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Performing Quotes

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Performing Quotes

“I didn't know it, but what I was really looking for was compassion. Not consciously of course. I didn't consciously want to become compassionate. Who in his right mind would give up his place at the center of the universe? Compassion is scary. If you open up too much to people, they have power over you and make you i things for them. Better to keep them at a distance ...”

“When I'm on stage, my experience often goes something like this: Blankness . . . bliss . . . blankness . . . twinkle of awareness that rocking has been achieved . . . bliss . . . Voice of Observing Ego yelling over amplifiers, WOW! YOU ARE FUCKING KILLING IT DUUUUDE! . . . Clang! Wrong chord.”

“Under a man's hands--crush of his body--exigent breath--I remembered how to perform. Yes when I meant no. Lust or satisfaction or pleasure. Gratitude, as required, knowing that, naked beneath a man's disappointment, there lay this possibility of violence, as pungent and close-fitting as skin. One pound of flesh, paid freely, was preferable to a bloodier extraction. My past roles of sex kitten and hard bitch, blushing penitent, coy exotic, tease: I'd learned, long before this day, that I could play anything to avoid the role of victim.”

“Dolly was giddy, infused with life and happiness and the peculiar energy that came from having slipped inside another skin. There was nothing that made her spin quite like it, the invisible moment of transition when she stopped being Dolly Smitham and became instead Someone Else. The details of that Someone Else weren't particularly important; it was the frisson of performance she adored, the sublime pleasure of masquerade. It was like stepping into another person's life. Stealing it for a time.”

“I told Chris [Farley] and the writers, "Look. Whatever you do, the one thing to remember is: don't start from the ending [of the "van down by the river" sketch]. Start from the beginning, so that you have somewhere to go." Almost every time Chris did that sketch after I left SNL, he started by breaking the table. I just became one of those dangerous examples of becoming addicted to the big laugh. You become addicted as a performer to that big moment, and you ask yourself, Why am I not just doing my big thing that gets the big reaction? Why am I not just standing up there and doing that?”

“Theirs is a mismatched partnership, yet they're made for one another. Only together can they be their true selves. Outside in the real world, where they have no control over their environment, they are forced to adapt and perform. They are quiet and unassuming and I expect most people forget who they are soon after crossing paths with them. They get away with what they do by hiding in plain sight and by being ordinary. Nobody sees in them what I see because they have no reason to look Only I notice the hollowness of their eyes.”

“You can reach maximum performance by engaging in physical activities.”

“In musical performances one can sense that the person on stage is having a good time even if they're singing a song about breaking up or being in a bad way. For an actor this would be anathema, it would destroy the illusion, but with singing one can have it both ways. As a singer, you can be transparent and reveal yourself on stage, in that moment, and at the same time be the person whose story is being told in the song. Not too many kinds of performance allow that.”

“In the early days, I might have gotten on stage and begun to sing as a desperate attempt to communicate, but now I found that singing was both a physical and emotional joy. It was sensuous, a pure pleasure, which didn't take away from the emotions being expressed—even if they were melancholic. Music can do that; you can enjoy singing about something sad.”

“I would like all my friends, followers, fans and fellow travelers to know that I am fighting cancer and will therefore be taking a break from performing while getting the treatment and cure. I shall of course be continuing to write music - in my world it just has to be part of the therapy - and I fully expect to be back in good shape next year.”

“Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.”