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“Sebastian looked alarmed at her stiffness, but Eric took it in and chuckled. "Riding astride would have been easier," he said. "You put twice the strain on yourself with that unnatural position." "Oh, I know," she replied with a grimace. "Every muscle told me about it this morning, and I actually DID have a hot soak before I went to bed." Sebastian looked blankly at the two of them for a moment, then blinked and looked relieved. "Oh, you're saddle sore! I'm sorry--”

“She winced and covered her ears as Eric,onstage, wrestled with his microphone. "Sorry about that, guys!" he yelled. "All right. I'm Eric, and this is my homeboy Matt on the drums. My first poem is called 'Untitled.'" He screwed up his face as if in pain, and wailed into the mike. "Come my faux juggernaut, my nefarious loins! Slather every protuberance with arid zeal!" Simon slid down in his seat. "Please don't tell anyone I know him." Clary giggled. "Who uses the word 'loins'?" "Eric," Simon said grimly. "All his poems have loins in them." 'Turgid is my torment!" Eric wailed. "Agony swells within!" "You bet it does," Clary said.”

“Simon's band never actually produced any music. Mostly they sat around in Simon's living room, fighting about potential names and band logos. She sometimes wondered if any of them could actually play an instrument. 'What's on the table?' 'We're choosing between Sea Vegetable Conspiracy and Rock Solid Panda.' Clary shook her head. 'Those are both terrible.' 'Eric suggested Lawn Chair Crisis.' 'Maybe Eric should stick to gaming.' 'But then we'd have to find a new drummer.' 'Oh, is that what Eric does?...”

“Call me Ace. That’s what my friends call me.” they both look up at me in question and I laugh, remembering just how young they really are,before I nudge my head slightly toward Ashton.Eric takes Ashton’s hand first, gesturing him forward like he’s got a secret to whisper in his ear. Of course, a five-year-old’s whisper might as well be through a megaphone. “What’s wrong with you?Livie’s really pretty for a girl.”I try not to laugh. Ashton’s eyes flicker to me and there’s a mischievous twinkle in them. A twinge of panic hits me. Of all the ways he could answer this question . . . “I’ve tried, little buddy. But Livie doesn’t like me very much.” “She’s your friend but she doesn’t like you? Why not?” Derek asks, a deep frown creasing his forehead. Ashton shrugs. “I don’t know. I’ve tried as hard as I can, but . . .” then his shoulders slouch a bit and his smile falters, playing the role of wounded boy to Academy Award perfection. e twins cock their heads and stare at me in eerie unison. “Why don’t you like him, Livie?” Derek asks. And I have turned into the villain here.”

“That better not be what I think it is," Joe mumbled in the dark. It was. "It's not. Jeez, woman, someone's paranoid. It's my pocket light," he said, wincing. Ah, he was only human after all. It wasn't the first time she got him hard nor would it be the last time. The physical discomfort was a small price to pay to have her in his arms. "Well, then your flashlight is growing. Jeez, Eric, put a leash on that thing before it stabs me!" she teased. "But it likes you," he pouted. She giggled. "I seem to remember a certain tenth grade math class where it liked standing up in front of the entire class." He sucked in a breath. "Hey, that traumatized me!”

“The cure for the Michael Brown, Trayvon Martin, Tamir Rice and Eric Garner tragedies is not education or exposure. It's the Gospel. So, finally, I'M ENCOURAGED because the Gospel gives mankind hope.”

“The many pro-surveillance advocates I have debated since Snowden blew the whistle have been quick to echo [Google CEO] Eric Schmidt's view that privacy is for people who have something to hide. But none of them would willingly give me the passwords to their email accounts, or allow video cameras in their homes.”

“I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.”

“Not one of the investigations for civil rights violations that Eric Holder brought on behalf of the Department of Justice, resulted in any charges against any of these individuals, not one. I'm not saying investigations shouldn't be brought. But you must bring them responsibly and not create more panic, more fear, more anxiety across this country.”

“Eric Schlosser's book on the economy and strategies of the fast-food business should be read by anyone who likes to take their children to fast-food restaurants. I shall certainly never do that again. He employs a long, cold burn, a quiet and impassioned accumulation of detail, with calm, wit and clarity. (...) Fast Food Nation is witness to the rigour and seriousness of the best American journalism, readable, reliable and extremely carefully done.”

“True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights and I am not against supplying such lures if they draw children into even a transient concern with science. But every classroom has one [Oliver] Sacks , one [Eric] Korn, or one [Jonathan] Miller , usually a lonely child with a passionate curiosity about nature, and a zeal that overcomes pressures for conformity. Do not the one in fifty deserve their institutions as well magic places, like cabinet museums, that can spark the rare flames of genius?”

“It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales. I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton ... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.”

“Eric Peters is a chronicler of his journey; he's been a faithful steward of the story God is telling through him, and this newest chapter, BiRDS OF RELOCATiON, is Eric's testimony that along the way there are moments of deep joy and gratitude-they may seem brief, but they're bright, and they're worth singing about. The joy I hear on this record heralds a long and welcome peace.”

“Eric's performance is an awesome and entirely honest expression of the pain and beauty of his music. To watch him play is like riding on the tail of a dragon, but he is so gentle with his rider, you forget how high up you are or how intense the ride is. He is perhaps the most generous performer I have ever watched, every bit of himself is given to the audience. He's like a Marina Abramovic with a piano, completely and deeply committed, regardless of that pain.”