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Byron Quotes

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Byron Quotes

“The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.”

“Too high for common selfishness , he could At times resign his own for others' good, But not in pity - not because he ought, But in some strange perversity of thought, That swayed him onward with a secred pride To do what few or none could do beside; And this same impulse would, in tempting time, Mislead his spirit equally to crime; So much he soared beyond, or sank beneath, The men with whom he felt condemned to breathe And longed by good or ill to seperate Himself from all who shared his mortal fate.”

“Too high for common selfishness, he could At times resign his own for others’ good, But not in pity, not because he ought, But in some strange perversity of thought, That swayed him onward with a secret pride To do what few or none would do beside; And this same impulse would, in tempting time, Mislead his spirit equally in crime; So much he soared beyond, or sunk beneath, The men with whom he felt condemned to breathe, And longed by good or ill to separate Himself from all who shared his mortal state.”

“No, I'm not Byron, it's my role To be an undiscovered wonder, Like him, a persecuted wand'rer, But furnished with a Russian soul. I started sooner, sooner ending, My mind will never reach so high; Within my soul, beyond the mending, My shattered aspirations lie: Dark ocean answer me, can any Plumb all your depth with skillful trawl? Who will explain me to the many? I... perhaps God? No one at all?”

“The religion of this 'I', the poetry of this 'I', and the philosophy of the same 'I' that from Poggio and Felelfo to Byron and Goethe produced a number of works astonishing for their profundity and brilliance have finally exhausted its content; and in the poetry of Decadence we see the rapid falling away of the empty shell of this 'I'. We remarked previously about the exaggeration without the exaggerated object, and about the precious style without the subject of this preciosity, which characterize this poetry — this is so in regard to its form; in regard to its content Decadence is above all hopeless egoism. The world, as an object of love, of interest, even as the object of indignation or contempt, has disappeared from this "poetry”; the world has disappeared, not only as an object exciting some reaction in this vapid 'I', but also as a spectator and possible judge of this 'I'; it is not even present. ("On Symbolists And Decadence")”

“Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him. Let her, Gregori persuaded softly. Look at him. Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached. “I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?” Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her. You didn’t tell me she was so beautiful, Shea reprimanded deliberately. In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently. Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed. “Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.”

“There is only one lifemate. She obviously belongs with Jacques.” “We do not know that. If he were not your brother…” Byron began. A low snarl stopped him. “I see no reason for you to question my judgment in this matter, Byron. I have had more than one brother, and I have never let fraternity stand in the way of what is just or right." “It was Gregori who hunted your other brother,” Byron pointed out. Mikhail turned his head slowly, black eyes catching the whip of lightning cracking across the sky. “At my order.”

“I am excessively slothful, and wonderfully industrious-by fits. There are epochs when any kind of mental exercise is torture, and when nothing yields me pleasure but the solitary communion with the 'mountains & the woods'-the 'altars' of Byron. I have thus rambled and dreamed away whole months, and awake, at last, to a sort of mania for composition. Then I scribble all day, and read all night, so long as the disease endures.”

“An intelligent man said that the world felt Napoleon as a weight, and that when he died it would give a great oof of relief. This is just as true of Byron, or of such Byrons of their days as Kipling and Hemingway: after a generation or two the world is tired of being their pedestal, shakes them of with an oof, and then - hoisting onto its back a new world-figure - feels the penetrating satisfaction of having made a mistake all its own.”

“In very clear and available language, this book details how to recognize the inner critic and how to deal effectively with it. Byron Brown's presentation is useful for any individual who wishes to be free from the inner suffering and coercion of this ancient foe of our humanity, but it is specifically directed to those interested and engaged in the inner journey toward realization and enlightenment.”

“In the sex-war, thoughtlessness is a weapon of the male, vindictiveness of the female. Both are reciprocally generated, but a woman's desire for revenge outlasts all other emotion. Yet when every unkind word about women has been said, we have still to admit, with Byron, that they are nicer than men. They are more devoted, more unselfish and more emotionally sincere. When the long fuse of cruelty, deceit and revenge is set alight, it is male thoughtlessness which has fired it.”

“But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them.”

“Eve Byron has a permanent place on my must-buy list. Her characters are three-dimensional men and women who live on in readers' hearts long after they've turned the last page. ONLY IN MY DREAMS is pure Eve Byron, which means it's a pure delight. I fell in love with Lorelei and Dane, two of the most delightful characters I've encountered in a very long time. Byron's magical touch never falters. ONLY IN MY DREAMS is a surefire hit!”

“If you like poetry let it be first rate, Milton, Shakespeare, Thomson, Goldsmith Pope (if you will though I don't admire him), Scott, Byron, Campbell, Wordsworth and Southey. Now Ellen don't be startled at the names of Shakespeare, and Byron. Both these were great Men and their works are like themselves, You will know how to chuse the good and avoid the evil, the finest passages are always the purest, the bad are invariably revolting you will never wish to read them over twice.”

“Most people tell themselves these excuses - I've always been this way, this is my nature, I can't help it - that are just memes. They're belief systems that keep you from being able to become all that you are intended to become. They're impediments to reaching God-realization, or Tao-centeredness. People lose track of their purpose, because they are so back there - living in their past. Byron Katie speaks about this: Who would you be without your story? Carlos Castaneda used to say if you don't have a story, you don't have to live up to it. So get rid of your story.”

“Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.”

“When Ruth Bader Ginsburg came in front of the Senate and was approved 96-3 to be on the Supreme Court to replace conservative justice Byron White. This is in 1993.Now, Justice Ginsburg, it was noted earlier, was a general counsel for the ACLU, certainly a liberal group. It was abundantly clear during the confirmation hearing that Ginsburg would swing the balance of the court to the left.But because President [Bill] Clinton won the election and because Justice Ginsburg clearly had the intellectual ability and integrity to serve on the court, she was confirmed.”

“You know what really made me sick? I was in Washington, D.C. at another time reading in a paper where the U.S. gives Byron de la Beckwith - the man who is charged with murdering Medgar Evers - they were giving him so much money for some land and I ask "Is this America?" We can no longer ignore the fact that America is NOT the "land of the free and the home of the brave."”

“I think one of the both liberating and terrifying prospects from synthetic biology for example is that you are going to have all of these do it yourself biosynthetic labs where people are going to be playing with the software of life. We are going to have a new generation of artists that are going to be playing with genomes the way that Blake and Byron used to play with poetry. And when genomes are the new canvas for the artist, we might be able to radically upgrade the human species and the software of the biology of the human species.”

“Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table--it is running among your books and papers. Now you mop it up, clumsily, with your pocket-hankerchief. You then stuff your hankerchief back into your pocket--that is not Byron; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.”

“...then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance. --from The Chronicles of Abby Normal”

“I am, as far as I can tell, about a month behind Lord Byron. In every town we stop at we discover innkeepers, postillions, officials, burghers, potboys, and all kinds and sorts of ladies whose brains still seem somewhat deranged from their brief exposure to his lordship. And though my companions are careful to tell people that I am that dreadful being, an English magician, I am clearly nothing in comparison to an English poet and everywhere I go I enjoy the reputation- quite new to me, I assure you- of the quiet, good Englishman, who makes no noise and is no trouble to any one.”

“I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.”

“All that is good in our history is gathered in libraries. At this moment, Plato is down there at the library waiting for us. So is Aristotle. Spinoza is there and so is Kats. Shelly and Byron adn Sam Johnson are there waiting to tell us their magnificent stories. All you have to do is walk in the library door and the great company open their arms to you. They are so happy to see you that they come out with you into the street and to your home. And they do what hardly any friend will-- they are silent when you wish to think.”