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Autumn Quotes

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Autumn Quotes

“Take what you have of what remains, take the colors of what is still left, for this is the flame that will set your soul ablaze before that moment comes when the leaf trembles shuddering in its last joy, the robin cries knowing it is the last song. Sing, Sing, O Sojourner, no season is meant to stay. The deeps are filled with a bitter sweet nostalgia... the cinnamon, nutmeg, cider roast smell, the earth sparkling, feasting on the colors, the grounds merry making as the leaves softly play, for this is the life's sacred performance art, as the earth is playing the grand finale before it slips in the winter's white silence....”

“Autumn Window: A Night of Wind and Rain The autumn flowers are dead, the leaves are sere; Lamp-light comes soon, the nights grow long again. Outside my window autumn’s signs appear More dismal in the wind and rustling rain. The rustling rain came in such swift downpour It startled me from autumn-dream-filled sleep. Now, in a muse, unable to sleep more, I watch the candle at my bedside weep. The candle weeps down to its socket low, And my heart weeps and desolation feels. Yet the same wind in other courts must blow; The sound of rain through other windows steals. The wind’s chill strikes through quilt and counterpane, The rain drums like a mad clock in my ears, All night, in whispering, monotone refrain, Companion to my own swift-coursing tears. The courtyard now with mist begins to fill, The bamboo’s drip persists without a pause. When will the wind cease and the rain be still, That with its weeping soaks my window’s gauze?”

“Gone are the summer days and my mind along with them. No longer will I indulge in hopes of getting you back. It is hope that makes these chains heavier and autumnal nights longer. I will merely serve as a memory to you: the lover that recited love poems. I must go now and I urge you not to look back.”

“We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.”

“The fullness of life is wrapped in all sacred times: plenty and scarcity; happiness and sadness; planting and harvesting; sunrise and sunset; winter and springtime; summer and autumn; beginning and finishing; birth and death…!”

“If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give way to whatever came after. If. If. Fat chance. Summer on Dean Street had lasted one day and that day was over, it was dark out, had been for hours. The Williamsburg Savings Bank tower clock read nine-thirty in red-and-blue neon. Final score, a million to nothing. The million-dollar kid. Your school wasn't on fire, you were.”

“I was only twelve. But I knew how much I loved her. It was that love that comes before all significance of body and morals. It was that love that was no more bad than wind and sea and sand lying side by side forever. It was made of all the warm long days together at the beach, and the humming quiet days of droning education at the school. All the long Autumn days of the years past when I carried her books home from school.”

“November evenings are often cold and dry. It is a season of loss and a season of despair. The world is brown and yellow and naked. The bears had hibernated and the migrants from the north had moved to the south. It was a time of no harvest – and a time of no plantation. All that the people around knew were to sit around the warmth of the bukharis and spend family time with their loved ones. It was the beginning of the spell of despondency. It was the parallel of summer and the heart the autumn-winter transitions. It was a season of sweaters and yathras and jackets. The earth around was cold and barren.”

“Indeed, he could not be long in discovering that people beyond a suspicion of unbalance, or not obviously coveting the moment's arrest of attention gained them by their statements, never had experience with or knowledge of the restless dead. Slowly accepting this as evidence that no such things existed, Mr. Lecky found terrors deeper, and to him more plausible, to fill that unoccupied place - the simple sense of himself alone, and, not unassociated with it, the conception of a homicidal maniac quietly pursuing him. The first was exemplified by chance solitude in what he had considered deep woods. No part in it was played by natural dismay which he might have felt at finding himself lost, and none by any tangible suggestion of danger. Mr. Lecky could not even remember where or when it was. Long ago, under a seamless gray sky which would probably end with snow; in an autumnal silence free from birds, unmoved by the least breath of wind, he had come to be walking at random impulse. Leaves, yellow, tan, drifted deep and loose over the difficulties of an uneven hillside. His feet crashed and crackled in them. He was not going anywhere. He had nothing in mind. It might have been this receptive vacancy of thought which let him, little by little, grow aware of a menace. The unnatural light leaf-buried ground, the low dark sky, the solitary noise of his unskilled progress - none of them was good. He began to notice that though the fall of leaves left an apparent bright openness, in reality it merely pushed to a distance the point at which the woods became as impenetrable as a wall. He walked more and more slowly, listening, hearing nothing; looking, seeing nothing. Soon he stopped, for he was not going any farther. Standing in the deep leaves beneath trees bare and practically dead in the catalepsy of impending winter, he knew that he did not want to be here. A great evil - no more to be named than, met, to be escaped - waited fairly close. So he left. He got out of those woods onto an open road where he need not watch for anything he could not see.”

“I wish I were like the fall...I wish I were like the fall I wish I were like the fall, silent, with no desires at all My wishes' leaves would one by one turn sallow-gold My eyes' sun would grow cold The heaven of my breast would fill with pain And suddenly a storm of grief would seize my heart Like rain my tears would start And stain my dress Oh...how lovely then, if I were like the fall Feral and bitter, with colours seeping into one another, so beautiful - In Love with Sadness”

“NOVEMBER Now chill & grey November Come slowly o'er the plain, Drearily the winter wind Sings songs of future pain. Wrapped closely in deep grey, She scarcely will let pass A little ray of sun To cheer the sodden grass. She scatters with her hand The leaves dried up and brown, The few that yet remain From gay October's crown. Her eyes and dark and sad, Sad for the dying year, And often in the mist There falls a silent tear. Beneath a cheerless sky The trees are standing bare, The fog has risen thick And she is no more there.”

“Gleaming rays gently shine upon nature. Summer has passed the seasonal baton onto Autumn’s cooling hands. But swirling lightly, between the changing leaves, hints of warm summer breezes softly linger in the air. Tender whispers of days under the blazing sunlight, when bees and butterflies danced for the sweet scent of ripened berries, and verdant leaves flourished on the Mulberry.”

“October creeps into the room through faint grey light that stopped dancing on the windowsill since July left. Being haunted by silence makes the air grow weary and faintly colder. I hear the noise of people walking in solitude, thinking to themselves about others— sitting alone in between their steps. Company of ghosts on lonely eves, threading through the rustling of leaves. I can write down what haunts me, yet I cannot read the ones who do. October.”

“Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)”

“Filled with Autumn The earth, drowned in colors, I am the river-born soul of rippling water, when the sky breaks down in torrents, I am the color-bathed soul of feasty meadows. With baskets of gold in autumn fields. The spark, the fire, the seed of life, Let the earthly desires burn and burn. The sun rises, and the sky is painted with gold. The sun drowns, and the forest wears a face of red and russet The drowning sun brings dusky dreams. On the fields, I walk to capture autumn's fragrance. October has brought colorful dreams. The fall footsteps have enlivened the earth, The blank pages of my book fill up with poems of light, For colors break through the cloudy skies. Summer left, and I drowned in silence at its hushed goodbye. But in the forest, I heard the footsteps of autumn, Suddenly, verses float, for the quiet evenings now feast in colors, The cinnamon smell fills the home, and the scent of nutmeg wafts in the air.”