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Ray Bradbury

Ray Bradbury Quotes

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Famous Ray Bradbury Quotes

“If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.”

“Douglas looked off at the twilight sky. "Frozen statues, every single one of you, the next three minutes!" said John. Douglas felt john walking around him even as he had walked around John a moment ago. He felt John sock him on the arm once, not too hard. "So long," he said. Then there was a rushing sound and he knew without looking that there was nobody behind him now. Far away, a train whistle sounded..... ... And then he felt himself walking across the lawns among all the other statues now, and whether they, too, were coming to life he did not know. They did not seem to be moving at all. For that matter he himself was only moving from the knees down. The rest of him was cold stone, and very heavy. Going up the front porch of his house, he turned suddenly to look at the lawns behind him. The lawns were empty. A series of rifle shots. Screen doors banged one after the other, a sunset volley, along the street.”

“If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure and equate the universe, which just wont be measured or equated without making man feel bestial and lonely.”

“So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, powerless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers and fireworks, without completing the cycle back to reality.”

“The things you’re looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine percent of them is in a book. Don’t ask for guarantees. And don’t look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for the shore.”

“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away. The difference between the man who just cuts the lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”

“There was a silly damn bird called a Phoenix back before Christ. Every few hundred years, he built a pyre and burned himself up. He must have been first cousin to Man. But every time he burnt himself up, he sprang out of the ashes; he got himself born all over again. And it looks like we’re doing the same thing, over and over, but we’ve got one damn thing the Phoenix never had. We know the damn silly things we just did. We know all the damn silly things we’ve done for thousand years and as long as we know that and always have it around where we can see it, some day we’ll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember, every generation.”

“And hold onto one thought: You’re not important. You’re not anything. Some day the load we’re carrying with us may help someone. But even when we had the books on hand, a long time ago, we didn’t use what we got out of them. We went right on insulting the dead. We went right on spitting in the graves of all the poor ones who died before us. We’re going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we’re doing, you can say, We’re remembering. That’s where we’ll win out in the long run. And some day, we’ll remember so much that we’ll build the biggest goddamn steam shovel in history and dig the biggest grave of all time and shove war in and cover it up. Come on now, we’re going to go build a mirror factory first and put out nothing but mirrors for the next year and take a long look in them.”

“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”

“Tom," she said, faintly, far away, "in the Southern Seas there's a day in each man's life when he knows it's time to shake hands with all his friends and say good-by and sail away, and he does, and it's natural-it's just his time. That's how it is today. I'm so like you sometimes, sitting through Saturday matinees until nine at night when we send your dad to bring you home. Tom, when the time comes that the same cowboys are shooting the same Indians on the same mountaintop, then it's best to fold back the seat and head for the door, with no regrets and no walking backward up the aisle. So, I'm leaving while I'm still happy and still entertained.”

“Peace, Montag. Give the people contests they win by remembering the worlds to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving.”

“Anything that’s strange is no good to the average American.” i think this quote means that pickles do not go on barbecue steaks. i agree with it because it represents Americans “He built an architecture of Bach, stone by exquisite stone, raising a music cathedral so vast.” i think that this quote means that something can be built so elegantly. i disagree because there are always problems.”

“Tom grabbed his arm and pointed gasping, at the dime-store window. They stood there, unable to move because of the things from another world displayed so neatly, so innocently, so frighteningly, there. ‘Pencils, Doug, ten thousand pencils!‘ ‘Oh, my gosh!‘ ‘Nickel tablets, dime tablets, notebooks, erasers, water colors, rulers, compasses, a hundred thousand of them!‘ ‘Don‘t look. Maybe it‘s just a mirage.”

“You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.”

“I was only twelve. But I knew how much I loved her. It was that love that comes before all significance of body and morals. It was that love that was no more bad than wind and sea and sand lying side by side forever. It was made of all the warm long days together at the beach, and the humming quiet days of droning education at the school. All the long Autumn days of the years past when I carried her books home from school.”

“Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever.”

“Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of Time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever. So what do we do? We men turn terribly mean, because we can’t hold to the world or ourselves or anything. We are blind to continuity, all breaks down, falls, melts, stops, rots, or runs away. So, since we cannot shape Time, where does that leave men? Sleepless. Staring.”

“And then, quite suddenly, summer was over. He knew it first when walking downtown. Tom grabbed his arm and pointed gasping, at the dimestore window. They stood there unable to move because of the things from another world displayed so neatly, so innocently, so frighteningly, there. "Pencils, Doug, ten thousand pencils!" "Oh, my gosh!" "Nickel tablets, dime tablets, notebooks, erasers, water colors, rulers, compasses, a hundred thousand of them!" "Don't look. Maybe it's just a mirage." "No," moaned Tom in despair. "School. School straight on ahead! Why, why do dime stores show things like that in windows before summer's even over! Ruin half the vacation!”

“One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life." The Fog Horn blew.”

“As we can learn from every man or woman or child around us when, touched and moved, they tell of something they loved or hated this day, yesterday, or some other day long past. At a given moment, the fuse, after sputtering wetly, flares, and the fireworks begin. Oh, it's limping crude hard work for many, with language in their way. But I have heard farmers tell about their very first wheat crop on their first farm after moving from another state, and if it wasn't Robert Frost talking, it was his cousin, five times removed. I have heard locomotive engineers talk about America in the tones of Thomas Wolfe who rode our country with his style as they ride it in their steel. I have heard mothers tell of the long nights with their firstborn when they were afraid that they and the baby might die. And I have heard my grandmother speak of her first ball when she was seventeen. And they were all, when their souls grew warm, poets.”

“They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressure; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.”