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Knives Quotes

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Knives Quotes

“You are a cool cemetery. You have the sinner’s grave You have the saint’s earth colliding You have all the beds narrow as a knife; as if a rally of tombstones to defend death. But you can’t really postpone the inauguration of my burial, can you? From the poem - Few Words to Cemetery”

“I stared down at my hands and saw the blood coat them, how warm and real something felt when it wasn’t just ink and stains. This was life and I was holding it in my hands. I drew my eyes back up and beneath the flickering streetlight and the throng of drunken cattle, I saw nothing else but the dead girl. Somebody out there had taken her life, her heart, and there I was with her warm, sticky blood. Feeling the most alive I’d felt in years. I had to find him. I just had to.”

“That knife! It looks similar to a machete-like weapon used in India- the Kukri! He's using it to chop leeks, ginger and some herbs... Which he's tossing into a pot of rich chicken stock!" "Ah! Now he's grinding his spices!" Cross! "What?! He's crossing different implements in every step of his recipe?! Can he even do that?!" "I recognize that mortar and pestle. It's the kind they use in India to grind spices." "Oh gosh... I can already smell the fragrance from here!" He clearly knows just how much to grind each spice... ... and to toast each in a little oil to really bring out its fragrance! "Ah, I see! What he has steaming on that other burner is shark fin!" "From Indian cuisine, we dive straight into something very Chinese! Cross! Saiba x Mò Liú Zhâo!" "What the heck? He's stroking the fin... ... quickly running the claws along its grain!" Ah! I see what he's doing! Shark fin by itself is flavorless. Even in true Chinese cuisine... ...it's simmered in Paitan stock or oyster sauce first to give it a stronger, more concentrated umami punch. But by using those claws, he can't skip that step... ... and directly infuse the fin with umami flavor compounds! "Saiba... Cross..." "Aaaah! That implement! I recognize that one! Eishi Tsukasa!" Tsukasa Senpai's Super-Sized Grater-Sword! "He took a huge lump of butter... ... and is grating it down into shavings at unbelievable speed!"”

“His fingers wrapped around the smooth metal handle, and he eased the knife from its sweat-patinaed leather sheath and weaved the blade skillfully through the air. While it didn't have the impression of a Fae-forged blade, he did feel something alive within the mortal steel as if the old blade had drunk deeply of blood and continued to thirst.”

“Kofia za chuma au sandarusi zenye uwezo wa kukwepesha risasi za wadunguzi na kuzuia mpaka risasi tatu za AK-47, ijapokuwa zimetengenezwa kuzuia risasi moja tu, ni miongoni mwa vitu 17 vilivyobebwa na makomandoo wa Tume ya Dunia; wakati wakitekeleza Operesheni ya Kifo au Ushindi Kamili (operesheni ndogo ya Operation Devil Cross ya Tume ya Dunia) katika Msitu wa Benson Bennett, Salina Cruz, Oaxaca, nchini Meksiko. Thamani ya vitu vya komandoo mmoja wa EAC ('Executive Action Corps') akiwa vitani ni zaidi ya dola za Kimarekani 65,000; ikiwa ni pamoja na magwanda ya jeshi ('Ghillie Suits'), kofia za chuma, miwani ya kuonea usiku (yenye uwezo wa kubinuka chini na juu), redio na mitambo ya mawasiliano migongoni mwao juu ya vizibao vya kuzuia risasi, vitibegi vya msalaba mwekundu ('Blowout kits' – katika mapaja ya miguu yao ya kulia, ndani yake kukiwa na pisto na madawa ya huduma ya kwanza), vitibegi vya kujiokolea ('Evasion Kits' – katika mapaja ya miguu yao ya kushoto, ndani yake kukiwa na visu na pesa na ramani ya Meksiko) na bunduki za masafa marefu.”

“Vitibegi vya makomandoo wa Tume ya Dunia (vitibegi vya msalaba mwekundu na vitibegi vya kujiokolea) vilikuwa na vifaa maridadi vya kisasa kama vile pisto, visu, madawa ya huduma ya kwanza, kalamu za Inka, ramani za Meksiko, tochi ndogo zenye mwanga mkali za Cyba-Lite, Vioo vya TOPS, vibiriti vya Firesteel, pasi za kusafiria, pesa na vipenga vyenye viwango vya sauti vya desabo 126. Kipenga chenye kiwango cha sauti cha desabo 126 kinaweza kupasua ngoma za masikio ya adui, na kuwajulisha Vijana wa Tume mwenzao alipo hivyo kwenda haraka na kumpa msaada.”

