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Lure Quotes

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Lure Quotes

“Edgar picks up the mallet. The steer comes up close to him. Edgar looks into the animal's eyes and caresses its forehead. The cow stomps one hoof, wags its tail and snorts. Edgar shushes the animal and its movements slow. There is something about this shushing that makes the cattle drowsy, it establishes a mutual trust. An intimate connection. With his thumb smeared in lime, Edgar Wilson makes the sign of the cross between the ruminant's eyes and takes two steps back. This is his ritual as a stun operator.”

“Any halfway clever devil would decorate the highway to Hell as beautiful as possible.”

“The most dangerous people in the world are not the tiny minority instigating evil acts, but those who do the acts for them – for a paycheck. To act without a conscience, but for a paycheck, makes anyone a dangerous animal. The devil would be powerless if he couldn’t entice people to do his work. So as long as money continues to seduce the hungry, the hopeless, the broken, the greedy, and the needy, there will always be war between people.”

“Youths should study,' grumbled the Old Woman, 'and not take the laws apart. And you, dear Youth, before you become acquainted with the Beautiful Woman, take a good look into her Garden through the window tomorrow morning, when everything is clearly and genuinely visible in the light of the sun. You will see that in the Garden there are no flowers which are familiar to anyone here, and only such flowers as none of us in the City know. Just think about this carefully, after all, there is something strange about it. The devil is cunning; is this not his creation for the damnation of people?' ("The Poison Garden")”

“Zach finally acknowledges me when my elbow smacks against his side as I shove my way between him and Rachel. He straightens and mumbles so only I can hear, “Damn, she gives me a hard-on. Gorgeous, and she knows cars.” “I suggest you back the f*ck off,” I mutter. Zach smirks. > “Hey, you’re the one that left her here with me.” “What are you guys talking about?” Rachel asks. “Cars,” I say. “You said you needed to be home by ten. It’s nine-thirty.” She blinks as if she just woke up. “Crap. Already?” I step aside so Rachel can exit the driver’s seat. Because Rachel is every guy’s fantasy, Zach begs her to stay: she should see the engine, she can ride in his car, she can drive his car. Each of his attempts to lure her to stay causes me to think of one more way to hide the body parts after I kill him.”

“The photographic enthusiast likes to lure us into a darkened room in order to display his slides on a silver screen. Aided by the adaptability of the eye and by the borrowed light from the intense projector bulb, he can achieve those relationships in brightness that will make us dutifully admire the wonderful autumn tints he photographed on his latest trip. As soon as we look at a print of these photographs by day, the light seems to go out of them. It is one of the miracles of art that the same does not happen there.”

“Unfortunately, marketing textbooks is like marketing fishing lures: the point is to catch fishermen, not fish. Thus many adopted textbooks are flashy to catch the eye of adoption committees but dull when read by students.”

“The relative ease of most driving lures us into thinking we can get away with doing other things. Indeed, those other things, like listening to the radio, can help when driving itself is threatening to cause fatigue. But we buy into the myth of multitasking with little actual knowledge of how much we can really add in or, as with the television news, how much we are missing. As the inner life of the driver begins to come into focus, it is becoming clear not only that distraction is the single biggest problem on the road but that we have little concept of just how distracted we are.”

“True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights and I am not against supplying such lures if they draw children into even a transient concern with science. But every classroom has one [Oliver] Sacks , one [Eric] Korn, or one [Jonathan] Miller , usually a lonely child with a passionate curiosity about nature, and a zeal that overcomes pressures for conformity. Do not the one in fifty deserve their institutions as well magic places, like cabinet museums, that can spark the rare flames of genius?”

“The fairy tale that really scared me was Bluebeard. That's the one where he just kills one after another of these woman, these wives, that he lures up to the castle. I just think about fairy tales as stories women told their children to warn them? To keep them safe, to make sure they married up, all the things that would have safeguarded them in the olden days.”

“The Ryan White Care Act provides money for community-based counseling centers. While that may sound noble and compassionate, we know from experience that "AIDS education" becomes a platform for the homosexual community to recruit adolescents and lure teens into a self-destructive sexual lifestyle.”

“I see cities as organisms, as living creatures. To me Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain. One of the great Catalan poets, Joan Maragall, wrote this famous poem in which he called Barcelona the great enchantress, or some kind of sorceress, and in which the city has this dark enticing presence that seduces and lures people. I think Barcelona has a lot of that.”

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”