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Numbness Quotes

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Numbness Quotes

“The combination of outward privilege and emotional invisibility is one of the most hurtful and confusing ways to live. Nothing appears to be wrong and yet every day is a torturous maze of unreflected chaotic emotional upheaval, ameliorated only be regular descents into dorsal numbness.”

“I walked back to the window to look down at the people who shared this city with me. The people who made every day a series of mediocrities. The unreformed murderers masquerading as businessmen in borrowed suits and debt-laden cars. The voluptuous bimbos floating around in an inexplicable mix of vacuity and despair. The crumbling face of my building looked pretty enough from across the street, but from here I could see how worn it was. I peeled off a satisfying chunk of paint, cement and matter. And I let it fall to the street below.”

“Andrei avoided the internet as well and this evasion only added to his gloom. He loved music, especially old songs, and he loved movies, of all sorts. If he had the patience, sometimes he would read. While most of the pages he turned bored him to sleep, certain books with certain lines disarranged him. Some literature brought him to his feet, laughing and howling in his room. When the book was right, it was bliss and he wept. His room hushed with serenity and indebtedness. When he turned to his computer, however, or took out his phone, he would inevitably come across a viral trend or video that took the art he loved and turned it into a joke. The internet, in Andrei’s desperate eyes, managed to make fun of everything serious. And if one did not laugh, they were not intelligent. The internet could not be slowed and no protest to criticize its exploitation of art could be made because recreations of art hid perfectly under the veneer of mockery and was thus, impenetrable. It was easy to use Chopin’s ‘Sonata No. 2’ for a quick laugh, to reduce the ‘Funeral March’ to background music. It was a sneaky way for a digital creator to be considered an artist—and parodying the classics made them appear cleverer than the original artist. Meanwhile, Andrei’s body had healed playing Chopin alone in his apartment. He would frailly replay movie moments, too, that he later found the world edited and ripped apart with its cheap teeth. And everyone ate the internet’s crumbs. This cruel derision was impossible to escape. But enough jokes, memes, and glam over someone’s precious source of life would eventually make a sensitive body numb. And Andrei was afraid of that. He needed his fountain of hope unblemished. For this reason, he escaped the internet’s claws and only surrendered to it for e-mails, navigation, and the weather.”

“He was right. It didn't hurt. There was a feeling in the center of Molly's chest like falling, but it wasn't her that was falling. Instead, every sensation and emotion seemed to tumble out of her, up toward the machine. First her panic ebbed away into it, and then the discomfort of the harness digging into her back. Her fear for her family. Her fear for herself. Her exhaustion. The physical sensations from her body flickered out piece by piece, like someone turning out the lamps in a house. It never hurt, not for a moment. It was the single worst thing she had ever experienced.”

“I get a prompt about using my Dissociative Cognition System. It takes considerable effort to make even that decision, but I manage to give my systems the OK and immediately I can step back from the crushing burden of misery, cut off from certain aspects of my own biochemistry so that I can function and make rational decisions. It was an essential mod, for someone who was going to be on their own for long periods of time without any social contact. My emotions are still out there, and I can get fascinating readouts about what that locked-away part of me is actually feeling, good, indifferent, bad, worse, but it doesn't touch me unless I choose to open the door again. It's a fine line, I suspect, between useful logic and that pathological numbness that true depression can often lead to, where doing or wanting anything seems like climbing uphill.”

“Art can blow us out of our pigeon hole. In deafness it may shout or scream, in blindness it may arrest our attention, in numbness it may shake up our mind. If we don’t sense anything at all and take everything for granted, art can kick us in the ass, give a conscience and make us aware. ("When is Art?")”

“I was last. Sam walked up and held me for a long time. Finally, she whispered in my ear. She said a lot of wonderful things about how it was okay that I wasn't ready last night and how she would miss me and how she wanted me to take care of myself while she was gone. 'You're my best friend,' was all I could say in return. She smiled and kissed my cheek, and it was like for a moment, the bad part of last night disappeared. But it still felt like a goodbye rather than a 'see ya.' The thing was, I didn't cry. I didn't know what I felt. Finally, Sam climbed into her pickup, and Patrick started it up. And a great song was playing. And everyone smiled. Including me. But I wasn't there anymore.”

“The month of August had turned into a griddle where the days just lay there and sizzled. I plucked leaves off the elephant ear plants and fanned my face, sat with my bare feet submerged in the trickling water, felt breezes lift off the river and sweep over me, and still everything about me was stunned and stupefied by the heat, everything except my heart. It sat like an ice sculpture in the center of my chest. Nothing could touch it.”

“This moment would define my memory of that night, and of the many nights like it, for a decade. In it I saw myself as unbreakable, as tender as stone. At first I merely believed this, until one day it became the truth. Then I was able to tell myself, without lying, that it didn't affect me, that he didn't affect me, because nothing affected me. I didn't understand how morbidly right I was. How I had hollowed myself out. For all my obsessing over the consequences of that night, I had misunderstood the vital truth: that its not affecting me, that was its effect.”

