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Dante Quotes

Browse 77 quotes about Dante.

Dante Quotes

“The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.”

GodDeathChristianityBooksGodsPaganismPaganShakespeareMiltonDante
Book:Rosa Alchemica
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“Not without deep pain do we admit to ourselves that the artists of all ages have in their highest flights carried to heavenly transfiguration precisely those conceptions that we now recognize as false: they are the glorifiers of the religious and philosophical errors of humanity, and they could not have done this without their belief in the absolute truth of these errors. Now if the belief in such truth generally diminishes, if the rainbow colors at the outermost ends of human knowing and imagining fade: then the species of art that, like the Divina commedia, Raphael's pictures, Michelangelo's frescoes, the Gothic cathedrals, presupposes not only a cosmic, but also a metaphysical significance for art objects can never blossom again. A touching tale will come of this, that there was once such an art, such belief by artists.”

ArtArtistCultureRenaissanceArtistryAbsolute TruthRaphaelDanteMichelangeloArt Theory
Book:Human, All Too Human: A Book for Free Spirits
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“When art is made new, we are made new with it. We have a sense of solidarity with our own time, and of psychic energies shared and redoubled, which is just about the most satisfying thing that life has to offer. 'If that is possible,' we say to ourselves, 'then everything is possible'; a new phase in the history of human awareness has been opened up, just as it opened up when people first read Dante, or first heard Bach's 48 preludes and fugues, or first learned from Hamlet and King Lear(/I> that the complexities and contradictions of human nature could be spelled out on the stage. This being so, it is a great exasperation to come face to face with new art and not make anything of it. Stared down by something that we don't like, don't understand and can't believe in, we feel personally affronted, as if our identity as reasonably alert and responsive human beings had been called into question. We ought to be having a good time, and we aren't. More than that, an important part of life is being withheld from us; for if any one thing is certain in this world it is that art is there to help us live, and for no other reason.”

ArtHuman NatureIdentityIdentificationModern ArtHamletDanteBachWays Of SeeingArt TheoryKing LearArt CriticismPostmodern Art
Book:The Meanings of Modern Art, Vol. 3: History as Nightmare
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“A mind persuaded that it lives among things that, like words, are essentially significant, and that what they signify is the magic attraction, called love, which draws all things after it, is a mind poetic in its intuition, even if its language be prose. The science and philosophy of Dante did not have to be put into verse in order to become poetry: they were poetry fundamentally and in their essence. When Plato and Aristotle, following the momentous precept of Socrates, decreed that observation of nature should stop and a moral interpretation of nature should begin, they launched into the world a new mythology, to take the place of the Homeric one which was losing its authority. The power the poets had lost of producing illusion was possessed by these philosophers in a high degree; and no one was ever more thoroughly under their spell than Dante. He became to Platonism and Christianity what Homer had been to Paganism; and if Platonism and Christianity, like Paganism, should ever cease to be defended scientifically, Dante will keep the poetry and wisdom of them alive; and it is safe to say that later generations will envy more than they will despise his philosophy. When the absurd controversies and factious passions that in some measure obscure the nature of this system have completely passed away, no one will think of reproaching Dante with his bad science, and bad history, and minute theology. These will not seem blemishes in his poetry, but integral parts of it.”

LoveTruthPoetryBeliefValueDantePlatonism
Book:Three Philosophical Poets: Lucretius, Dante And Goethe
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“Abandon all hope, ye who enter here." It's a little bit on the nose, wouldn't you say, when they hang this big old sign above the entrance to Hell, the land of eternal damnation, telling you, "give up, it doesn't get better"? I'd imagine a human soul with an eternity of torture every moment of every day for the remainder of their existence would see this sign and think, "Yeah. No shit, Sherlock." Which means it's perfect.”

HellDanteDivine ComedyDante S Inferno
Book:Abandon All Hope
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“No greater grief than to remember days Of joy, when misery is at hand. That kens Thy learn’d instructor. Yet so eagerly 120 If thou art bent to know the primal root, From whence our love gat being, I will do As one, who weeps and tells his tale. One day, For our delight we read of Lancelot, 4 How him love thrall’d. Alone we were, and no 125 Suspicion near us. Oft-times by that reading Our eyes were drawn together, and the hue Fled from our alter’d cheek. But at one point Alone we fell. When of that smile we read, The wished smile so raptorously kiss’d 130 By one so deep in love, then he, who ne’er From me shall separate, at once my lips All trembling kiss’d. The book and writer both Were love’s purveyors. In its leaves that day We read no more.”

