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Golden Ratio Quotes

Browse 38 quotes about Golden Ratio.

Golden Ratio Quotes

“The Fibonacci Sequence turns out to be the key to understanding how nature designs... and is... a part of the same ubiquitous music of the spheres that builds harmony into atoms, molecules, crystals, shells, suns and galaxies and makes the Universe sing.”

“According to Thoth, because of the placement of the Great Pyramid on the Earth connecting into the Earth's huge geometrical field - specifically the octahedral field of the Earth, which is equivalent to our own fields - and because of the pyramid's mass and the geometries used in it, the white-light energy field spirals upward and becomes extremely strong, stretching all the way out to the center of the galaxy. The dark-light energy comes in from above, spirals through zero point and connects with the center of the Earth. In this way the Great Pyramid connects the center of the Earth to the center of our galaxy.”

“While twentieth-century physicists were not able to identify any convincing mathematical constants underlying the fine structure, partly because such thinking has normally not been encouraged, a revolutionary suggestion was recently made by the Czech physicist Raji Heyrovska, who deduced that the fine structure constant, ...really is defined by the [golden] ratio ....”

“You too can make the golden cut, relating the two poles of your being in perfect golden proportion, thus enabling the lower to resonate in tune with the higher, and the inner with the outer. In doing so, you will bring yourself to a point of total integration of all the separate parts of your being, and at the same time, you will bring yourself into resonance with the entire universe.... Nonetheless the universe is divided on exactly these principles as proven by literally thousands of points of circumstantial evidence, including the size, orbital distances, orbital frequencies and other characteristics of planets in our solar system, many characteristics of the sub-atomic dimension such as the fine structure constant, the forms of many plants and the golden mean proportions of the human body, to mention just a few well known examples. However the circumstantial evidence is not that on which we rely, for we have the proof in front of us in the pure mathematical principles of the golden mean.”

“The golden ratio, as well as the Great Pyramid as an expression of it, is an important key to our universe containing the Earth and the Moon. ... The ratio between the Earth and the Moon is in fact the basis for the mathematical concept of 'squaring the circle' ...”

“Thousands of years ago the ancients had an advanced mathematical understanding of universe that is revealed in many sources. There is a consistent link to knowledge of the golden mean, but the way in which the ancients were able to formulate and use this information speaks of a technical grasp of the subject that exceeds what we know about it in the present day.”

“Highly complex numbers like the Comma of Pythagoras, Pi and Phi (sometimes called the Golden Proportion), are known as irrational numbers. They lie deep in the structure of the physical universe, and were seen by the Egyptians as the principles controlling creation, the principles by which matter is precipitated from the cosmic mind. Today scientists recognize the Comma of Pythagoras, Pi and the Golden Proportion as well as the closely related Fibonacci sequence are universal constants that describe complex patterns in astronomy, music and physics. ... To the Egyptians these numbers were also the secret harmonies of the cosmos and they incorporated them as rhythms and proportions in the construction of their pyramids and temples.”

“In short, the idea dawns that the one universal principle which possibly ... between force and structure, the embodiment of the Principle of Least Action and the (unknown) force, which in mathematics is known as the attractor which pulls ... in the direction of the most optimal and relatively stable self-organized criticality, could very well be the Golden Ratio dynamic. the universal principle which as the balance between finiteness and infinity, stability and flexibility underlies self-similar fractal forms emerging at the 'edge of chaos' indeed seems to be the Golden Ratio Spiral.”

“It is shown that the golden ratio plays a prominent role in the dimensions of all objects which exhibit five-fold symmetry. It is also showed that among the irrational numbers, the golden ratio is the most irrational and, as a result, has unique applications in number theory, search algorithms, the minimization of functions, network theory, the atomic structure of certain materials and the growth of biological organisms.”

“The conclusion that the Egyptians of the Old Kingdom were acquainted with both the Fibonacci series and the Golden Section, says Stecchini, is so startling in relation to current assumptions about the level of Egyptian mathematics that it could hardly have been accepted on the basis of Herodotus' statement alone, or on the fact that the phi [golden] proportion happens to be incorporated in the Great Pyramid. But the many measurements made by Professor Jean Philippe Lauer, says Stecchini, definitely prove the occurrence of the Golden Section throughout the architecture of the Old Kingdom.... Schwaller de Lubicz also found graphic evidence that the pharonic Egyptians had worked out a direct relation between pi and phi in that pi = phi^2 x 6/5.”

