Quotessence
Home / Topics / How To Write Quotes

How To Write Quotes

Browse 66 quotes about How To Write.

How To Write Quotes

“On the day I started my self-examination I asked myself these questions: ‘Am I interested in people? Do ideas excite me? Am I knowledgeable enough about novels to write one?’ I’m sure there were other questions, but I forget them now. My earliest memories involve being one among many other children, so I did not grow up with a self-centered view of myself, and because of my early jobs I knew a great deal about life. I had knocked about America as a lad, seen Europe in my college years and had been in the Pacific as an adult. But most important, I had always loved people, their histories, the prestigious things they did and said, and I especially relished their stories about themselves. I was so eager to collect information about everyone I met that I was practically a voyeur, and always it was their accounts that mattered, not mine, for I was a listener, not a talker. If the writing of fiction was the reporting of how human beings behaved, I was surely eligible, for I liked not only their stories, I liked them. As for ideas on which to base my writing, I was interested in everything—I was a kind of intellectual vacuum cleaner that picked up not only the oddest collection of facts imaginable but also solid material on the basic concerns of life.” —Chapter XI, “Intellectual Equipment”, page 297”

“A writer reports on the universe. When he presents his credentials, the gates of heaven and hell are equally opened to him. He can hear the devil’s defense and god’s accusations. The guards at the king’s heart let him in. The writer can be anything and any one he wants. When he writes he is a god, he creates.”

“When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she’d gone and I’d felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.”

“Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama.”

“Writing is sharing. You share what you have. Great writers have more to share”

“How do you feel when you read stuff written by dead authors? A visit by a ghost?”

“A writer is never alone, he is always with himself”

“I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It’s ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking”

“The power of a writer is that he is a god of sorts. He can create his own worlds and populate them with his own people, all by the powers of his imagination. It's the closest a man can come close to the gods. No wonder the most successful writers are considered immortals”

“Many writers write because they’ve been there, seen that, did it and burnt their fingers”

“Don't believe in everything that is written. Not everything that is written is true”

“One author said "I write because I want to live a footprint in the sands of history.” It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants”

“If I can write, who possibly can’t. Even drawing a line in the sand is writing”

“No writer ever knows enough words but he doesn’t have to try to use all that he does know. Tests would show that I had an enormous vocabulary and through the years it must have grown, but I never had a desire to display it in the way that John Updike or William Buckley or William Safire do to such lovely and often surprising effect. They use words with such spectacular results; I try, not always successfully, to follow the pattern of Ernest Hemingway who achieved a striking style with short familiar words. I want to avoid calling attention to mine, judging them to be most effective as ancillaries to a sentence with a strong syntax. My approach has been more like that of Somerset Maugham, who late in life confessed that when he first thought of becoming a writer he started a small notebook in which he jotted down words that seemed unusually beautiful or exotic, such as chalcedony, for as a novice he believed that good writing consisted of liberally sprinkling his text with such words. But years later, when he was a successful writer, he chanced to review his list and found that he had never used even one of his beautiful collection. Good writing, for most of us, consists of trying to use ordinary words to achieve extraordinary results. I struggle to find the right word and keep always at hand the largest dictionary my workspace can hold, and I do believe I consult it at least six or seven times each working day, for English is a language that can never be mastered.* [*Even though I have studied English for decades I am constantly surprised to find new definitions I have not known: ‘panoply’ meaning ‘a full set of armor’, ‘calendar’ meaning ‘a printed index to a jumbled group of related manuscripts or papers’. —Chapter IX “Intellectual Equipment”, page 306”

“I'll call any length of fiction a story, whether it be a novel or a shorter piece, and I'll call anything a story in which specific characters and events influence each other to form a meaningful narrative. I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing. When they realize that they aren't writing stories, they decide that the remedy for this is to learn something that they refer to as "the technique of the short story" or "the technique of the novel." Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.”

“They say you shouldn't judge a book by its cover. But if there's a shirtless guy on your cover, or your title includes the words billionaire, alpha-male, werewolf or werebear, your "book" is probably a pile of unimaginative, derivative drivel devoid of a single original thought. Yet another poorly written romance clone the world didn't need.”

“Even if there were no more books published ever, there are still more books in existence today than anyone can read. And most of them suck. Good luck trying to find a good one. It's like finding a needle in a hay stack.”

“Books used to be written by humanity's greatest thinkers, or at least our greatest entertainers. Now every halfwit can publish his verbal diarrhea. And millions of shitty, mediocre, uninspired, trite books are drowning out mankind's greatest literary accomplishments.”

“Pro tip: If you can't think of anything more interesting to post on social media than a picture of your cup of coffee, you are boring and you have nothing interesting to say.”

“Conformists are boring. Artists are interesting. That's the difference between a wannabe writer and a real writer.”

“You have to make people care about your book. They have to love it or hate it. If they don't care about your book, you have failed as a writer.”