“Lucien's red hair shone in the firelight, the colours flickering with every movement he made, and the jewels in the hilt of his sword glinted- the ornate blade so unlike the baldric of knives still strapped across Tamlin's chest. But there was no one here to use a sword against. And while the sword was embedded with jewels and filigree, it was large enough to be more than decoration.”

“Wakiwa na suti nzito za kijani na madoa meusi (‘Ghillie Suits’) kwa ajili ya kupigania porini; Vijana wa Tume walikuwa na kofia za chuma, miwani ya kuonea usiku (iliyokuwa na uwezo wa kubinuka chini na juu), redio na mitambo ya mawasiliano migongoni mwao juu ya vizibao vya kuzuia risasi, vitibegi vya msalaba mwekundu (‘Blowout Kits’ – katika mapaja ya miguu yao ya kulia, ndani yake kukiwa na pisto na madawa ya huduma ya kwanza), vitibegi vya kujiokolea (‘Evasion Kits’ – katika mapaja ya miguu yao ya kushoto, ndani yake kukiwa na visu na pesa na ramani ya Meksiko) na bunduki za masafa marefu. Kadhalika, Vijana wa Tume waliamua kuchukua Punisher – waliyoafikiana baadaye kuwa ilikuwa nzuri kuliko RPG-7, ‘Rocket Propelling Gun’, ambayo Mogens alipendekeza waitumie kubomolea Kiwanda cha Dongyang Pharmaceuticals; kwa sababu hakutaka kuleta madhara kwa watu waliokuwa hawana hatia.”

“Her eyes fell upon her knives, which she had neatly laid on the counter for inventory. There was her boning knife, with a smooth molded handle which fit her hand perfectly; her bread knife, with its fluted edge; her butcher's knife, blade shaped like a scimitar; her versatile Chinese cleaver, which could mince, slice, bone, flatten, chop, even crack through chicken bones and meat joints. Her chef's knife's gently curved triangular blade. Her Japanese knife arched like a samurai sword, her oyster knife with its short pointed blade, and her slicer to cut cold meats into even, thin slices. And last, her filleting knife for boning and skinning fresh fish without damaging the flesh.”

“But maybe you never really had someone, she thought now. Maybe, no matter how much you loved them, they could slip through your fingers like water, and there was nothing you could do about it. She understood why people talked about hearts "breaking"; she felt as if hers were made of cracked glass, and the shards were like tiny knives inside her chest when she breathed.”

“I am not sad anymore. I am not weak or tender or quiet like you remember because the second you said those words and closed that door, I sold my soul to the part of myself I had buried in order to love you, to let you touch every inch of my rotten body, for I wanted to be touchable and not so strange. Not so sad and tender, like I’ve always been, they say, so I changed. And then your glances and words throwing knives with no return about my change of habits and ways of living, being, and I nodded and smiled, dying silently a little bit inside.”

“"She can't do Subtraction." said the White Queen. "Can you do Division? Divide a loaf by a knife-what's the answer to that?" "I suppose-" Alice was beginning, but the Red Queen answered for her. "Bread-and-butter, of course."”

“I noticed the different kids were always put down by other people and it would cause them to become almost violent with themselves. It's not really necessary; there's a way to find strength in yourself, and for me it was writing. That was sort of my release and my escape, so the term 'Knives and Pens' to me was like a choice. You can either create, or become violent, and maybe go down a dark road.”

“It's often been said, "Violence never solved anything." The simple truth is that when you are slammed up against the wall and the knife is at your throat, when a circle of teenagers is kicking you as you curl into a ball on the sidewalk, or when the man walks into your office building or school with a pair of guns and starts shooting, only violence, or the reasonable threat of violence, is going to save your life. In the extreme moment, only force can stop force.”

“It's important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there's a window, you must imagine your body falling out the window. If there's a knife, you must imagine the knife piercing your skin. If there's a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance.”