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Chronicles Quotes

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Chronicles Quotes

“There are always messages, even enigmas to be searched, mysteries to be solved in all of my books. I like to puzzle readers, but I do not make so to the point of being so complex that they will lose interest in the plot. And that for me is the essence of every great literature around the world, and that’s been so for ages. (....)Some were inpired by real life characters, some other books I wrote are hybrid fiction/non-fiction, so I pretty much get inspired by people who have lived, and even who are still breathing among us… so don’t get discouraged if I didn’t mention your personality traits yet. I might even have your name over my books, I must some day…”

“How could I explain why I'd acted that way? How could I explain how scary it was, to find out that I needed her so much? Was I supposed to tell her how she'd changed everything? Like how U hadn't even realized how bad I felt until she'd made it better, just by looking at me. Like how I thought she was awesome, bad-ass ninja, and what I hated was the fact that I knew I couldn't protect her, when that's all I wanted to do. How could I explain, without sounding like a complete asshole, that I was so afraid of losing her I pushed her away? I couldn't.”

“"Crazy," he muttered softly, "how much I need you." Crazy, how something like that can feel like a kick in the chest, can hurt that much, can suck all the air right out of your body for a moment. And at the same time, settle over you, around you, so soft and warm and sweet, that you think nothing can ever be as good as this one moment. Crazy. That I can love you. This much.”

“"Joss" "What?" "What?" Dylan asked back. "You just said my name." "No I didn't" "Sorry that was me." I sat up, banging my head on the roof. "Who is that?" "Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?" "Not good, I think." "Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-" "Who are you?" "It's still me, Marshall. It's Dylan. I'm right here." "My name's Joel." "Joel?" "Joss, what are you talking about?" He took my face in his hands. "Who's Joel?" "The voice in my head, I guess." "Jesus.”

“Bleeding from the ear. Oh Jesus, God. That was on the list for not applying pressure. But what did that mean? I couldn't remember. Couldn't think. "Is he okay?" "You dropped a two-hundred pound log on his head!" I screamed at Nathan. The air shuddered around us; the building itself seeming to tremble. "I didn't mean-" "Shut up, man," Marco said, swatting at Nathan's arm. "Joss, you need to calm the fuck down." "Calm down? Calm down?!" Energy pulsed around us, hot, thick, pricking at my eyes. Above, lights flickered, dimmed. A bulb shattered somewhere, and glass came tinkling down.”

“KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."—The Nemedian Chronicles”

“Stockholm Syndrome. […] It was a sort of desperate blind love. And loyalty. Loyalty and love geared towards the abuser. It’s a response to fear, an admission within of defeat, I’d read. But I thought it to be more than that. It was the thrill of having something to submit to, become utterly powerless to. A sinister sort of seduction. You knew in your heart it would end badly, yet you just couldn’t stop yourself from giving [B.K1] in to that primal urge, the way prey finally accepts its fate, take me, it says, as the [B.K2] predator sinks its teeth in.”

“As the leaves randomly fell, she contemplated how they sacrificially gave up their essence to sustain new life. Or was it the tree’s sacrifice? Each leaf was a part of Gaia’s play. Their final act: to decompose so a new level of soil could be made, an earthen writing tablet for the next layer of history to be recorded. One generation became the groundwork for the next. Ashes to ashes, dust to dust. Nothing was exempt, not even the leaves.”

“Some people don’t care about the truth—they only care about being right. Even when the evidence is irrefutable, these same mud-butts will fight tooth and nail to defend their position. They will claw, accuse, condemn, ignore and outright lie…so long as they do not have to admit, accept or apologize. All I can say is, I’m sorry. Those people do exist.”

“Newspapers. . . give us the bald, sordid, disgusting facts of life. They chronicle, with degrading avidity, the sins of the second-rate, and with the conscientiousness of the illiterate give us accurate and prosaic details. . .”

“Although we are necessarily concerned, in a chronicle of events, with physical action by the light of day, history suggests that the human spirit wanders farthest in the silent hours between midnight and dawn. Those dark fruitful hours, seldom recorded, whose secret flowerings breed peace and war, loves and hates, the crowning or uncrowning of heads.”

“To describe love-making is immoral and immodest; you know it is. To describe it as it really is, or would appear to you and me as lookers-on, would be to describe the most dreary farce, to chronicle the most tautological twaddle. To take note of sighs, hand-squeezes, looks at the moon, and so forth--does this business become our dignity as historians? Come away from those foolish young people--they don't want us; and dreary as their farce is, and tautological as their twaddle, you may be sure it amuses them, and that they are happy enough without us.”

“Something about the possession of a book - an object that can contain infinite fables, words of wisdom, chronicles of times gone by, humorous anecdotes and divine revelation - endows the reader with the power of creating a story, and the listener with a sense of being present at the moment of creation.”

“There yet remains but one concluding tale, And then this chronicle of mine is ended - Fulfilled, the duty God ordained to me, A sinner. Not without purpose did the Lord, Put me to witness much for many years, And educate me in the love of books. One day some indefatigable monk, Will find my conscientious, unsigned work; Like me, he will light up his ikon-lamp, And, shaking from the scroll the age-old dust, He will transcribe these tales in all their truth.”

“Love is friendship that has caught fire. ... Love is content with the present, it hopes for the future, and it doesn't brood over the past. It's the day-in and day-out chronicle of irritations, problems, compromises, small disappointments, big victories and working toward common goals. If you have love in your life it can make up for a great many things you lack. If you don't have it, no matter what else there is, it's not enough.”

“Shakespeare, who never could think up a plot by himself, found this one [Macbeth] in Holinshed's Chronicles, changing it just enough so that no one would recognize the source. He didn't count on the resourcefulness of modern scholars, who have to discover things like this to become associate professors.”

“Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.”

“'I believe, Mr. Snitchey,' said Alfred, 'there are quiet victories and struggles, great sacrifices of self, and noble acts of heroism, in it - even in many of its apparent lightnesses and contradictions - not the less difficult to achieve, because they have no earthly chronicle or audience - done every day in nooks and corners, and in little households, and in men's and women's hearts - any one of which might reconcile the sternest man to such a world, and fill him with belief and hope in it.”

“It's a bittersweet feeling because this [filming in Chronicles of Narnia] has been a part of my life for six years - from the age of 15 to 21. For anybody that's a big growing up phase, especially in the unique experience of Narnia. But I feel honoured to have been a part of it but the tools I learned from Narnia I'm now taking forward to my next project.”

“When I was a kid, I lived in this small town way out in the country. We had three TV channels and one radio station. I couldn't even get my hands on good comic books. My aunt, who is a librarian, gave me Tolkien's "The Lord of the Rings," Laura Ingalls Wilder's "Little House on the Prairie," and Lewis's "The Chronicles of Narnia." They were such incredible treasures to have in my somewhat mundane country life.”