“Petrie found nothing that disproved the pyramidologist's assumption that the Great Pyramid had been built according to a master plan. Indeed, he describes the Pyramid's architecture as being filled with extraordinary mathematical harmonies and concordances: those same strange symmetries that had so haunted the pyramidologist. Petrie not only noted, for example, that the proportions of the reconstructed pyramid approximated to pi - which others have since elaborated to include those twin delights of Renaissance and pyramidological mathematicians, the Golden Section and the Fibonacci Series ...”

“In his ... 'Geometrical peculiarities of the Pyramids', Ballard shows the relationship between the equal area theory and the golden number. After checking Herodotus' statement via dimensions Ballard concludes: 'I have therefore the authority of Herodotus to support the theory which I shall subsequently set forth, that this pyramid was the exponent of lines divided in mean and extreme ratio.”

“As I explain at some length in 'The Crystal Sun' this particular angle, which we can call the 'golden angle,' is the precise value of the acute angle of of a right-angled 'golden triangle' that embodies the golden mean proportion .... The Danish art historian Else Kielland established with conclusive and absolutely overwhelming evidence and analysis that this angle was the basis for all Egyptian art and architecture. She did this in her monumental work 'Geometry in Egyptian Art' ..... The King's Chamber inside the Great Pyramid embodies no fewer than eight occurrences of the golden angle, and the coffer in the chamber embodies yet more.”

“The Golden Ratio defines the squaring of a circle. Stated in mathematical terms, this says: Given a square of known perimeter, create a circle of equal circumference. According to some, in ancient Egypt, this mathematical mystery was encoded in the measurements of the Great Pyramid of Giza.”

“In the pentagram, the Pythagoreans found all proportions well-known in antiquity: arithmetic, geometric, harmonic, and also the well-known golden proportion, or the golden ratio. ... Probably owing to the perfect form and the wealth of mathematical forms, the pentagram was chosen by the Pythagoreans as their secret symbol and a symbol of health. - Alexander Voloshinov [As quoted in Stakhov]”

“The Pythagoreans... were fascinated by certain specific ratios, ...The Greeks knew these as the 'golden' proportion and the 'perfect' proportion respectively. They may well have been learned from the Babylonians by Pythagoras himself after having been taken prisoner in Egypt. Ratios lay at the heart of the Pythagorean theory of music.”

“Every unique thing in nature is related to the whole, and partakes of the perfection of the whole. Each particle is a microcosm, and faithfully renders the likeness of the world. In geometric harmony of the cosmos there are ways that resemble, there are universal patterns, from blood vessels, to winter trees or to a river delta, from nautilus shell to spiral galaxy, from neurons in the brain to the cosmic web. A whole universe of connections is in your mind – a universe within a universe – and one capable of reaching out to the other that gave rise to it. Billions of neurons touching billions of stars – surely spiritual.”

“We therefore find that the triangles and rectangles herein described, enclose a large majority of the temples and cathedrals of the Greek and Gothic masters, for we have seen that the rectangle of the Egyptian triangle is a perfect generative medium, its ratio of five in width to eight in length 'encouraging impressions of contrast between horizontal and vertical lines' or spaces; and the same practically may be said of the Pythagorean triangle”

“Schwaller de Lubicz identifies the Golden Mean as "the fundamental scission," or division of one into two, that creates three things - the original whole and two parts, one in golden proportion to the whole and the other in golden proportion to that.”

“In Euclid's Elements we meet the concept which later plays a significant role in the development of science. The concept is called the "division of a line in extreme and mean ratio" (DEMR). ...the concept occurs in two forms. The first is formulated in Proposition 11 of Book II. ...why did Euclid introduce different forms... which we can find in Books II, VI and XIII? ...Only three types of regular polygons can be faces of the Platonic solids: the equilateral triangle... the square... and the regular pentagon. In order to construct the Platonic solids... we must build the two-dimensional faces... It is for this purpose that Euclid introduced the golden ratio... (Proposition II.11)... By using the "golden" isosceles triangle...we can construct the regular pentagon... Then only one step remains to construct the dodecahedron... which for Plato is one of the most important regular polyhedra symbolizing the universal harmony in his cosmology.”