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Map Quotes

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Map Quotes

“Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.”

“Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent. When she came to my bed and begged me with sighs not to tempt her towards passion nor actions unwise, I told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise. While our bodies were nude bathed in candlelight fine I devoured her mouth, tender lips divine; and I drank through her thighs her feminine wine. Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.”

“Life has no map; it's made of random events, always caused by something beyond your control.”

“Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.”

“Even today, more than eighty years after Oort's bold guess, we still don't have a clue what this dark matter is made of. We know it exists. We know where it is. We have maps of its presence within and around galaxies throughout the universe. We even have stringent constraints on what it is not, but we have no clue what it is. And yes, its presence is overwhelming: for every one kilogram of ordinary matter made out of neutrons and protons and electrons, there are five kilograms of dark matter, made out of who-knows-what.”

“Kabbalah' ni sayansi ya Mti wa Uzima wa Milele wa Bustani ya Edeni au 'The Tree of Life of the Garden of Eden' katika mbingu ya nne, ambayo ni ramani ya ulimwengu na roho ya mwanadamu; au Sayansi ya Mungu, uchawi wa kujua 99% ya siri ya uumbaji wa Mungu.”

“In order to get to know who is in your System, each individual alter needs to complete a piece of paper in the form of a circle (or triangle) which contains the following information: their name, their age (it might be an age range, like age 4-7), and their traits. strengths and skills. (All parts must have a name. If they do not have a name, they need to choose one. lf their name was given to them by a perpetrator and is too upsetting or if it has a negative association, they may wish to change their name—that is perfectly ok. Any name that is not negative or triggering is fine—it does not have to be a standard ‘proper name’ as they are commonly thought of.) On the back of the circle or triangle they need to write down what caused them to split off.”

“But it was the center of the room that drew my eyes, for there was a great circular table, covered in a glass dome, on which sat a model of Arcadia. I approached it slowly; it was so delicately detailed, I felt it would crumble if I breathed, despite the glass. There was the ocean, crafted of tinted glass so that it glimmered like real water. There were the southern mountains, pocked with entrances to the coal mines; there was the river Severn, there the capital city of Sardis, still half-ruined by the great fire of twenty years ago.”

“Wakiwa na suti nzito za kijani na madoa meusi (‘Ghillie Suits’) kwa ajili ya kupigania porini; Vijana wa Tume walikuwa na kofia za chuma, miwani ya kuonea usiku (iliyokuwa na uwezo wa kubinuka chini na juu), redio na mitambo ya mawasiliano migongoni mwao juu ya vizibao vya kuzuia risasi, vitibegi vya msalaba mwekundu (‘Blowout Kits’ – katika mapaja ya miguu yao ya kulia, ndani yake kukiwa na pisto na madawa ya huduma ya kwanza), vitibegi vya kujiokolea (‘Evasion Kits’ – katika mapaja ya miguu yao ya kushoto, ndani yake kukiwa na visu na pesa na ramani ya Meksiko) na bunduki za masafa marefu. Kadhalika, Vijana wa Tume waliamua kuchukua Punisher – waliyoafikiana baadaye kuwa ilikuwa nzuri kuliko RPG-7, ‘Rocket Propelling Gun’, ambayo Mogens alipendekeza waitumie kubomolea Kiwanda cha Dongyang Pharmaceuticals; kwa sababu hakutaka kuleta madhara kwa watu waliokuwa hawana hatia.”

“For the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs. It would be an easy map if that were all; but there is also first day at school, religion, fathers, the round pond, needlework, murders, hangings, verbs that take the dative... and either these are part of the island, or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.”

“Every Friday The Thirteenth I celebrate Knights Templar Day. Here at my Duck Farm Gift Shop, I've got THE authentic map that details the location of their hidden treasure, and I'll sell it to you for ONLY $19.95. (Limit one per customer.)”

“I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that don’t match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throat and I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the moment in a natural state of mind, certain like the sea. I will find comfort in the rhythm of the sea.”