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Bourgeois Quotes

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Bourgeois Quotes

“Like symbolism, decadence puts forth the idea that the function of literature is to evoke impressions and 'correspondences', rather than to realistically depict the world. ... the decadent aestheticized decay and took pleasure in perversity. In decadent literature, sickness is preferable to health, not only because sickness was regarded as more interesting, but because sickness was construed as subversive, as a threat to the very fabric of society. By embracing the marginal, the unhealthy and the deviant, the decadents attacked bourgeois life, which they perceived as the chief enemy of art.”

ArtSicknessBourgeoisSymbolismSubversiveDecadencePerversityDecadentDeviantMarginalLiterature Decay
Author:Asti Hustvedt
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“Ainsi dans le faste ostenstatoire d'une dernière cérémonie, le bourgeois, laissant à ses fils un héritage plus riche que celui qu'il a reçu de son père, quite ce monde où il a conu au moins deux grands sources de joie, la fortune et la vanité... Thus in the ostentatious pomp of a last ceremony, the bourgeois, leaving his sons a richer heritage than he has received from his own father, departs from this world where he has known at least two great sources of joy, the fortune and the vanity...”

JoyHistoryFortuneVanityBourgeois
Book:La Vie Quotidienne sous Louis XIV
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“The bourgeoisie, by the rapid improvement of all instruments of production, by the immensely facilitated means of communication, draws all, even the most barbarian, nations into civilization. The cheap prices of its commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians' intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilization into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.”

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Book:The Communist Manifesto
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“You despise the real bourgeois classes for all their snobbishness and their snobbish voices and ways. You do, don't you? Yet all you put in their place is a horrid little refusal to have nasty thoughts or do nasty things or be nasty in any way. Do you know that every great thing in the story of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?”

LoveLifeArtFeelingsTruthBeautifulPassionBeautyClassThoughtsHatredThoughtDespiseNastyRefusalBourgeoisSnobSnobbishClassesSnobbishnessHorrid
Book:The Collector
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“Naphta loathed the bourgeois state and its love of security. He found occasion to express this loathing one autumn afternoon when, as they were walking along the main street, it suddenly began to rain and, as if on command, there was an umbrella over every head. That was a symbol of cowardice and vulgar effeminacy, the end product of civilization. An incident like the sinking of the Titanic was atavistic, true, but its effect was most refreshing, it was the handwriting on the wall. Afterward, of course, came the hue and cry for more security in shipping. How pitiful, but such weak-willed humanitarianism squared very nicely with the wolfish cruelty and villainy of slaughter on the economic battlefield known as the bourgeois state. War, war ! He was all for it – the universal lust for war seemed quite honorable in comparison.”

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Book:The Magic Mountain
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“It was a cultural revolution, and was not directed at instituting economic changes. He could thus appeal to old prejudices without threatening the existing economic system. This appealed, above all, to white-collar workers and the small entrepreneurs, as some of the statistics presented in this book will demonstrate. It was their kind of revolution: the ideology would give them a new status, free them from isolation in the industrial society, and give them a purpose in life. But it would not threaten any of their vested interests; indeed it would reinforce their bourgeois predilections toward family...and restore the 'good old values' which had been so sadly dismantled by modernity.”

ValuesPrejudiceNostalgiaGermanyMiddle ClassModernityBourgeoisNazismHitlerPreconceptionsWhite CollarIndustrialismPre World War Ii
Book:Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich
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“Man's nature, he postulated, was to be a "free conscious producer," but so far he had not been able to express himself freely in productive activity. He had been driven to produce by need and greed, by a passion for accumulation which in the modern bourgeois age becomes accumulation of capital. His productive activity had always, therefore, been involuntary; it had been "labour.”

CapitalismLaborCommunismBourgeoisCapitalHegelEstrangementMarxAlienated LaborEntfremdungsgeschichteFree Conscious Producer
Book:The Marx-Engels reader
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“The bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and thereby the relations of production, and with them the whole relations of society. Conservation of the old modes of production in unaltered forms, was, on the contrary, the first condition of existence for all earlier industrial classes. Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation, distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away; all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life and his relations with his kind.”

CapitalismBourgeoisEpochBourgeoisieProduction
Book:The Communist Manifesto
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“On one hand she seems so agile, so athletic, and yet I've seen her appear so awkward that it embarrassed me. She gives the impression of a hard, worldly adroitness, and in some situations she's like an adolescent: rigid with ancient, middle class attitudes, unable to think for herself, falling back on old verities...victim of her family teaching, shocked by what shocks people, wanting what people usually want. She wants a home, a husband, and her idea of a husband is a man who earns a certain amount of money, helps around the garden, does the dishes...the idea of a good husband that's found in This Week magazine; a viewpoint from the most ordinary stratum, that great ubiquitous world of family life, transmitted from generation to generation. Despite her wild language.”

