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Material Quotes

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Material Quotes

“In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.”

“I was transformed the day My ego shattered, And all the superficial, material Things that mattered To me before, Suddenly ceased To matter.”

“Moral obligations verses Legal obligations. Legally, you must abide by the laws of the land or face the consequences of being fined, imprisoned or both. Moral obligations tend to lean more towards a spiritual nature of a person. Some people perform immoral acts because legally there are no consequences. Morals birth in the heart of the individual. Moral characteristics are developed at an early age and continue into adulthood. It's a disgrace to neglect having good moral character.”

“In a world where things are moving so fast, don't get lost in the midst of it all. Figure out what's more important to you and proceed with confidence. I know it gets a bit hectic at times and almost seems impossible. But, you can get there, even if you must pause along the way. Just don't come to a complete stop.”

“Money is a by-product of time. Money is the time that is well converted. Therefore, time is the raw material from which money is made.”

“And then one day you realise that if you want to be rich, you'd have to give away almost everything you own.”

“Simple minded people do things like gossip, lie, spread rumors, and cause troubles. But, I know you're more intelligent.”

“It is important to have faith in life to connect to the fellow human beings as much as we need rational mind to understand the material world. It is unwise to drop all faiths just because faiths have been misused by some ignorant people. We have to see the positive impact of faiths and beliefs in the society and in the life of billions of people who are believers. Only by balancing our rational and faithful mind, we can find perfect life in this world.”

“Животът ми е пълен провал, но никой не го забелязва , защото съм учтив: постоянно се усмихвам , защото си мисля, че скриеш ли страданието си , то изчезва. Донякъде е така : не се ли вижда, все едно го няма , защото ние живеем във видимия свят, сред материалното и осезаемото. Болката ми не е материална. Тя е скътана.Аз отказвам да забележа самия себе си.”

“After reading Burgum, [Patricia Highsmith] wrote in her cahier that, like Kafka, she felt she was a pessimist, unable to formulate a system in which an individual could believe in God, government or self. Again like Kafka, she looked into the great abyss which separated the spiritual and the material and saw the terrifying emptiness, the hollowness, at the heart of every man, a sense of alienation she felt compelled to explore in her fiction. As her next hero, she would take an architect, 'a young man whose authority is art and therefore himself,' who when he murders, 'feels no guilt or even fear when he thinks of legal retribution'. The more she read of Kafka the more she felt afraid as she came to realise, 'I am so similar to him.”

“We have glorified wealth and freedom so much that it is impossible for most of us to truly believe that a man can truly be happy in a shack or within the confines of a prison cell.”

“I decree and I declare that I am not a raw material but rather a finished product. God knows me and knows the reason for which he created me. I am not here on earth to merely live and depart.”

“You think the things you can touch and feel are the things that are real, but they are not. Over time, they all get old and decline. The people, the houses, the rocks and the mountains: one day they will all crumble. This is because they are not as real as the things that last forever. It is another one of the lessons we come to teach.”

“Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.”

“I don't understand this irony - valuable things like cars, gold, diamond are made up of hard materials but most valuable things like money, contracts and books are made up of soft paper.”