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Craft Quotes

Browse 94 quotes about Craft.

Craft Quotes

“I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place, because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.”

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Author:Kamand Kojouri
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“Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to.... How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see.”

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Book:The Pleasures and Sorrows of Work
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“This is the essence of Rembrandt's advice to Van Hoogstraten: the authentic craft develops naturally from one's own experience. So, it seems reasonable to suggest that the search should not be for the lost secrets, but for one's own practice. This is in fact easy, you start making things. At first they might not be perfect, but the information here should provide you with a running start. And, if you are cut out for this the learning curve will not be daunting, because you will realize that you are finally headed in the right direction: towards the living craft.”

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Author:Tad Spurgeon
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“Writing for the press cannot be recommended as a permanent resource to anyone qualified to accomplish anything in the higher departments of literature or thought: not only on account of the uncertainty of this means of livelihood, especially if the writer has a conscience, and will not consent to serve any opinions except his own; but also because the writings by which one can live are not the writings which themselves live, and are never those in which the writer does his best. Books destined to form future thinkers take too much time to write, and when written come, in general, too slowly into notice and repute, to be relied on for subsistence. Those who have to support themselves by their pen must depend on literary drudgery, or at best on writings addressed to the multitude; and can employ in the pursuits of their own choice, only such time as they can spare from those of necessity; which is generally less than the leisure allowed by office occupations, while the effect on the mind is far more enervating and fatiguing. For my own part I have, through life, found office duties an actual rest from the other mental occupations which I have carried on simultaneously with them. They were sufficiently intellectual not to be a distasteful drudgery, without being such as to cause any strain upon the mental powers of a person used to abstract thought, or to the labour of careful literary composition.”

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Book:Autobiography
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“When you are posessed by evil spirits, it is crafty manipulations that you follow; but when you are posessed by the Holy Spirit of God, it is wise discretions you pursue!”

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Author:Israelmore Ayivor
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“The world is a busy place filled with many busy businesses, both the Godly and the ungodly. It means before you go on to accept any activity or event that comes into the world, you must weigh its Values, examine the Virtues, listen to Views and then you give your Verdict. Satan is not wise; he is just crafty!”

WorldGodActionJesusChristViewsBusinessVirtueWiseActivityJesus ChristFood For ThoughtValueIsraelmore AyivorSatanGodlyListenSatanicVerdictGod Loves YouCraftCraftyBuyExamineCarnalityWeighCraftinessGod S WorkUngodlyBusy BodyTrickishWorldiness
Author:Israelmore Ayivor
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“It's best to have your tools with you. If you don't, you're apt to find something you didn't expect and get discouraged." I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.”

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Book:On writing: a memoir of the craft
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“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

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Author:Roman Payne
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“The symptoms of a writer who hasn’t found their way clear of the needs of Self yet are easy to spot. I should say the symptoms are easy for everyone else to spot, that is, and not so easy for the writer themself to see. You’ll see a writer who does not trust the characters to speak and move on their own, but has to puppeteer them; a writer who does not trust the reader to understand what’s written. One who must insert parentheticals in various forms to explain the work to the reader; flashbacks to explain; big black blocks of text on the page to explain; question-and-answer dialog between characters who aren’t in a courtroom; walk-and-talk characters with their mouths full of dialog of what the story is about; too many stage directions that make the script read like a novel…”

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Book:ANATOMY OF A SCREENPLAY THIRD EDITION
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“The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.”

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Book:The Works of Anne Bradstreet
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“Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis’s comments on them, and burned them.”

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Book:Possession
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“We call that real problem the SHARD OF GLASS. It's a psychological wound that has been festering beneath the surface of your hero for a long time. The skin has grown over it, leaving behind an unsightly scar that causes your hero to act in the way they act and make the mistakes that they do (flaws!). You, as the author and creator of this world, have to decide how this shard of glass got there. Why is your hero so flawed? What happens to them to make them the way they are?”

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Book:Save the Cat! Writes a Novel
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“[Soetsu Yanagi's] main criticism of individual craftsmen and modern artists is that they are overproud of their individualism. I think I am right in saying Yanagi's belief was that the good artist of craftsman has no personal pride because in his soul he knows that any prowess he shows is evidence of that Other Power. Therefore what Yanagi says is 'Take heed of the humble; be what you are by birthright; there is no room for arrogance'.”

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Book:The Unknown Craftsman: A Japanese Insight into Beauty
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“Let nothing substandard slip through. If you notice something that needs fixing, fix it, no excuses. There will be plenty that’s wrong that you won’t catch. Don’t make the mistake of ignoring flaws that are obvious to you. The moment you find yourself saying, “This doesn’t matter. It’s good enough.” Stop. Go back. Fix the flaw. Make a habit of doing your best.”

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Book:Bloodchild and Other Stories
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“The suicide committed by Sampson was partly determined by the craftiness of Delilah and partly decided by the disobedience of Sampson. Satan uses crafty means to set traps for us, but by our obedience of the laws of God, the traps remain functionless.”

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Author:Israelmore Ayivor
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“White contains a balance of all colors in the spectrum, representing both the positive and negative aspects of all colors. Given it’s properties and undeniable associations with purity, white tends to amplify and reflect other colors and textures in it’s path. This is probably why I’m often asked to design white on white florals for marketing initiatives. The blooms add a delicate and feminine touch to the brand message, while allowing the product or idea to stand tall and look high-end.”

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Book:Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home
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“You know that feeling of invincibility you sometimes get, especially when young and testing yourself - well that could be because actually know deep down that we are indeed eternal. We come into this world to live a life, to experience it, from somewhere else, some other plane, but we are programmed by all around us to deny or forget this - until one day we may remember again. That feeling of blissful reconnection with our source can be invoked through nature, beautiful writing or art or music, any detailed craft or work of discovery or personal dedication, meditation or other mentally balancing practice, or even through religious experience if there is a pure communion (not a pretence of it). But we should not yearn to return too soon, we should accept that we have come here for the duration of each life, and revel in the chance to learn and grow on this splendid planet. We can draw a deep sense of being-ness. peace, and love from this connection, which will sustain us through any trial. Once nurtured, this becomes stronger than any other connection, so of course our relationships here are most joyful when they allow us the personal freedom to spend time developing and celebrating that connection. Our deepest friendships form with those we can share such time and experiences with - discussing, meditating, immersing ourselves in nature, or creating our music, art, written or other works. Our journeys here are voyages of discovery, opening out the wonders within and all around. What better companions could we have than those who are able to fully share in such delights with us?”

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Author:Jay Woodman
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