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Frankenstein Quotes

Browse 60 quotes about Frankenstein.

Frankenstein Quotes

“At that moment I heard the steps of my younger protectors. I had not a moment to lose, but, seizing the hand of the old man, I cried, "Now is the time! Save and protect me! You and your family are the friends whom I seek. Do not desert me in the hour of trial!" '"Great God!" exclaimed the old man, "who are you?" 'At that instant the cottage door opened...”

“I was often tempted, when all was at peace around me, and I the only unquiet thing that wandered so restless in a scene so beautiful and heavenly, if I except some bat, or frogs, whose harsh and interrupted croaking was heard only when I approached the shore - often, I say, was tempted to plunge into the silent lake, that the waters might close over me and my calamities forever.”

“My dear Victor, do not speak thus. Heavy misfortunes have befallen us; but let us only cling closer to what remains, and transfer our love for those whom we have lost to those who yet live. Our circle will be small, but bound close by the ties of affection and mutual misfortune. And when time shall have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.”

“I had admired the perfect forms of my cottagers—their grace, beauty, and delicate complexions; but how was I terrified when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity.”

“Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, or even thy clemency and affection, is most due. Remember that I am thy creature: I ought to be thy Adam,; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Every where I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.”

“If the study to which you apply yourself has a tendency to weaken your affections, and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind. If this rule were always observed; if no man allowed any pursuit whatsoever to interfere with the tranquility of his domestic affections, Greece had not been enslaved; Caeser would have spared his country; America would have been discovered more gradually; and the empires of Mexico and Peru had not been destroyed.”

“The Night When Fear Strays by Stewart Stafford Each Hallowtide, all monstrous shapes do quail, No balm for wounded wretches feeling frail, Spectators as charlatan mortals filch frights, Appropriated skins on haunted nights. With bonfire’s glow ablaze in dauntless eyes, Children’s fun quelled by strangest sighs, A hulking shape, once fierce, wails tainted, Its fearful gaze in phantom mists attainted. Small, tender hands caressed its sodden fur, A trembling growl betrayed its lonesome blur, “Peace, gentle shade, what sorrow stirs unfed?” “November’s dawn shall call me home,” it said. Their kindly-shared oat cakes eased its pangs, A webbed claw from veiled night to munching fangs, It feasted with a hunger born of striven years alone, Stroked the child’s cheek for the kindness shown. When parents called, it whispered, soft and torn, “At midnight’s knell, this thicket heralds morn— Go, kindred babes, I’ll linger in this glade. Each Halloween, I’ll mourn my fear remade.” © 2025, Stewart Stafford. All rights reserved.”

“he ancient Greek philosopher Empedocles said that two forces – love and hate – govern the universe. Love fuses things together. Hate splits them apart. In a foundation myth of ancient Egypt, the god Osiris was killed by his brother Set, and his body cut into many pieces and scattered across Egypt. His wife collected all of the dismembered parts together and then, with the help of Anubis, the god of embalming and funerary rites, and Thoth, the god of magic, she restored Osiris’s body to life. This is a creation myth based on fission – the god is torn apart – followed by fusion – the god is reassembled. Dr. Frankenstein, the modern Thoth, the scientific Thoth, fused body parts of dead criminals together then animated the creature. Human society is full of fusion forces that bring people together, and fission forces that break them apart. Fusion forces unite. Fission forces divide. We now live in a Fission Phase, with extreme polarization evident everywhere. There’s no sign of any Fusion Phase coming to the rescue any time soon.”

“The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?”

“How did he get so terribly smart, so determined? Maybe it was the pain I'd caused that made him that way, and if that were true, then I'd sort of had a hand in it, in making him as smart and devious as he was. I was really starting to dislike the guy. But I also felt a little proud, like Dr. Frankenstein must have felt when his monster turned on him, because after all, it was Dr. Frankenstein who had made the monster strong and cunning enough to turn on him.”