“Grief is the hardest emotion to describe, because so much of it is numbness; it is also passive, something one undergoes rather than something one undertakes. It becomes difficult to locate oneself. When Maria went missing, a part of me did too. My capacity for love, which had always seemed elusive and equivocal even to me, was bound up in my relationship with her. I discovered that after her death. I had not known it before. It is a familiar story. There is nothing original about pain.”

“I am off to a life where I can exist in a room and not have to pretend I want to be there. I am off to hear people who have something to say. I don’t even have to agree with it— I just want to know what it’s like to listen to a real sentence. I long for a time where I don’t wish the day would be over. This means leaving the company. I can wonder, or I can wander—and it’s time for me to get lost. Reinvention is hard. To let it go? To admit you don’t love something anymore? That’s the stuff that kills you. But I must run before another workday asks for me again. Things are hard so that we can start. I feel like fate is blindfolding me. My arms reach out not knowing if I’ll impale myself or secure my foothold—but all great things come from motion. Nothing begets nothing. And I’m scared, but I have the movies with me. The things we love require us. I wonder what would happen if everyone in the world did what they loved. Would things fall into place and leave no empty spaces? Would there be harmony in the work field? Sustainable marriages? Children with parents? Dirty water? Would there be resignation letters?”

“There have been times I cannot hide, There have been times when this was drear, When my sad soul forgot its pride And longed for one to love me here. But those were in the early glow Of feelings since subdued by care; And they have died so long ago, I hardly now believe they were. First melted off the hope of youth, Then fancy’s rainbow fast withdrew; And then experience told me truth In mortal bosoms never grew. ’Twas grief enough to think mankind All hollow, servile, insincere; But worse to trust to my own mind And find the same corruption there.”

“I'm at a point where I am not sure whether I am depressed or just numb inside. Because here's the thing: Nothing excites or captivates me anymore. Not movies, concerts, or hangouts. I'm just there. I feel nothing; I'm neither sad nor happy. I'm empty; that's how I feel. However, I'm thankful for books, music, and coffee. For now, all I can do is lose myself in books. Occasionally, I let my emotions bleed and permeate through paper. It's keeping me going. At least I have peace of mind. The Depth of My Emptiness”

“I thought about suicide all the time, but it seemed toomuch effort, swallowing all those pills or jumping off things. If I'd lived out in the country I would have found a quiet stretch of railway track, and lain on it, fallen asleep, so that I would never have known when my last moment came. In London, the minimum tube fare had gone up so much that even to get near the line cost a fortune. Suicide seemed an extravagance I couldn't afford. People never leave you alone, either; I knew that if I'd tried to lie down on the line, any number of commuters would have pulled me off again, so that I didn't delay their train. There must have been murderers out there who wanted to kill, with no way of finding those who wanted to be dead. If there had been some way of contacting them, a date-with-death line, I would have called them to set up a meeting. The current ways of death seemed too haphazard; it was all left up to chance. Had Chance come up, tapped me on the shoulder, said "Oi, you - long black tunnel, white light, off you go," I wouldn't have complained. It was like having frostbite all over - feeling numb and in pain at the same time.”

“Now, it felt like every day a new oozing pustule of emotion came glopping out. One day it was a goopy mass of abandonment issues. Then there was the gelatinous muck of hyper-independence weighing down her proverbial galoshes. The steaming, writhing mass that was her identity crisis was particularly pungent some days. It had come to her attention the hard way that for years her coping mechanism had been to numb herself; turn her emotions off completely. Any that snuck through were instantly squashed under humor, deflection, or anger. A perfect plan, until that damn straw had hit the camel's stupid back.”

“The reason for entering the struggle is a desire for more; a taste of what life and love could be if freed from the dark memories and deep shame. No one leaves the lethargy of denial unless there is a spark of discontent that pierces the darkness of daily numbness. To live significantly less than what one was made to be is as severe a betrayal of the soul as the original abuse.”

“At such moments the collapse of their courage, willpower, and endurance was so abrupt that they felt they could never drag themselves out of the pit of despond into which they had fallen. Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress.”

“Dissociation gets you through a brutal experience, letting your basic survival skills operate unimpeded…Your ability to survive is enhanced as the ability to feel is diminished…All feeling are blocked; you ‘go away.’ You are disconnected from the act, the perpetrator & yourself…Viewing the scene from up above or some other out-of-body perspective is common among sexual abuse survivors.”

“Dissociation, a form of hypnotic trance, helps children survive the abuse…The abuse takes on a dream-like, surreal quality and deadened feelings and altered perceptions add to the strangeness. The whole scene does not fit into the 'real world.' It is simple to forget, easy to believe nothing happened.”

“I've never enjoyed being fully present, a muted reality has been the landscape I've preferred and mainly inhabited forever. Sure, feeling is good, but not too much, and if someone is able to get away with suffering devastating loss, massive regret, heartache, physical agony, mental instability, isolation, humiliation, abuse, incarceration, depression, tragedy etc. with a blanket of chemical protection, then who can say it's wrong?”

“And... well, she had done it. Just as she said she would. She felt nothing - which was good - no, which was great. You could get anything you wanted in this world if you didn't feel. It was just a shame that she couldn't feel happy about it. She would've settled for feeling satisfaction at what she'd done, but feeling nothing at all was better than feeling bad. If that was all there was, then that was all she wanted or needed”