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Morris Quotes

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Morris Quotes

“The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.”

“I was a poet too; but modern taste Is so refined and delicate and chaste, That verse, whatever fire the fancy warms, Without a creamy smoothness has no charms. Thus, all success depending on an ear, And thinking I might purchase it too dear, If sentiment were sacrific'd to sound, And truth cut short to make a period round, I judg'd a man of sense could scarce do worse Than caper in the morris-dance of verse.”

“I haven't seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were askedthis week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company's behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”

“When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."”

“When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.”

“In the Ramtops village where they dance the real Morris dance, for example, they believe that no-one is finally dead until the ripples they cause in the world die away - until the clock he wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life, they say, is only the core of their actual existence.”

“I have written screenplays. Most recently for Errol Morris, who was thinking about doing his first fiction movie, and with a young director who wanted to adopt Project X. Errol was a hoot. I loved talking with him. We were a good match, too, because we both kept joking that we'd found the only other person on earth more ambivalent than we were about the project.”

“The union of hearts-the union of hands-And the flag of our Union forever. - George Pope Morris. Your flag and my flag, And how it flies today In your land and my land And half a world away! Rose-red and blood-red The stripes for ever gleam; Snow-white and souldwhite- The good forefathers' dream; Sky-blue and true-blue, with stars to gleam aright- The gloried guidon of the day; a shelter through the night.”

“I remember being in West Ham's youth team and seeing Jody Morris play for Chelsea at 17 and you scoring for Liverpool on your debut when you were 18. I was watching it on Soccer Saturday and I was like, "I can't believe he's scored!" It's professional jealousy. It's best to be honest about it. It gave me real desire. I was thinking "God I want that to be me".”

“I don't think young black men, or anybody, should get a criminal record for low-level use. You know, I don't think that we should spend our law enforcement time jailing or imprisoning marijuana users. But to solve that problem, you don't need to go to the other extreme of creating Big Tobacco 2.0. Make no mistake about it: Legalization is not about, you know, Cheech & Chong smoking marijuana or, you know, a Grateful Dead concert; it's about creating the next Marlboro of our time, the next Philip Morris and R.J. Reynolds, the Big Tobacco all over again.”

“The problem Philip Morris had with electronic cigarettes since the beginning of development was the satisfaction of the smoker. Because the taste is dramatically different and, at the initial stages, the nicotine pharmacokinetics were very slow. You could not get the satisfaction. It's not so easy to crack this code. The taste satisfaction is very important. The closest you are to this, the more chances you have to switch people. It's very nice to have a zero-risk product, but if nobody uses it, you don't have any reduction in public health risk.”

“Shifting Philip Morris to the new a non-risk products doesn't mean that I will give market share to my competitors free of charge. In the markets where we are not present with IQOS yet or the other reduced-risk products, you still need to defend your share of the market. They still represent the bulk of our income, and so far they have financed the billions of dollars we have put behind these new products. But once we go national in a market, and absent capacity constraints, then you shift your resources and your focus to these new products.”

“Well,’ you may ask, ‘how may I know when I am in love?’ . . . George Q. Morris [who later became a member of the Quorum of the Twelve Apostles, gave this reply]: ‘My mother once said that if you meet a girl in whose presence you feel a desire to achieve, who inspires you to do your best, and to make the most of yourself, such a young woman is worthy of your love and is awakening love in your heart.”

“Morris was not the type to offer a hug or even hold your hand. But there was something in his quiet indignation at the universe then--and Luke, now--that was just the kind of comfort I needed. "I'm such a mess," I said. "We're almost off the island and I didn't even ask you where you were going." He shrugged. "No place. Wherever you are.”

“Or if the hypothesis were offered us of a world in which Messrs. Fourier's and Bellamy's and Morris's Utopias should all be outdone, and millions kept permanently happy on the one simple condition that a certain lost soul on the far-off edge of things should lead a life of lonely torment, what except a specifical and independent sort of emotion can it be which would make us immediately feel, even though an impulse arose within us to clutch at the happiness so offered, how hideous a thing would be its enjoyment when deliberately accepted as the fruit of such a bargain?”

“After years of denial and deception, the Philip Morris company has admitted that cigarette smoking causes lung cancer and other diseases. This formal acknowledgment comes far too late but still we must all welcome it. It can be the beginning of clearing the air.”

“I always wanted a father. Any kind. A strict one, a funny one, one who bought me pink dresses, one who wished I was a boy. One who traveled, one who never got up out of his Morris chair. Doctor, lawyer, Indian chief. I wanted shaving cream in the sink and whistling on the stairs. I wanted pants hung by their cuffs from a dresser drawer. I wanted change jingling in a pocket and the sound of ice cracking in a cocktail glass at five thirty. I wanted to hear my mother laugh behind a closed door.”