“It's not the machines you need to fear. It's the people. Other people. The augmented men and women that will come afterwards. The children who use this technology you are creating will not care what it does to your norms and traditions. They will utilize this gift to its fullest potential and leave you begging in the dust. They will break your hearts, murder the natural world, and endanger their own souls. You will rue the day that you created us.”

“What does it mean to be a proletarian, really? [...] It means you are a cog in a process of production that relies on what you do and think, while excluding you from being anything but its product. It means the end of sovereignty, the conversion of all experiential value to exchange value, the final defeat of autonomy.”

“MARY: Cat, should you be writing all this? I mean, Irene still lives in Vienna. Her secret room won’t be a secret once this book is published. CATHERINE: She said I could. Granted, she said no one would believe it anyway, the way no one believes Mrs. Shelly’s biography of Victor Frankenstein. Everyone assumes it’s fiction. She says people rarely believe in what they think to be improbable, although they often believe in the impossible. They find it easier to believe in spiritualism than in the platypus. BEATRICE: So she thinks our readers might assume this is a work of fiction? CATHERINE: Bea, you sound upset by that. BEATRICE: And you are not? Do you not care whether readers understand that this is the truth of our lives? CATHERINE: As long as they buy the book, no, not much. As long as they pay their two shillings a volume, and I receive royalties . . .”

“The next day we pursued our journey upon mules; and as we ascended still higher, the valley assumed a more magnificent and astonishing character. Ruined castles hanging on the precipices of piny mountains; the impetuous Arve, the cottages every here and there peeping forth from among the trees, formed a scene of singular beauty. But it was augmented and rendered sublime by the mighty Alps, whose white and shining pyramids and domes towered above all, as belonging to another earth, the habitations of another race of beings.”

“My darling Prometheus, you failed at being human. It’s such a simple thing to be human. You didn’t understand that you never had to be any good at it. You simply had to try. The modern Prometheus. I feel your inadequacy under my skin. Crawling like worms. You possessed that love and rage indeed. Entertain away, dear Monster. Frankenstein forced you into humanity. Tried to make you a man. That was his first mistake. You should have aimed for the Gods.”

“If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes, and I shall become a thing of whose existence every one will be ignorant. My vices are the children of a forced solitude that I abhor; and my virtues will necessarily arise when I live in communion with an equal. I shall feel the affections of a sensitive being, and become linked to the chain of existence and events, from which I am now excluded.”

“A Lie (Artificial Intransigence) by Stewart Stafford The morrow lies beyond The grasp of our hands, Fogged coastal shadows Of mountains in distant lands. Deities of tech Olympus, Subhuman to simulated will? Sage genius cannot tell, But hubris claims to still. The synthetic brainchild, Squats on shoulders high Of eyeless seers' vision, Our sentient clone - AI. © Stewart Stafford, 2023. All rights reserved.”

“Pero ¿Dónde estaban mis amigos y familiares? No había tenido un padre que cuidase de mi infancia, ni una madre que me bendijese con sus sonrisas y caricias; y si los tuve, toda mi vida pasada no era sino tiniebla, un ciego vacío que no distinguía nada. Desde el principio de mis recuerdos, había sido como era entonces en estatura y proporción. Hasta ahora, nunca había visto a un ser que se pareciese a mí ni pretendiese contacto alguno conmigo. ¿ Qué era yo? La pregunta me surgía una y otra vez, sólo para contestarla con gemidos”

“Mary, la hija, pasó la infancia viendo su nombre escrito sobre ua tumba. Una madre desconocida - que llevaba su mismo nombre- había muerto al darla a luz, y eso la llevó a cavilar la vida entera sobre los misterios del naiemiento, y sobre la asombrosa proximidad que hay entre la vida y la muerte. Se sentía parida por la tumba, una tumba ella misma, y su nombre y su epitafio tallados sobre una piedra gris la persiguieron en la luz y en la sombra.”