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Lucy Quotes

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Lucy Quotes

“He went farther into the shadows to exchange his pants for the leather breeches. Too bad. When he emerged again, he looked pretty good even though it wasn’t his style. And he was lucky there were no tights, after all. He tilted his head. 'You like it.' 'Shut up.' I blushed. I hated vampire extrasensory perception. It wasn’t fair that he could hear my heartbeat or smell my skin or what ever. 'Girls are so weird.' Kieran snorted. 'No kidding.' 'Please, you two were fighting ten minutes ago, and now you’re the best of friends?' I said witheringly. 'Guys are weird.”

“You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn’t. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she’d have her way, your happiness at Hailsham would have been shattered. Look at you both now! I’m so proud to see you both. You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go.”

“Who are you?” Her eyes snapped open, and her voice held a hysterical edge. “Do I even know who you are?” He stepped over Walker’s battered corpse and grabbed her by the shoulders, leaned down so that his no-doubt foul breath washed over her face. “I am your husband, my lady.” She turned her face away from him. He shook her. “The one you promised to obey always.” “Simon—” “The one you said you’d cleave to, forsaking all others.” “I—” “The one you make love to at night.” “I don’t know if I can live with you anymore.” The words were a whisper, but they rang in his head like a death knell.”

“She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.” Lucy blinked. “My brow?” “Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.” “Blather,” she murmured. “Blather, indeed. Blather is all I am, after all.” She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face. “I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.” Did he really see himself so? “But—” “Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.” “Simon—” “The perfect curve of your cheek,” he murmured close. She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.” “I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its softness and the warmth within. -Simon to Lucy on their wedding night.”

“I’m sorry.” She bit the inside of her cheek, trying not to cry. At the same time, she was oddly touched by his apology. “I’m sorry,” he said again. Something tore quite explicitly, and she inhaled but didn’t make a sound. He opened his eyes, looking stricken and hot and savage. “Oh, God, sweetheart. I promise it will be better next time.” He kissed the corner of her mouth softly. “I promise.” She concentrated on steadying her breath and hoped he would finish very soon. She didn’t want to hurt his feelings, but this was no longer pleasant for her. He parted his mouth over hers and licked her bottom lip. “I’m sorry.”

“I’m leaving.” Her cold lips barely moved as she mouthed the words. Horror fisted around his vitals. “No.” For the first time she met his eyes. Hers were red-rimmed but dry. “I have to leave,Simon.” “No.” He was a little boy denied a sweet. He felt like falling down and screaming. “Let me go.” “I can’t let you go.” He half laughed here in the too-bright, cold London sun before his own house. “I’ll die if I do.” She closed her eyes. “No, you won’t. I can’t stay and watch you tear yourself apart.” “Lucy.” “Let me go, Simon. Please.” She opened her eyes, and he saw infinite pain in her gaze. Had he done this to his angel? Oh, God. He unclasped his hands.”

“His type was the shy, bookish nerds, which was exactly what he’d been until he joined the Army. He’d been a late bloomer, hitting a second growth spurt after nineteen, when he’d shot up six inches in two years and packed on the muscle that made it possible for him to do his job. But the external changes hadn’t changed who he was inside, and he was still the sci-fi and fantasy loving guy who read scientific journals for fun.”

“You're walking funny," Lucy said, a shit-eating grin on her face. Five days of out of this world sex with a starving man could do that to a girl. "You're just jealous." Brenna pushed through the door into DarkRiver's business HQ. Lucy made a mournful face. "Yes, I am. Goddamn but your man is hot. And he smiles at you! I've seen him do it, even if no one believes me.”

“He caressed the side of her jaw with his fingertips, sending a light shiver down her spine. "I should warn you that if we lose the paper, we'll have to sell the house.” “That’s fine.” “And the furniture.” “I don’t care.” “And—“ “We can pawn, sell, and trade off everything we own… but if you dare say one thing about my diamond, you’ll regret it for the rest of your married life. This ring is mine, and it's not leaving my finger." He grinned at her vehemence. "I wasn’t going to say anything about your ring, honey.” Bending down to kiss her, he left wet handprints on the waist and bodice of her gown, but Lucy was too enthralled by his hearty kiss to protest. "You taste like coffee," she whispered when his lips left hers. "I could do with more." "Coffee or kisses?" "Always more kisses . . .”

“There hasn't been any other woman," Heath said against her mouth, making her tremble. "There couldn't be. I'm too obsessed with my own wife. There's only one thing you can give me that no one else can . . . and heaven and hell be damned, I'll get it from you no matter how long I have to wait, no matter how hard I have to ride you. No, I'm not talking solely about my husbandly rights, although that would be a good place to start.”

“L'anima si ribella mentre gli occhi si chiudono. Il buio la inghiotte e niente disturba più il suo sonno. Voleva rispondere al bacio, voleva davvero farlo. Ma adesso non importa. Ora si gode la pace trovata. In quel limbo dov'è rinchiusa niente la turba, niente. E le paure scivolano via. Perdono consistenza, spariscono. Una pace artificiale l'ammanta e la stringe piano. La culla e le sussurra dolci parole placando la sua rabbia. Lucy rimane inerme tra le braccia di Nico che ancora la stringe. Oltre le palpebre chiuse un mondo fatto di foschia accarezza la sua mente stanca e provata. Lucy si lascia trasportare in quel vuoto. Grata di annullarsi e poter dimenticare. Lascia andare i suoi timori. Le sue ansie e i suoi tormenti. Tutto si confonde e tutto si trasforma. Adesso nulla è più come prima. Nemmeno i ricordi.”

“How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.”

“I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.”

“It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature.”