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Homer Quotes

“What Pascal overlooked was the hair-raising possibility that God might out-Luther Luther. A special area in hell might be reserved for those who go to mass. Or God might punish those whose faith is prompted by prudence. Perhaps God prefers the abstinent to those who whore around with some denomination he despises. Perhaps he reserves special rewards for those who deny themselves the comfort of belief. Perhaps the intellectual ascetic will win all while those who compromised their intellectual integrity lose everything. There are many other possibilities. There might be many gods, including one who favors people like Pascal; but the other gods might overpower or outvote him, à la Homer. Nietzsche might well have applied to Pascal his cutting remark about Kant: when he wagered on God, the great mathematician 'became an idiot.”

PhilosophyMathematicianSpeculationNietzscheFriedrich NietzscheKantPascalHomerImmanuel KantBlaise PascalPascal S Wager
Book:Critique of Religion and Philosophy
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“It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other describes it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he has felt. Artist are by no means people of great passion, but they frequently present themselves as such, unconsciously sensing that others give greater credence to the passions they portray if the artist's own life testifies to his experience in this area. We need only let ourselves go, not control ourselves, give free play to our wrath or our desire, and the whole world immediately cries: how passionate he is! But there really is something significant in a deeply gnawing passion that consumes and often swallows up an individual: whoever experiences this surely does not describe it in dramas, music, or novels. Artists are frequently unbridled individuals, insofar, that is, as they are not artists: but that is something different.”

ArtArtistPassionImaginationExperienceWritersConfusingArtistsAchillesHomerArt Theory
Book:Human, All Too Human: A Book for Free Spirits
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“We did not get on much further, for in another moment we were caught by a terrific squall from the West that snapped the forestays of the mast so that it fell aft, while all the ship’s gear tumbled about at the bottom of the vessel. The mast fell upon the head of the helmsman in the ship’s stern, so that the bones of his head were crushed to pieces, and he fell overboard as though he were diving, with no more life left in him. “Then Jove let fly with his thunderbolts, and the ship went round and round, and was filled with fire and brimstone as the lightning struck it. The men all fell into the sea; they were carried about in the water round the ship, looking like so many sea-gulls, but the god presently deprived them of all chance of getting home again.”

MythologyGreekOdysseyUlyssesHomer
Book:The odyssey
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“Then we entered the Straits in great fear of mind, for on the one hand was Scylla, and on the other dread Charybdis kept sucking up the salt water. As she vomited it up, it was like the water in a cauldron when it is boiling over upon a great fire, and the spray reached the top of the rocks on either side. When she began to suck again, we could see the water all inside whirling round and round, and it made a deafening sound as it broke against the rocks. We could see the bottom of the whirlpool all black with sand and mud, and the men were at their wits ends for fear. While we were taken up with this, and were expecting each moment to be our last, Scylla pounced down suddenly upon us and snatched up my six best men. I was looking at once after both ship and men, and in a moment I saw their hands and feet ever so high above me, struggling in the air as Scylla was carrying them off, and I heard them call out my name in one last despairing cry. As a fisherman, seated, spear in hand, upon some jutting rock throws bait into the water to deceive the poor little fishes, and spears them with the ox’s horn with which his spear is shod, throwing them gasping on to the land as he catches them one by one—even so did Scylla land these panting creatures on her rock and munch them up at the mouth of her den, while they screamed and stretched out their hands to me in their mortal agony. This was the most sickening sight that I saw throughout all my voyages.”

MythologyGreekOdysseyUlyssesHomer
Book:The odyssey
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“Inside it Scylla sits and yelps with a voice that you might take to be that of a young hound, but in truth she is a dreadful monster and no one—not even a god—could face her without being terror-struck. She has twelve mis-shapen feet, and six necks of the most prodigious length; and at the end of each neck she has a frightful head with three rows of teeth in each, all set very close together, so that they would crunch any one to death in a moment, and she sits deep within her shady cell thrusting out her heads and peering all round the rock, fishing for dolphins or dogfish or any larger monster that she can catch, of the thousands with which Amphitrite teems. No ship ever yet got past her without losing some men, for she shoots out all her heads at once, and carries off a man in each mouth.”

MythologyGreekOdysseyUlyssesHomer
Book:Homer: The Odessey
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“So it is that the gods do not bestow graces in all ways on men, neither in stature nor yet in brains or eloquence; for there is a certain kind of man, less noted for beauty, but the god puts comeliness on his words, and they who look toward him are filled with joy at the sight, and he speaks to them without faltering in winning modesty, and shines among those who are gathered, and people look on him as on a god when he walks in the city. Another again in his appearance is like the immortals, but upon his words there is no grace distilled, as in your case the appearance is conspicuous, and not a god even would make it otherwise, and yet the mind there is worthless.”