LifestyleBourgeois
Book:Confessions of a Crap Artist
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“Я окончательно проясню смысл термина, сказав, что, например, сегодня в коммунистической России советская литература, советское искусство, советская музыка, советские идеалы основательно и нудно буржуазны. За железным — занавес тюлевый. Советский чиновник, крупный или мелкий, — воплощение буржуазного духа, мещанства. Ключ к флоберовскому термину — мещанство господина Омэ.”

Bourgeois
Book:Lectures on Literature
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“Now, who, according to Rousseau, is the bourgeois? Most simply, following Hegel's formula, he is the man motivated by fear of violent death, the man whose primary concern is preservation or comfortable preservation. Or, to de scribe the inner workings of his soul, he is the man who, when dealing with others, thinks only of himself, and, in his understanding of himself, thinks only of others. He is a role-player. The bourgeois is contrasted by Rousseau, on the one hand, with the natural man, who is whole and simply concerned with himself, and with the citizen, on the other, whose very being consists in his relation to his city, who understands his good to be identical with the common good. The bourgeois distinguishes his own good from the common good, but his good requires society, and hence he exploits others while depending on them. He must define himself in relation to them. The bourgeois comes to be when men no longer believe that there is a common good, when the notion of the father land decays. Rousseau hints that he follows Machiavelli in attributing this decay to Christianity, which promised the heavenly fatherland and thereby took away the supports from the earthly fatherland, leaving social men who have no reason to sacrifice private desire to public duty.”

BourgeoisRousseauThe Last Man
Book:Giants and Dwarfs: Essays, 1960-1990
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“Yes, all you French workers have that one idea: you want to dig up a treasure and live on it for evermore in selfish and lazy isolation. You make a great song against the rich, but when fortune give you some money you haven't the guts to give it back to the poor. You will never deserve to be happy so long as you have personal possessions, and your hatred of the bourgeois simply comes from your mad desire to be bourgeois yourselves in their place!”

PoorRichBourgeois
Book:Germinal
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“Knighthood became an anachronism not because its weapons, but because its ‘idealism’ and irrationalism had become out of date. The knight did not understand the motive forces behind the new economy, the new society and the new state; he still persisted in regarding the middle class with its money and ‘narrow-minded’ commercial outlook as an anomaly. The men of the middle class knew much better where they stood with the knights. It amused them to join in the masquerade of the knightly tournaments and the ‘courts of love’, but they treated all such activities as mere sport; in their business activities they remained hard-headed and free from illusions in a world which was the very opposite of chivalrous.”

Middle ClassKnightsBourgeoisZeitgeist
Book:The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages
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“Richardson' moralizing novels contain the germ of the most immoral art that has ever existed, namely the incitement to indulge in those wish-fantasies in which decency is only a means to an end, and the inducement to occupy oneself to mere illusions instead of striving for the solution of the real problems of life. They also, for that reason, denote one of the most important dividing lines in the history of modern literature; previously the works of an author were either really moral or immoral, but since his time the books which want to appear moral in most cases merely moralize. In the struggle against the upper classes the bourgeois loses his innocence, and as he has to emphasize his virtue all too often, he becomes a hypocrite.”

ArtFictionHypocriteBourgeoisWish FulfillmentPre RomanticismMoralizeReading Public
Book:The Social History of Art Volume 3: Rococo, Classicism and Romanticism
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“Finally, to say that "the most favourable condition for wage. labour is the fastest possible growth of productive capital," is the same as to say: the quicker the working class multiplies and augments the power inimical to it—the wealth of another which lords it over that class—the more favourable will be the conditions under which it will be permitted to toil anew at the multiplication of bourgeois wealth, at the enlargement of the power of capital, content thus to forge for itself the golden chains by which the bourgeoisie drags it in its train.”

CapitalismProfitBourgeoisProletariat
Book:Wage-Labour and Capital & Value, Price and Profit
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“All along the river, the people I spoke to were hard-working and deeply attached to the mental security blanket of having a decent house, clean car and steady job. They were relatively wealthy, but at the same time quite ambivalent about wealth, and disdainful of anything which smacked of excessive consumption. Family was important, but having expensive jewellery or a fancy haircut usually were not. People considered it essential to be productive and efficient, but would also think it an outrage to be expected to reply to a work email on the weekend. From Rotterdam to Ludwigshafen, they counted pennies and returned empty bottles, avoided running up debts, and were careful to save for rainy days. Food was enjoyed but unimportant, and a 'salad' was anything covered with mayonnaise, preferably fried first.”

