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Sculptors Quotes

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Sculptors Quotes

“Mothers are artists, in their way, wouldn’t you say? They’re like symphony conductors of entire lives. They’re painters or sculptors. And not only is it really hard to shape clay into something really good, but that piece of clay is changing dramatically, all the time, even if you never touch it. A painting won’t get painted if you just leave the canvas alone but a child will still develop into something even if you neglect it. Each mom and each dad has to adapt to what they’re trying to make, hoping to make, and Mom and Dad also have to let that child turn into the creation he or she wants to be. Oh, and then lots and lots of moms and dads have to do this with two or three separate creations, simultaneously. Or, in the case of you, Ora Zella, with eleven creations. How is that not way more impressive than anything a great painter does? Picasso, Shmicasso.”

ParentsParents And ChildrenArtistsSculptorsMomsDadsPainters
Book:Hey Mom: Stories for My Mother, But You Can Read Them Too
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“This simple fact of sculpture making is as true today (Jeff Koons, anyone?) as it was in the nineteenth century. But critics of the Marmorean Flock used it to raise the ageless trope against women artist: they are not the authors of their own works. Marmorean Flock member Harriet Hosmer railed against such spiteful ignorance: "We women-artists have no objection to its being known that we employ assistants; we merely object to its being supposed that it is a system peculiar to ourselves." Nearly all sculptors of the time used stonecutters and other artisans in executing their works. Except, not Lewis. She famously wielded the chisel herself. Early on she probably couldn't afford assistants, but she no doubt continued because as a woman of color she could not afford any hint of fraud.”

FeminismArtistsSculptorsArt HistoryWomen Of Color
Book:Broad Strokes: 15 Women Who Made Art and Made History
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“The sculptor must paint with his chisel; half his touches are not to realize, but to put power into, the form. They are touches of light and shadow, and raise a ridge, or sink a hollow, not to represent an actual ridge or hollow, but to get a line of light, or a spot of darkness.”

LightFormRealizingLinesHalfDarknessShadowRaisesPaintSpotsSculptureHollowSculptorsRidgesLight And ShadowChisels
Book:The seven lamps of architecture
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“As paradoxical as it may seem a great sculptor is as much a colourist as the best painter, or rather the best engraver. He plays so skillfully with all the resources of relief, he blends so well the boldness of light with the modesty of shadow, that his sculptures please one, as much as the most charming etchings.”

WellsMayPlayLightSeemsPleaseShadowResourcesPainterReliefModestyCharmingSculptureBoldnessSculptorsParadoxicalEtching
Book:Rodin on Art and Artists
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“The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.”

GivingMayTwoThreeSpaceObjectsPaintingIllusionConcernStrivePainterLuxuryPlanesPeculiarQuantitySculptureSculptors
Author:Herbert Read
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“Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.”

ArtCreativityStudentsTaughtTrainingOriginalsFundamentalsPainterCraftsArtisticBranchesArchitectRequirementsThoroughWorkshopsSculptorsCraftsmanCraftsmanshipArtistic Creativity
Author:Walter Gropius
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“The only hope I had was when (in his youth)I saw one day a photograph of a sculpture by Wilhelm Lehmbruck, a German sculptor of expressionistic style. This was perhaps the only example, Lehmbruck, between my sixteenth to nineteenth years in which I saw a possibility for art to be principally of interest to innovate some things, instead of writing a very boring, naturalistic repetition of what is already done by nature.”

WritingYearsArtDoneInterestSawsStyleExamplePossibilityYouthOne DayPhotographBoringRepetitionSculptureSculptors
Author:Joseph Beuys
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“No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.”

EndsLastsLeftNationsArmsRepublicanMusicianPoliceDemocratStupidityPainterRadicalCommunistAnarchistBourgeoisSculptorsProletariat
Author:Louis Aragon
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“Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.”

ImportantIdeasSeemsAbilityMaterialsIntegrityDemandOriginalsImportant ThingsIntuitionGuidesCompromiseRealizationGapsConceptionVitalitySculptorsOriginal IdeasCarving
Author:Barbara Hepworth
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“A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,--the wise, the good, or the great man,--very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.”

MenHumansArtSoulMatterLightMightLyingEducationWiseFiguresHeroStonesSaintPhilosopherBlockGreat MenRemoveSculptureStatuesHuman SoulConcealedMarbleRubbishSculptorsSuperfluousPlebeians
Book:The works of ... Joseph Addison, with notes by R. Hurd
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“All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.”

MindArtFeelingsHandsEyeMovingFormFatherLeftMemoriesSeeingCarShapesWestDefinedHillsLandscapeSensationsTouchingRidingSculptureHollowTextureThrustSculptors
Book:A Pictorial Autobiography
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“Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.”

IfsPastAcceptingAbandonOur PastSculptureYour PastSculptors
Book:Louise Bourgeois: memoria y arquitectura : Museo Nacional Centro de Arte Reina Sofía, Madrid, 16 de noviembre de 1999-14 de febrero del 2000
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“One feature about Los Angeles that I particularly love is the chance for association with all kinds of creative artists, a thing I never before have had. I certainly do love a number of the writers, the painters, the musicians, and the sculptors that I meet here. ... Next to the sunshine, I appreciate it the most of anything in California.”

KindArtistNextChanceLove IsNumbersCreativeMusicianAppreciateAll KindsPainterCaliforniaFeaturesSunshineLos AngelesAssociationSculptorsCreative ArtCreative Artists
Author:Gene Stratton-Porter
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