BeautyIntelligenceGodsGoddessesHomerThe Odyssey
Book:The Odyssey of Homer / translated by George Herbert Palmer. 1892 [Leather Bound]
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“I fancied my luck to be witnessing yet another full moon. True, I’d seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one’s eyes ad-infinitum, the value of life is diminished and life goes by uncherished. ‘This may be my last moon,’ I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.”

LifePoetryTimeNatureSorrowMoonRomanticismTime PassingFull MoonHomerThe WanderessThe Odyssey
Author:Roman Payne
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“For Homer, glory was the only thing that was truly imperishable. Only the glorious live on after death, in the memories and stories of humanity. Glory is the only meaningful form of immortality. The abject creature that lives on in the underworld holds no appeal. In fact, Homer’s theology demands a dismal afterlife. That way, the heroes are fully motivated to achieve glory here and now. What else is there to aim for? The grim persistence of the soul after death is in every way unappealing. Do you want a mediocre life and an even more mediocre death?”

HeroGloryAfterlifeGreek MythologyHomer
Book:Homo Roboticus: The Inner Human Robot Revealed By Sleepwalking and Hypnosis
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“Epic art is founded on action, and the model of a society in which action could play out in greatest freedom was that of the heroic Greek period; so said Hegel, and he demonstrated it with The Iliad: even though Agamemnon was the prime king, other kings and princes chose freely to join him and, like Achilles, they were free to withdraw from the battle. Similarly the people joined with their princes of their own free will; there was no law that could force them; behavior was determined only by personal motives, the sense of honor, respect, humility before a more powerful figure, fascination with a hero's courage, and so on. The freedom to participate in the struggle and the freedom to desert it guaranteed every man his independence. In this way did action retain a personal quality and thus its poetic form. Against this archaic world, the cradle of the epic, Hegel contrasts the society of his own period: organized into the state, equipped with a constitution, laws, a justice system, an omnipotent administration, ministries, a police force, and so on. The society imposes its moral principles on the individual, whose behavior is thus determined by far more anonymous wishes coming from the outside than by his own personality. And it is in such a world that the novel was born.”

ActionAncientBureaucracyGreeceStatismDoingHegelIliadHomerClassical
Book:The Curtain: An Essay in Seven Parts
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“I "love" reading. It makes me feel like I am swallowing up Christ, Homer, Confucius, Newton, Franklin, Socrates, Caesar, and the whole world into one gigantic invincible Sir Moffat. Mine is creative reading. I read building empires in mind. I pray I won't read and read and forget to marry.”

WorldLoveMindReadingChristChristianityCreativityGreatnessBooksReadDiligenceNewtonInvincibleFranklinEatReading HabitsEmpireSocratesHomerConsumeSwallowConfuciusCaeserLove ReadingFeel LikeMoffatSir Moffat
Author:Moffat Machingura
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“I have destroyed almost the whole race of frogs, which does not happen in that savage Batrachomyomachia of Homerr. For in the anatomy of frogs, which, by favour of my very excellent colleague D. Carolo Fracassato, I had set on foot in order to become more certain about the membranous substance of the lungs, it happened to me to see such things that not undeservedly I can better make use of that [saying] of Homer for the present matter— 'I see with my eyes a work trusty and great.' For in this (frog anatomy) owing to the simplicity of the structure, and the almost complete transparency of the vessels which admits the eye into the interior, things are more clearly shown so that they will bring the light to other more obscure matters.”

ScienceStructureObscureFrogsAnatomyHomerSavage
Author:Marcello Malpighi
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“Ein Blick, eine Stimme. Die Sirenen bezirzten mich. Luden mich ein, näherzukommen. Liebestrunken steuerte mein Schiff auf die Küste zu. Scharfkantige Riffe, das Unheil befand sich unter der Oberfläche, hinter der schönen Fassade dieser Wesen. Es bedeutete den Untergang, jedes Mal.”

HomerLiebeskummerVerliebtVerliebtheitFrauenliebe
Book:SYNCHRONICITY (Die letzte Verschwörung): Finis Temporis 1
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“The poetry of Homer, sprung from the soil of legend, is not yet wholly detached from it, even as the figures of a bas-relief adhere to an extraneous backing of the original block. These figures are but slightly raised, and in the epic poem all is painted as past and remote. In bas- relief the figures are usually in profile, and in the epos all are characterized in the simplest manner in relief; they are not grouped together, but follow one another; so Homer's heroes advance, one by one, in succession before us. It has been remarked that the Iliad is not definitively closed, but that we are left to suppose something both to precede and to follow it. The bas-relief is equally without limit, and may be continued ad infinitum, either from before or behind, on which account the ancients preferred for it such subjects as admitted of an indefinite extension, sacrificial processions, dances, and lines of combatants, &c. Hence they also exhibited bas-reliefs on curved surfaces, such as vases, or the frieze of a rotunda, where, by the curvature, the two ends are withdrawn from our sight, and where, while we advance, one object appears as another disappears. Reading Homer is very much like such a circuit; the present object alone arresting our attention, we lose sight of that which precedes, and do not concern ourselves about what is to follow.”