LoveSinHellLoversInfernoDanteDivine ComedyLancelotFrancesca
Book:The Divine Comedy: Inferno - Purgatorio - Paradiso
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“​Per me si va ne la città dolente, Per me si va ne l'etterno dolore, Per me si va tra la perduta gente. Giustizia mosse il mio alto fattore: Fecemi la divina potestate La somma sapienza e'l primo amore Dinanzi a me non fuor cose create se non etterne, e io etterno duro. Lasciate ogni speranza, voi ch'intrate.”

HellComedyDivineInfernoDanteThirdDivinaCantoCommediaAlighieriIiiTerzo
Book:The Divine Comedy: Inferno - Purgatorio - Paradiso
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“Inferno was for learning about the nature of our sins. Purgatorio is for learning how to overcome our tendencies to fall victim to them. Understanding our dilemma is important, but it's not enough. What we do with that understanding makes the difference between life and death. Humility is the foundation of all spiritual progress. Humility builds resilience. Stop thinking of yourself as the center of your world you will find it becomes easier to endure life's setbacks. Plus, you will in time become more grateful, more merciful, and more loving.”

SinHumilityMercyInfernoDanteDante AlighieriPurgatorio
Book:How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem
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“I am responsible for myself. Every time I do the things I shouldn't do or fail to do the things I should do, I sin. The weight of our sins can seem overwhelming, so much so that we feel trapped by them in a dark wood of our own making. What makes it worse is the sense in contemporary culture that sin is either not real or no big deal.”

SinChristianityDanteContemporary CultureDark Wood
Book:How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem
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“...It is the one time Dante calls such explicit attention to the idea of contrapasso-a word for which we have no exact translation, no precise definition in English, because the word in itself is its definition... Well, my dear Longfellow, I would say countersuffering ... the notion that each sinner must be punished by continuing the damage of his own sin against him... just as these Schismatics are cut apart...”

SinDanteDivine Comedy
Book:The Dante Club
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“¿Por qué te enamora mi faz de tal suerte que no te vuelves hacia el hermoso jardín que florece bajo los rayos de Cristo? Allí están la rosa en que el Verbo divino encarnó; y allí están los lirios por cuyo aroma se descubre el buen camino.”

LiteratureItalyClassic LiteratureFlorenceDanteDivina ComediaItalian TuscanLate Middle Ages
Book:The Divine Comedy, Volume III: Paradiso, Part 2: Commentary
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“Dante Alighieri wrote his first book in the prosimetrum genre – La Vita Nuova – in 14th century Florence. Since I’m compiling this collection – my first indie publication – in Florence, just blocks from Dante’s house, and since his book involves a lost love, and ‘A New Life,’ I thought it fitting to emulate this style in my own casual, intuitive fashion. My hope is that the juxtaposition of poems, journal entries, essays and prose will create a story; a memoir in anarchistic vignettes.”

WritingStoriesMemoirPoemsEssaysItalyAnarchismFlorenceDanteGenre Crossing
Book:Dreaming in Night Vision: A Story in Vignettes
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“we are burning like a chicken wing left on the grill of an outdoor barbecue we are unwanted and burning we are burning and unwanted we are an unwanted burning as we sizzle and fry to the bone the coals of Dante's 'Inferno' spit and sputter beneath us and above the sky is an open hand and the words of wise men are useless it's not a nice world, a nice world it's not ...”

MenWorldLoveLifeGodWisdomDeathPoetryHumanitySocietySkyPoemManUselessInfernoDanteBukowski
Book:You Get So Alone at Times That it Just Makes Sense
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“The worst feature of the Common Core is its anti-humanistic, utilitarian approach to education. It mistakes what a child is and what a human being is for. That is why it has no use for poetry, and why it boils the study of literature down to the scrambling up of some marketable "skill" [...] you don't read good books to learn about what literary artists do...you learn about literary art so that you can read more good books and learn more from them. It is as if Thomas Gradgrind had gotten hold of the humanities and turned them into factory robotics.”

LiteratureEducationBooksStandardsShakespeareNovelsSchool SystemJoyceDanteTolstoyDostoevskyCommon CoreSchool ReformTolstoi
Author:Anthony Esolen
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“Then think of this as an adventure." I kissed hi cheek. "So which flower should I be?" He curled me close to his chest, nuzzling his face into my hair. "Mmmm, can't you be all of them? My own bouquet of beauty? Like daisies opening their friendly petals." He brushed his fingertips over my eyelids. "Or marigolds that burn like the summer sun." He rubbed his hands over my back. "Or orchids-rare and exotic." He traced a finger across my collarbone down to rest lightly on the locket I wore all the time. "Roses for passion." He kissed me.”