“Self-publishing is not nearly as easy as people think it is. Sure, you can upload some crappy manuscript online and slap some run-of-the-mill cover on it. But that doesn't mean anyone wants to read it.”

“The large companies that offer self-publishing services don't care whether you buy a copy of Dracula, a copy of Frankenstein, and a copy of Fifty Shades of Grey – or if you buy three "proof copies" of your own book. They still sold you three books. And they know that wannabe writers are so proud of their own crappy book, they'll buy a whole bunch of copies to give to their friends and family. Wannabe writers are their best customers.”

“Basically the self-publishing industry's business model is based on selling you your own book. You're giving them money so that you can feel like a writer.”

“Some people feel that cheap immigrant labor is bringing down wages, which makes it impossible for Americans to earn a living. A lot of real writers feel the same way about the influx of millions of wannabe writers into their profession.”

“In the past, ten authors made a million bucks each. Now a million authors make ten bucks each. Is that better? No. That's not helping anyone. Your vanity is making it harder for real writers to feed their families.”

“Most self-published books are kinda like dreams. Your dream was interesting to you, but when you tell others what you dreamed last night, their eyes glaze over, because your nightly hallucinations really aren't all that interesting to anyone else.”

“Chances are, even your friends and family aren't really interested in reading your self-published book. Your mom might read it to do you a favor, but if it wasn't written by her precious little angel, she probably couldn't care less about it.”

“Readers can only read so many books in a month. And unless you give them a really good reason to read your book, they'll prefer to read some other, more famous book. You're competing for the reader's attention. And if you don't even know that, you've already lost.”

“When you self-publish a book, not only are you competing with millions of other books, you're also at a disadvantage because your book is self-published, and a lot of readers are unwilling to even try your book, because they've had so many bad experiences.”

“Before you take anyone's advice, check the sales rank of their own books. If their Amazon sales rank is somewhere around 700,000 or worse, they're barely selling one book per month, if even that. Why would you follow their advice? They have no idea what they're talking about. They're rookies pretending to be experts. It's almost like they're role playing. They're make-believe writers, the way kids are make-believe astronauts or pirates.”

“Its pretty annoying to real writers, when some unqualified, talent-free hack calls himself a writer, because it devalues the word. Millions of shitty self-published wannabe writers are giving real indie writers with real talent a bad name.”

“If everyone is suddenly a writer, then no one is. It feels like cultural appropriation. You're stealing their identity. You're appropriating the one thing that is sacred to real writers. You're not a writer. You like to write. There's a difference. To you it's just a hobby, and yet you decorate yourself with stolen feathers. You give yourself a title you haven't earned and don't deserve. Just like you can't wake up one day and pretend now you're a proctologist.”

“Have you traveled the globe? Have you been places, done things and experienced the world? Have you lived a colorful, unique life? If not, you have nothing of value to contribute to humanity. Everything you write is not based on real world experience but recycled second hand information.”

“You can't be a writer if you haven't done shit and experienced nothing interesting. They say write what you know. If you know nothing about life, you can't be a good writer. Good writing is based on who you are as a person. Every good book is a part of who you are. Every good writer reveals his true self in his books. If there is nothing interesting to reveal, go be an accountant or something. You have no business being a writer.”

“The difference between some random toddler scribbling some crappy drawing and Leonardo da Vinci is that Leonardo has talent. Someone with no talent is not the same as someone with talent.”

“If someone with talent creates something, it's art. When someone with no talent creates something, it's crap.”

“If you want to be a good writer, you need to be a talented artist. And artists are unique and stand out. Artists are the opposite of conformists.”

“If you want to be a good writer, you need to be a talented artist. And artists are unique and stand out. Artists are the opposite of conformists. So by doing what everyone else is doing, you're proving your mediocrity, and your lack of artistic uniqueness. When you follow everyone else's example, you are by definition not an artist. You're a copy cat.”

“Not every self-published indie author is bad. There actually are some very good ones. But they're the exception, not the rule.”

“Shakespeare was one in a million. That makes you pretty unique, if there's only one million people. But when there's a hundred million people, then being one in a million means there are 100 people just as talented as you. In a country of 300 million people, there are 300 people like you. And in a world of seven billion people, you're competing with 7000 other people who are every bit as good as you. I wonder if Shakespeare would have gotten famous if he lived today, and had to compete with 7000 other Shakespeares.”

“She takes up the brush, dips it, and, on the same piece of paper, executes the first stroke. "Do not think about the character you're making. Only think about the line, the single movement. It's like a dance, ne? If you concentrate too much on the final steps, you will miss the present ones." Another stroke, one more, and she has completed the pictograph. It is beautiful, worthy of being on a wall, and I say so. She shakes her head. "I still have much to learn, but it is passable. It doesn't have to be perfect, however. Kanji is an expression of the soul.”

“I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me—such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars.”

“You say you have nothing to write about? How do you find things to talk about? You can write about those things you like to talk about, that's your area of expertise”