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Diction Quotes

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Diction Quotes

“Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them "The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females"; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them "Murder your mother," and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same. Say to them "It is not improbable that a period may arrive when the narrow if once useful distinction between the anthropoid homo and the other animals, which has been modified on so many moral points, may be modified also even in regard to the important question of the extension of human diet"; say this to them, and beauty born of murmuring sound will pass into their face. But say to them, in a simple, manly, hearty way "Let's eat a man!" and their surprise is quite surprising. Yet the sentences say just the same thing.”

EugenicsDiction
Book:Eugenics and Other Evils : An Argument Against the Scientifically Organized State
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“It’s the Queen’s English now,’ observed Peter mildly. ‘Is there a difference?’ asked Oundle rhetorically. ‘I fervently hope not.’ ‘There will be in time,’ said Peter. ‘That will be deplorable,’ replied Oudle. ‘I shall not myself deviate by a syllable from correct usage.’ ‘My language is foul, and yours is Fowler?’ said Peter, and added one of his sudden quirky smiles, ‘or know your Onions.’ This quip crossed the barrier of the table, because the man sitting nearly opposite Peter laughed. ‘Onions?’ said Oudle. ‘C.T. Onions, I imagine,’ said the man opposite. ‘Editor of the Oxford English Dictionary.’ ‘Oh, I see,’ said Oudle. ‘Very droll.”

SnobberyDictionEnglish Usage
Book:The Late Scholar
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“This unfortunate phenomenon happened throughout the professor’s career—the students, who could not bear natural interest in the lectures, profited off O’Hare’s passion. They rested their fangs on her neck and used her original elixir for their needs. If they did it unconsciously, then another phenomenon would occur. The students imitated their teachers. And it was the largest robbery of education. By using the vocabulary of their passionate elders, young, ambitious minds convinced themselves and the world of something they did not believe in. Articulation was so personal. It was the result of countless experiences, people, readings, and reflections. When expressing an authentic belief, some ears were fooled by the speaker’s passion, which was like a contagious trance. So those ears applied others’ articulation as their own. By seeing O’Hare speak enthusiastically about a topic, one, with enough attention, could easily think they loved the topic, too.”

TeachingIdentityStudentsCollegePersonalitySpeechUniversityVocabularyArticulationDiction
Book:A Happy Ghost
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“Mr Hobbes, in the preface to his own bald translation of the "Ilias," (studying poetry as he did mathematics, when it was too late,) Mr Hobbes, I say, begins the praise of Homer where he should have ended it. He tells us, that the first beauty of an epic poem consists in diction; that is, in the choice of words, and harmony of numbers. Now the words are the colouring of the work, which, in the order of nature, is last to be considered; the design, the disposition, the manners, and the thoughts, are all before it: where any of those are wanting or imperfect, so much wants or is imperfect in the imitation of human life, which is in the very definition of a poem. Words, indeed, like glaring colours, are the first beauties that arise, and strike the sight; but, if the draught be false or lame, the figures ill disposed, the manners obscure or inconsistent, or the thoughts unnatural, then the finest colours are but daubing, and the piece is a beautiful monster at the best. Neither Virgil nor Homer were deficient in any of the former beauties; but in this last, which is expression, the Roman poet is at least equal to the Grecian, as I have said elsewhere: supplying the poverty of his language by his musical ear, and by his diligence.”

FormPoetryWordsTranslationDiction
Book:Dryden
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“When I became thoroughly acquainted with the Greek and Roman authors, I thought it incumbent upon me to do something towards the honor of the place of my nativity, and to vindicate the rhetoric of this ancient forum of our Metropolis from the aspersions of the illiterate by composing A Treatise of the Alercation of the Ancients; wherein I have demonstrated that the purity, sincerity, and simplicity of their diction is nowhere so well preserved as amongst my neighbourhood.”

WellsHonorSimplicityAncientGreekPuritySincerityRhetoricComposingIlliterateForumsIncumbentsNeighbourhoodsMetropolisDictionNativityAspersion
Book:The Life and Works of John Arbuthnot, M.D.: Fellow of the Royal College of Physicians
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“Many of the finest and most interesting emotions perish forever, because too complex and fugitive for expression. Of all things relating to man, his feelings are perhaps the most evanescent, the greater part dying in the moment of their birth. But while emotions perish, thought blended in diction is immortal.”

MenMomentsFeelingsInterestingEmotionForeverGreaterDyingExpressionBirthAll ThingsComplexesImmortalFinestMost InterestingFugitiveDiction
Author:William Benton Clulow
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“Propriety of thought and propriety of diction are commonly found together. Obscurity and affectation are the two greatest faults of style. Obscurity of expression generally springs from confusion of ideas; and the same wish to dazzle, at any cost, which produces affectation in the manner of a writer, is likely to produce sophistry in his reasonings.”

TwoIdeasTogetherFoundWishStyleProduceExpressionCostSpringFaultsConfusionReasoningObscurityProprietyDazzleDictionSophistry
Book:Machiavelli : the Founder of the Political
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“In conducting interviews, my fascination is not only with the content of the conversation, but also the overall delivery of spoken language - so much of one's personality and story is embedded within their speech, their rhythms, the structure of their thoughts, their use of particular diction or dialect.”

StoriesUseLanguageParticularPersonalityConversationSpeechStructureRhythmInterviewsFascinationDeliveryEmbeddedConductingDialectDictionSpoken Language
Author:Steve Cosson
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“For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't.”

WayWritingTryingKindMeanImportantReasonStoriesOrderGivenMonthsSettingSettingsNarrativeCollectionsPlotStanceDictionTicsTic Tacs
Author:Roy Kesey
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“When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.”

WayWritingLongStillsLightHairSurvivalTasksUnityFingersMetaphorHeavySlipsThickDiverseSoupAttemptingSimileHandfulFablesStrandsCoarseUnrulyDictionBraids
Author:Edwidge Danticat
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