline pop fruit flavors such as lychee or mulberry, although also in milkshake-like blends like lilac taro.”

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Book:All Consuming: Why We Eat the Way We Eat Now
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“On the one hand, these filmmakers are the descendants of the May Fourth movement at the beginning of the century. One of the important ideological components of the May Fourth movement was its radical antitraditional stance, exemplified by its famous slogan: "Smash the Confucian Temple" (zalan kongjiadian).”

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Book:Confronting Modernity in the Cinemas of Taiwan and Mainland China
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“In Taiwan during the 1960s and mainland China in the 1980s, conceptualism played a role similar to that of Dada, that is, as a vehicle for upsetting conventions - aesthetic, social, and political. Almost all Chinese conceptual artists proclaimed an allegiance to Dada. On the mainland, they also embraced traditional Chan Budhism, wich encourages an ironic sensibility and rejects the privileging of any one doctrine in the search for enlightment. Combined, Dada and Chan Budhism became a potent weapon in the Chinese avant-garde's assault on business as usual.”

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Author:Gao Minglu
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“Suicide. This is the exact opposite of last time, for this time I'm experiencing a kind of pleasure in life, in being alive, a pleasure in living that I've never experienced before, and I'm hopeful and confident that I can become someone with dignity. I know now why I couldn't change certain characteristics and certain things about myself, but it's not a problem anymore. Certain pathways I failed to open in the past have now opened. My whole self is radiating light. I see with clarity. I understand the cause and effect of the last year. What I had imagined I've now attained. It's as if I can see my life right in front of my eyes, and all I have to do is reach out and draw it in... Now I don't feel the acute pain I felt before; I feel enlightened, at peace. It's as if I've instantly found the secret of "Suffering", how to bear it and how to endure it... Yes, this time I've decided to kill myself not because I can't live with suffering and not because I don't enjoy being alive. I love life passionately, and my wish to die is a wish to live... Yes, I've chosen suicide. The endpoint of this process of "Forgiveness". Not to punish anyone or to protest a wrong. I've chosen suicide with a clarity I've never possessed before, with a rational resolve and sense of calm, in order to pursue the ultimate meaning of my life, act on my belief about the beauty between two people... I take complete responsibility for my life, and even if my physical body disappears upon death, I don't believe my spirit will disappear. As long as I have loved people fully, then I can be content fading into "Nothingness". If I'm using death to express my passion for life, then I still don't love her enough, don't love life enough. and I will reincarnate in a different form to love her and to be part of her life... So the death of my flesh really doesn't mean anything. Doesn't solve anything. Is this a tragedy? Will there be tragedy?”

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Book:Last Words from Montmartre
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“Qiao Guanhua and I drafted the last remaining section of the Shanghai Communiqué ... The U.S. side declared: The United States acknowledges that all Chinese on either side of the Taiwan Strait maintain there is but one China and that Taiwan is a part of China. The United States government does not challenge that position. It reaffirms its interest in a peaceful settlement of the Taiwan question by the Chinese themselves. With this prospect in mind, it affirms the ultimate objective of the withdrawal of all U.S. forces and military installations from Taiwan. In the meantime, it will progressively reduce its forces and military installations on Taiwan as the tension in the area diminishes.”

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Book:On China
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“Grandfather Shi must have loved Ita Thao. His relatives were certainly making his last hours there memorable ones. Though the ceremony did not have strippers (at least none that we saw), there was no shortage of other elements designed to produce 'hot noise' that's an indispensable feature of any Taiwanese funeral. Designed to celebrate the life of the deceased and ensure their smooth passing into the next world, Grandfather Shi's hot noise included gongs mixed with rigorous Buddhist chanting, pop music, karaoke, and later, a live band complete with drummers and an accordion. All of this was taking place under a covered tent set up in the alleyway next to the Cherry Feast Resort, where we'd booked a three-day stay in advance.”

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Author:Joshua Samuel Brown
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“Some people—like the engineers and executives of high-tech corporations—are way ahead of politicians and voters and are better informed than most of us about the development of AI, cryptocurrencies, social credits, and the like. Unfortunately, most of them don’t use their knowledge to help regulate the explosive potential of the new technologies. Instead, they use it to make billions of dollars—or to accumulate petabits of information. There are exceptions, like Audrey Tang. She was a leading hacker and software engineer who in 2014 joined the Sunflower Student Movement, which protested against government policies in Taiwan. The Taiwanese cabinet was so impressed by her skills that Tang was eventually invited to join the government as its minister of digital affairs. In that position, she helped make the government’s work more transparent to citizens. She was also credited with using digital tools to help Taiwan successfully contain the COVID-19 outbreak. Yet Tang’s political commitment and career path are not the norm. For every computer-science graduate who wants to be the next Audrey Tang, there are probably many more who want to be the next Jobs, Zuckerberg, or Musk and build a multibillion-dollar corporation rather than become an elected public servant. This leads to a dangerous information asymmetry. The people who lead the information revolution know far more about the underlying technology than the people who are supposed to regulate it.”

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Book:Nexus: A Brief History of Information Networks from the Stone Age to AI
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“For Singapore, its test for its own democracy must be whether it fit and serve the interests of its people and conditions, and not serve some abstract ideal that the Western media thought it ought to conform to. If in 10 years, Philippines, Taiwan and Korea were better societies because they adopted the US model, Singapore would hurry to catch.”

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Author:Goh Chok Tong
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“Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.”

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Author:Ang Lee
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