LoveDanteAbby
Book:The Hourglass Door
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“Only seconds slip by without me scrambling for the aid of someone better, more knowledgeable, to walk beside. Writers are good for that. They like nothing more than to tell you what they know. Dorothy Sayers, with all her essays and treatises, was good for that. Are women human? What constitutes the mind of the Maker? How did Dante survive the Inferno? Ask Dorothy; she’ll tell you and gladly.”

WritingRatsInfernoDanteDorothy SayersAre Women HumanMind Of The Maker
Book:On Being a Rat and Other Observations
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“Every civil war builds on illusions and fear Even war between individuals; whatever bonds may exist between them To recapitulate images from history: After the first world war, exhaustion, victory, inability to build a new order, growing dissolution, chaos Revanchism Economic depression Then the waiting for Germany, the generalized war initiated by Germany This dread waiting, 1938, 1939 When I was conceived After the cold war another period of exhaustion, another victory Perhaps we are in the presence of generalized civil war, internal division, hatred Should we prefer the empire? As Dante did? Or Ezra Pound, Heidegger Or for that matter Brecht? We love dissolution and chaos passionately, I hear a voice say, I know whose It is not here that I shall say it It is not easy There are no nations Pillars of fire precede the returning, in human terms, lost son.”

FearHistoryChaosCivil WarIllusionsDanteHeideggerBrechtWorld WarEzra Pound
Book:Mozart's Third Brain
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“You can quiz me on Petrarch, Medea, Shakespeare or Dante, I know them all, and I’m sorry, but they’ve all gone wrong. Dumb glorified men, writing words about love and life as if they knew. As far as I’m concerned, they didn’t make it out alive either, so I’m sure as hell not going to go to them for advice.”

LoveLifeWritingShakespeareDanteMedeaPetrarch
Book:Empty Roads & Broken Bottles: in search for The Great Perhaps
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“Y el azar, salvo que no hay azar, salvo que lo que llamamos azar es nuestra ignorancia de la compleja maquinaria de la causalidad, el azar me hizo encontrar tres pequeños volúmenes. Yo he debido traer uno como talismán ahora. Tres pequeños en la librería Mitchel que corresponden a tantos recuerdos míos, y esos tres pequeños volúmenes eran los tres tomos de "Infierno", el "Purgatorio" y el "Paraíso", vertidos al inglés [...]”

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Author:Jorge Luis Borges
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“It’s not by accident that people talk of a state of confusion as not being able to see the wood for the trees, or of being out of the woods when some crisis is surmopunted. It is a place of loss, confusion, terror and anger, a place where you can, like Dante, find yourself going down into Hell. But if it’s any comfort, the dark wood isn’t just that. It’s also a place of opportunity and adventure. It is the place in which fortunes can be reversed, hearts mended, hopes reborn.”

HopeWoodsForestsRecoveryFinding YourselfSelf KnowledgeTreesInfernoDanteDivine ComedyLife CrisisMysical
Author:Amanda Craig
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“Dante, I think, committed a crude blunder when, with a terror-inspiring ingenuity, he placed above the gateway of his hell the inscription, 'I too was created by eternal love'--at any rate, there would be more justification for placing above the gateway to the Christian Paradise...the inscription 'I too was created by eternal hate'...”

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Book:On the Genealogy of Morals / Ecce Homo
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“Why do you keep staring at me?" I muttered under my breath. He glanced around to make sure no one was listening and then leaned towards me. His voice was hushed. "You have pen on your face. Here," he said, touching the space by his nose. "Oh." I felt my face go red as I wiped my cheek with my hand. "That and you remind me of someone I know. Or once knew. But I can't place who it is." "I thought you didn't have any friends," I challenged. Dante smiled. "I don't. Only enemies. Which doesn't bode well for you, considering the fact that you must resemble one of them.”

DanteRenee
Book:Dead Beautiful
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“I raised an eyebrow. "You know, you're really good at compliments. Actually, it's surprising that a person with charm like yours has any enemies." The words came out before I could stop them. At this rate I would never be able to ask him about Benjamin Gallow, and it didn't help that every time he looked at me I wanted to melt. "So, you think I'm charming?" Dante countered, mocking me. "Is that why you keep staring at me?" "Alarming, not charming. And no, I'm just curious.”

DanteRenee
Book:Dead Beautiful
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