CultureMentalityBourgeoisEuropeansRhineRhenish Culture
Book:The Rhine: Following Europe's Greatest River from Amsterdam to the Alps
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“When I was a boy -- a bourgeois boy -- that term was applied to my social class by the class above it. Bourgeois meant "not aristocratic, therefore vulgar." When I was in my twenties this changed. My class was now vilified by the class below it; bourgeois began to mean "not proletarian, therefore parasitic, reactionary." Thus it has always been a reproach to assign a man to that class which has provided the world with nearly all its divines, poets, philosophers, scientists, musicians, painters, doctors, architects, and administrators.”

Middle ClassBourgeois
Author:C. S. Lewis
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“An experience is an encounter of mind with world, neither of these ever simple or wholly perspicuous. Often commonplace on the surface, experience shows itself, especially when we trace its roots to the remote domains of the unconscious, uncooperative, evasive, taciturn; the creature of ambiguous impulsions and unresolved conflicts, it often sows confusion and compels drastic misreadings. Far more than simply providing occasions for the stereotyped exercise of thoughts and action, experiences participate in creating the object of interest and passion; it gives form to the inchoate wishes and defends against besetting anxieties.”

PsychologyBourgeoisExperiences
Book:Education of the Senses: The Bourgeois Experience: Victoria to Freud
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“The human mind hungers for reality; except for the largely encapsulated id, which is the depository of the raw drives and of deeply repressed material, the other institutions of the mind, the ego and the superego, draw continuously and liberally on the culture in which they subsist, develop, succeed, and fail. While the mind presents the world with its needs, the world gives the mind its grammar, wishes their vocabulary, anxieties their object.”

CultureExperienceBourgeoisPsyche Structure
Book:The Bourgeois Experience: Victoria to Freud, Volume 3: The Cultivation of Hatred
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“The need to live by secure, sharply etched classifications is buried deep in the human mind and one of its earliest demands; simplicity allays anxieties by defeating discriminations. Real situations are rarely clear-cut, real feelings often nests of ambivalence. This is something the adult learns to recognize and to tolerate, if he is fortunate; it is a strenuous insight from which he will regress at the first opportunity. That is why the liberal temper, which taught men to live with uncertainties and ambiguities, the most triumphant achievement of nineteenth-century culture, was so vulnerable to the assaults of cruder views of the world, to bigotry, chauvinism, and other coarse and simplistic classifications. "Every society," wrote Friedrich Nietzsche in one of his most brilliant aphorisms, "has the tendency to degrade and, as it were, to starve out, its adversaries—at least in its perception." The criminal, he thought, was one victim of such a regressive process; so was the Jew. And "among artists, the 'philistine and bourgeois' becomes a caricature." And artists, the avant-gardes, Nietzsche might have added, only set the tone for the wider culture. Class consciousness, which emerged fitfully and then more and more fully and aggressively towards the end of the eighteenth and in the early nineteenth century, enshrined such a caricature: a mixture and social reality and unconscious needs.”

SimplicityUncertaintyBigotryBourgeoisSimplificationSocial RealityUnconscious Needs
Book:Education of the Senses: The Bourgeois Experience: Victoria to Freud
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“Except for the field organizers of strikes, who were pretty tough monkeys and devoted, most of the so-called Communists I met were middle-class, middle-aged people playing a game of dreams. I remember a woman in easy circumstances saying to another even more affluent: 'After the revolution even we will have more, won't we, dear?' Then there was another lover of proletarians who used to raise hell with Sunday picknickers on her property. I guess the trouble was that we didn't have any self-admitted proletarians. Everyone was a temporarily embarrassed capitalist. Maybe the Communists so closely questioned by the investigation committees were a danger to America, but the ones I knew—at least they claimed to be Communists—couldn't have disrupted a Sunday-school picnic. Besides they were too busy fighting among themselves.”

SocialismHypocrisyBourgeoisClass StruggleClass WarfareCommunists1960Frequently Misquoted
Book:America and Americans and Selected Nonfiction
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“Economists have a singular method of procedure. There are only two kinds of institutions for them, artificial and natural. The institutions of feudalism are artificial institutions, those of the bourgeoisie are natural institutions. In this, they resemble the theologians, who likewise establish two kinds of religion. Every religion which is not theirs is an invention of men, while their own is an emanation from God. When the economists say the present-day relations--the relations of bourgeois production--are natural, they imply that these are the relations in which wealth is created and productive forces developed in conformity with the laws of nature. These relations therefore are themselves natural laws independent of the influence of time. They are eternal laws which must always govern society. Thus, there has been history, but there is no longer any. There has been history, since there were institutions of feudalism, and in these institutions of feudalism we find quite different relations of production from those of bourgeois society, which the economists try to pass off as natural and, as such, eternal.”