HomerHerosStylesBas Relief
Book:Lectures on Dramatic Art and Literature
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“Homer, in the second book of the Iliad says with fine enthusiasm, "Give me masturbation or give me death." Caesar, in his Commentaries, says, "To the lonely it is company; to the forsaken it is a friend; to the aged and to the impotent it is a benefactor. They that are penniless are yet rich, in that they still have this majestic diversion." In another place this experienced observer has said, "There are times when I prefer it to sodomy." Robinson Crusoe says, "I cannot describe what I owe to this gentle art." Queen Elizabeth said, "It is the bulwark of virginity." Cetewayo, the Zulu hero, remarked, "A jerk in the hand is worth two in the bush." The immortal Franklin has said, "Masturbation is the best policy." Michelangelo and all of the other old masters--"old masters," I will remark, is an abbreviation, a contraction--have used similar language. Michelangelo said to Pope Julius II, "Self-negation is noble, self-culture beneficent, self-possession is manly, but to the truly great and inspiring soul they are poor and tame compared with self-abuse." Mr. Brown, here, in one of his latest and most graceful poems, refers to it in an eloquent line which is destined to live to the end of time--"None knows it but to love it; none name it but to praise.”

MasturbationIliadQueen ElizabethHomerRobinson CrusoeCaesarMichelangeloOnanismThe IliadSodomyZuluBenjamin FranklinCetewayo
Book:On Masturbation
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“Plato’s heirs—armed with his methods, but unchained from his wistful predilections—abstracted away the faces of the pagan gods: the marbles that in Homer’s day were warm Olympian flesh were philosophized into dust and that dust into theology. Consequently, the labor of keeping beauty and goodness yoked became moot as their separation in the realm of experience, in art and religion—their correspondent spheres of human activity—became so obviously distinct. Christianity supplanted paganism and the art of yore, which had formerly been principally confined to civil and religious expression, was gradually supplanted by an art that was its own unique means by which humanity understood itself. In due course, following the birth of Romanticism, art stood on the field of history its own inexorable self.”

PhilosophyChristianityTheologyPlatoPaganismRomanticismOlympianHomer
Author:Michael Shindler
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“In the "Republic," Plato vigorously attacked the oral, poetized form as a vehicle for communicating knowledge. He pleaded for a more precise method of communication and classification ("The Ideas"), one which would favor the investigation of facts, principles of reality, human nature, and conduct. What the Greeks meant by "poetry" was radically different from what we mean by poetry. Their "poetic" expression was a product of a collective psyche and mind. The mimetic form, a technique that exploited rhythm, meter and music, achieved the desired psychological response in the listener. Listeners could memorize with greater ease what was sung than what was said. Plato attacked this method because it discouraged disputation and argument. It was in his opinion the chief obstacle to abstract, speculative reasoning - he called it "a poison, and an enemy of the people.”

PoetryMediaPlatoHomerThe RepublicMedia Criticism
Book:The Medium is the Massage
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“We have already remarked that the great scientific books are in many ways easier to read than non-scientific ones, because of the care with which scientific authors help you to come to terms, identify the key propositions, and state the main arguments. These helps are absent from poetical works, and so in the long run they are quite likely to be the hardest, the most demanding, books that you can read. Homer, for example, is in many ways harder to read than Newton, despite the fact that you may get more out of Homer the first time through. The reason is that Homer deals with subjects that are harder to write well about. (P. 331)”

PoetryNewtonHomerHow To ReadScientific Books
Author:Mortimer J. Adler and Charles Van Doren
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“One verse by the blind poet of Chios is indelible: 'The life of man is like a summer's leaf.' Yet few who hear these words take them into their heart, for hope is rooted in every youthful soul, the lovely flower of youth grows tall with color, life will have no end, or there is no place for growing old, for death; and while in health, no fear of foul disease. Poor fools! in islands of illusion, for men have but a day of youth and life. You few who understand, know when death is near the food you give your soul must be supreme.”

Willis BarnstoneHomerSemonides
Author:Semonides
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“- Fanciulla, non so se sei una dea o una mortale, se sei una dea certo sei Artemide con le tue ancelle. Non ho mai visto niente di così bello come te, io ho provato lo stesso stupore ammirato una sola volta, a Delo quando ho visto un giovane fusto di palma che svettava, flessuoso, diritto verso il cielo. E vedo te come se tu fossi quella palma e provo lo stesso sentimento di ammirazione stupita. Io ho visto tutto questo, ho visto la scena, il torrente, le fanciulle che lavavano la biancheria, ho visto Nausicaa. In seguito, per una gran parte della mia vita mi è successo di guardare così, quando le incontravo, le fanciulle che non conoscevo, le vedevo belle, leggiadre e giovani, mi capitava di guardarle con gli occhi di Ulisse, come se fossero una giovane palma che si leva flessuosa, diritta verso il cielo.”

EpicOdysseusHomerUlissesNausicaaOmeroUlisse
Author:Jean Pierre Vernant
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