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John Dryden

John Dryden Quotes

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Famous John Dryden Quotes

“So love with phantoms cheats our longing eyes, Which hourly seeing never satisfies; Our hands pull nothing from the parts they strain, But wander o’er the lovely limbs in vain: Nor when the youthful pair more closely join, When hands in hands they lock, and thighs in thighs they twine, Just in the raging foam of full desire, When both press on, both murmur, both expire, They gripe, they squeeze, their humid tongues they dart, As each would force their way to t’other’s heart – In vain; they only cruise about the coast, For bodies cannot pierce, nor be in bodies lost.”

“Farewell, ungrateful traitor, Farewell, my perjured swain; Let never injured creature Believe a man again. The pleasure of possessing Surpasses all expressing, But 'tis too short a blessing, And love too long a pain. 'Tis easy to deceive us In pity of your pain; But when we love you leave us To rail at you in vain. Before we have descried it There is no bliss beside it, But she that once has tried it Will never love again. The passion we pretended Was only to obtain, But when the charm is ended The charmer you disdain. Your love by ours we measure Till we have lost our treasure, But dying is a pleasure When living is a pain.”

“Mr Hobbes, in the preface to his own bald translation of the "Ilias," (studying poetry as he did mathematics, when it was too late,) Mr Hobbes, I say, begins the praise of Homer where he should have ended it. He tells us, that the first beauty of an epic poem consists in diction; that is, in the choice of words, and harmony of numbers. Now the words are the colouring of the work, which, in the order of nature, is last to be considered; the design, the disposition, the manners, and the thoughts, are all before it: where any of those are wanting or imperfect, so much wants or is imperfect in the imitation of human life, which is in the very definition of a poem. Words, indeed, like glaring colours, are the first beauties that arise, and strike the sight; but, if the draught be false or lame, the figures ill disposed, the manners obscure or inconsistent, or the thoughts unnatural, then the finest colours are but daubing, and the piece is a beautiful monster at the best. Neither Virgil nor Homer were deficient in any of the former beauties; but in this last, which is expression, the Roman poet is at least equal to the Grecian, as I have said elsewhere: supplying the poverty of his language by his musical ear, and by his diligence.”

“A man so various, that he seem'd to be Not one, but all Mankinds Epitome. Stiff in Opinions, always in the wrong; Was every thing by starts, and nothing long: But, in the course of one revolving Moon, Was Chymist, Fidler, States-Man, and Buffoon: Then all for Women, Painting, Rhiming, Drinking; Besides ten thousand freaks that dy'd in thinking. Blest Madman, who coud every hour employ, With something New to wish, or to enjoy! Rayling and praising were his usual Theams; And both (to shew his Judgment) in Extreams: So over Violent, or over Civil, That every man, with him, was God or Devil. In squandring Wealth was his peculiar Art: Nothing went unrewarded, but Desert. Begger'd by Fools, whom still he found too late: He had his Jest, and they had his Estate.”

“Beauty is nothing else but a just accord and mutual harmony of the members, animated by a healthful constitution.”