ReligionHistoryPerspectiveEconomicsInstitutionsBourgeoisMarketProduction
Book:The Poverty of Philosophy
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“The Constitution, the National Assembly, the dynastic parties, the blue and the red republicans, the heroes of Africa, the thunder from the platform, the sheet lightning of the daily press, the entire literature, the political names and the intellectual reputations, the civil law and penal code, the liberté, égalité, fraternité and the second of May 1852—all have vanished like a phantasmagoria before the spell of a man whom even his enemies do not make out to be a magician. Universal suffrage seems to have survived only for a moment, in order that with its own hand it may make its last will and testament before the eyes of all the world and declare in the name of the people itself: Everything that exists has this much worth, that it will perish.”

RevolutionConstitutionSocialismFranceFascismDictatorshipDictatorMagicianMonarchyBourgeoisAuthoritarianismSuffrageRepublicansDynastySpellPressNapoleonAuthoritarianThird RepublicCoup D EtatFrench RepublicBrumaireCipollaLouis BonaparteMario And The MagicianMountebank
Book:The Eighteenth Brumaire of Louis Bonaparte
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“That night, I hated father. He smelt of cabbage. There was cigarette ash all over his trousers. His untidy moustache was yellower and viler than ever with nicotine, and he took no notice of me. He simply sat there in his ugly arm-chair, his eyes half closed, brooding on the Lord knows what. I hated him. I hated his moustache. I even hated the smoke that drifted from his mouth and hung in the stale air above his head. And when my mother came through the door and asked me whether I had seen her spectacles, I hated her too. I hated the clothes she wore; tasteless and fussy. I hated them deeply. I hated something I had never noticed before; it was the way the heels of her shoes were worn away on their outside edges - not badly, but appreciably. It looked mean to me, slatternly, and horribly human. I hated her for being human - like father. She began to nag me about her glasses and the thread-bare condition of the elbows of my jacket, and suddenly I threw my book down. The room was unbearable. I felt suffocated. I suddenly realised that I must get away. I had lived with these two people for nearly twenty-three years. I had been born in the room immediately overhead. Was this the life for a young man? To spend his evenings watching the smoke drift out of his father's mouth and stain that decrepit old moustache, year after year - to watch the worn-away edges of my mother's heels - the dark-brown furniture and the familiar stains on the chocolate-coloured carpet? I would go away; I would shake off the dark, smug mortality of the place. I would forgo my birthright. What of my father's business into which I would step at his death? What of it? To hell with it. ("Same Time, Same Place")”

BourgeoisBourgeoisiePetulance
Book:Weird Shadows From Beyond: An Anthology of Strange Stories
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“But a man of tender sensitivities finds disruption unpleasant; he finds it unpleasant to break in on a well-constructed train of thought with his own logical or historical objections culled from memory, and even in the anti-intellectual he will honor and respect the intellect. Today we can see clearly enough that it was the mistake of our civilization to have been all too generous in exercising such forbearance and respect—since on the opposing side we were indeed dealing with naked insolence and the most determined intolerance.”

GermanyFascismIntoleranceEtiquettePolitenessBourgeoisInsolenceAnti Intellectual
Book:Doctor Faustus
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“If you can see, hear, feel, and think, you should know that King Dollar rules the United States, and that the workers are robbed and exploited in this country to the heart's content of the masters.If you are not deaf, dumb, and blind, then you know that the American bourgeois democracy and capitalistic civilization are the worst enemies of labor and progress, and that instead of protecting them, you should help to fight to destroy them.”

IfsThinkingKnowsFeelsShouldHeartCountryStatesHelpingFightingUnitedEnemyUnited StatesDemocracyProgressWorstMastersKingsCivilizationLaborBlindDollarsWorkersDumbDeafBourgeoisWorst Enemy
Author:Alexander Berkman
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“What modern art means is that you have to keep finding new ways to express yourself, to express the problems, that there are no settled ways, no fixed approach. This is a painful situation, and modern art is about this painful situation of having no absolutely definite way of expressing yourself.”

WayMeanArtProblemSituationModernFindingsApproachArt IsPainfulFixedNew WaysDefiniteExpress YourselfBourgeoisModernismModern ArtPainful Situations
Book:Bourgeois
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“At the dinner table when I was very little, I would hear people bickering... To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread %u2013 sometimes it was still warm %u2013 I would make little figures. And I would line them up on the table and this was really my first sculpture.”

PeopleFirstsLittlesStillsSometimesLinesFiguresTablesFingersWarmDinnerBreadSculptureBourgeoisDinner TableDoughModellingBickeringFrench Bread
Author:Louise Bourgeois
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