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“In the absence of a formally agreed, worldwide dictionary definition of 'Quotography' (in 2016), here are my two cents worth: 'Quotography is the art of pairing unique quotations with complementary images in order to express thought-provoking ideas, challenging concepts, profound sentiments'.”

“Living with contradiction may be nothing new to humans, but acknowledging it, and accepting it are. Even the dictionary has trouble accepting a paradox, calling it 'two things that seem to be contradictory but may possibly be true.' But that's not a real paradox--a real paradox IS contradictory and IS true. So I don't even call them paradoxes anymore, I call them 'contradictory co-existing realities,' both in direct opposition to each other, both true at the same time.”

“An aphorism is nothing else but the slightest form of writing raised to the highest level of expressive communication. Let’s make an example. Being a scholar of stupidity, how might I avoid to thank a lot of people for their existence. Carl William Brown”

“About 35-40% of the time, a player wants to create a word ending in a specific letter. This, however, is not the way we traditionally think, and, not to mention, this is not the way dictionaries are sorted. In other words, in many situations, conventional dictionaries are not arranged in an easy to use manner. This dictionary solves that problem by sorting on the last letter of the word.”

“FV: Annandale defines 'definition' as "an explanation of the signification of a term." Yet Oxford, on the other hand, defines it as "a statement of the precise meaning of a word." A small, perhaps negligible difference you might think. And neither, would you say, is necessarily more correct than the other? But now look up each of the words comprising each definition, and then the definitions of those definitions, and so on. Some still may only differ slightly, while others may differ quite a lot. Yet any discrepancy, large or small, only compounds that initial difference further and further, pushing each 'definition' farther apart. How similar are they then at the end of this process...assuming it ever would end? Could we possibly even be referring to the same word by this point? And we still haven't considered what Collins here...or Gage, or Funk and Wagnalls might have to say about it. Off on enough tangents and you're eventually led completely off track. ML: Or around in circles. FV: Precisely! ML: Oxford, though, is generally considered the authority, isn't it? FV: Well, it's certainly the biggest...the most complete. But then, that truly is your vicious circle - every word defined...every word in every definition defined...around and around in an infinite loop. Truly a book that never ends. A concise or abridged dictionary may, at least, have an out... ML: I wonder, then, what the smallest possible "complete dictionary" would be? Completely self-contained, that is, with every word in every definition accounted for. How many would that be, do you suppose? Or, I guess more importantly, which ones? FV: Well, that brings to mind another problem. You know that Russell riddle about naming numbers?”

“There are occasions, however, when even S holds a secret delight or two in the form of a pink, such as the one I found among the citations (or "cits" for short) for "sex kitten": sex kitten sex pot There is no essential difference in these defs [definitions], but they're not the same. Some differentiation shd be made. The pink was written by one of our former physical science editors infamous for commenting as brusquely as possible on things beyond his remit... Another one of our science editors who was reviewing the batch later was apparently irritated by this note, and decided to comment on what he no doubt saw as needless meddling. His typewritten response to the note about "sex kitten" reads, "I will no doubt regret saying this but I think you have misconstrued the meaning of 'physical' science somewhere along here." But a pink's a pink. Steve acted on it for the Tenth, adding the word "young" to the definition for "sex kitten.”

“No writer ever knows enough words but he doesn’t have to try to use all that he does know. Tests would show that I had an enormous vocabulary and through the years it must have grown, but I never had a desire to display it in the way that John Updike or William Buckley or William Safire do to such lovely and often surprising effect. They use words with such spectacular results; I try, not always successfully, to follow the pattern of Ernest Hemingway who achieved a striking style with short familiar words. I want to avoid calling attention to mine, judging them to be most effective as ancillaries to a sentence with a strong syntax. My approach has been more like that of Somerset Maugham, who late in life confessed that when he first thought of becoming a writer he started a small notebook in which he jotted down words that seemed unusually beautiful or exotic, such as chalcedony, for as a novice he believed that good writing consisted of liberally sprinkling his text with such words. But years later, when he was a successful writer, he chanced to review his list and found that he had never used even one of his beautiful collection. Good writing, for most of us, consists of trying to use ordinary words to achieve extraordinary results. I struggle to find the right word and keep always at hand the largest dictionary my workspace can hold, and I do believe I consult it at least six or seven times each working day, for English is a language that can never be mastered.* [*Even though I have studied English for decades I am constantly surprised to find new definitions I have not known: ‘panoply’ meaning ‘a full set of armor’, ‘calendar’ meaning ‘a printed index to a jumbled group of related manuscripts or papers’. —Chapter IX “Intellectual Equipment”, page 306”

“In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the end of a stretch of sound that matches some entry in our mental dictionary.”

“My pictures are complex and so am I. When I am almost symbolistic in writing, there is a more limiting difference’s of accepting, while I can be even more complex in the photographs and people can usually accept them within the framework of their own limitations or lack of limitations – there is no dictionary meaning… they can look up for the photographic image and allow it to confuse them.”

“A library is many things. It's a place to go, to get in out of the rain. It's a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books---the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go.”

“Economists use the word consume to mean "utilize economic goods," but the Shorter Oxford Dictionary's definition is more appropriate to ecologists: "To make away with or destroy; to waste or to squander; to use up." The economies that cater to the global consumer society are responsible for the lion's share of the damage that humans have inflicted on common global resources.”

“The bold and discerning writer who, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense has no following and is tartly reminded that 'it isn't in the dictionary' - although down to the time of the first lexicographer no author ever had used a word that was in the dictionary.”

“H. L Mencken's Dictionary of the American Language supplies a long list of slang terms for being drunk, but the Irish are no slouches, either. They're spannered, rat-arsed, cabbaged, and hammered; ruined, legless, scorched, and blottoed; or simply trolleyed or sloshed. In Kerry, you're said to be flamin'; in Waterford, you're in the horrors; and in Cavan, you've gone baloobas, a tough one to wrap your tongue around if you ARE baloobas. In Donegal, you're steamin', while the afflicted in Limerick are out of their tree.”

“The verb 'to darn' is explained in my pocket dictionary as follows: 'To mend by imitating the texture of the stuff, with thread and needle.' But this definition does not correspond to the work accomplished by good Chinese housewives. When they mend a sock, they do not try 'to imitate the texture of the stuff'. Their art makes no attempt at concealment: it even takes a certain pride in revealing itself.”