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Dracula Quotes

Browse 76 quotes about Dracula.

Dracula Quotes

“I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.”

“Some day soon the Angel of Death will sound his trumpet for me. But don’t ye dooal an’ greet, my deary!”—for he saw that I was crying—“if he should come this very night I’d not refuse to answer his call. For life be, after all, only a waitin’ for somethin’ else than what we’re doin’; and death be all that we can rightly depend on. But I’m content, for it’s comin’ to me, my deary, and comin’ quick. It may be comin’ while we be lookin’ and wonderin’. Maybe it’s in that wind out over the sea that’s bringin’ with it loss and wreck, and sore distress, and sad hearts. Look! look!” he cried suddenly. “There’s something in that wind and in the hoast beyont that sounds, and looks, and tastes, and smells like death. It’s in the air; I feel it comin’. Lord, make me answer cheerful when my call comes!” He held up his arms devoutly, and raised his hat. His mouth moved as though he were praying. After a few minutes’ silence, he got up, shook hands with me, and blessed me, and said good-bye, and hobbled off.”

“I had to wonder, though, if there's something about a murderer, particularly a confident one, that gives him a certain charisma or charm that I, in particular, am susceptible to. I mean, there's a reason more women are attracted to Dracula than repelled by him. I made a resolution to myself. From now on, I'd assume that every man I was attracted to was a murderer until proven otherwise. Perhaps it wasn't the most promising strategy for starting a relationship, but I might live longer.”

“No existe soledad mayor que la de no sentirte acompañado por tu propia imagen. El testimonio de los demás no basta, ni siquiera el de los seres queridos. Al no poder contemplar mi propio rostro llegué a pensar que carecía de él. Estaba seguro de que, si Dios existía, pertenecía a la familia de los Espejos y, por alguna razón que se me escapaba, le gustaba negar nuestra existencia.”

“Then I have a vague memory of something long and dark with red eyes, just as we saw in the sunset, and something very sweet and very bitter all around me at once; and then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men; and then everything seemed passing away from me; my soul seemed to go out from my body and float about the air. I seemed to remember that once the West Lighthouse was right under me, and then there was a sort of agonizing feeling, as if I were in an earthquake, and I came back and found you shaking my body. I saw you do it before I felt you.”

“The Blood Supper by Stewart Stafford Nightcrawler leaves their dirt bed, Seeking an essential blood supper, Cloaked in regal Stygian armour, Bar one chink in the left chest area. All the experience of centuries used, Lives lived long before their victims, Stalking stacked in a predator's favour, Shock overwhelms when blindsided. The infected victim then becomes one, With their undead attacker, connected, Sharing their contagion and obsessions, In a parasitic void betwixt life and death. © Stewart Stafford, 2022. All rights reserved.”

“I do not know…who turned me, your Grace.” His downcast gaze said it all: How terribly sad. For she had known all her life as a Vampire it was most…disgraceful to never know the one who turned you; that was where a Vampire could find a sense of great peace amidst the life that was the constant need for blood. She had only passed by these remarks, this cloud on her person for being ‘Princess of the Vampires,’ Dracula’s special child…”

“These friends - and he laid his hand on some of the books - have been good friends to me, and for some years past, ever since I had the idea of going to London, have given me many, many hours of pleasure. Through them I have come to know your great England; and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is.”

“Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, 'I am here.' ... Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall - all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

“Then we looked back and saw where the clear line of Dracula’s castle cut the sky; for we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains was far below it. We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side. There was something wild and uncanny about the place. We could hear the distant howling of wolves. They were far off, but the sound, even though coming muffled through the deadening snowfall, was full of terror.”

“Everything is grey—except the green grass, which seems like emerald amongst it; grey earthy rock; grey clouds, tinged with the sunburst at the far edge, hang over the grey sea, into which the sand-points stretch like grey fingers. The sea is tumbling in over the shallows and the sandy flats with a roar, muffled in the sea-mists drifting inland. The horizon is lost in a grey mist. All is vastness; the clouds are piled up like giant rocks, and there is a “brool” over the sea that sounds like some presage of doom. Dark figures are on the beach here and there, sometimes half shrouded in the mist, and seem “men like trees walking.” The fishing-boats are racing for home, and rise and dip in the ground swell as they sweep into the harbour, bending to the scuppers.”

“There was something so strange in all this, something so weird and impossible to imagine, that there grew on me a sense of my being in some way the sport of opposite forces - the mere vague idea of which seemed in a way to paralyse me. I was certainly under some form of mysterious protection. From a distant country had come, in the very nick of time, a message that took me out of the danger of the snow-sleep and the jaws of the wolf.”

“A noi nobili della Transilvania non piace pensare che le nostre ossa riposino fra quelle dei comuni mortali. Non cerco allegrezza né letizia, né la luminosa voluttà del sole o delle acque chiare che tanto piacciono ai giovani e agli spensierati. Non sono più giovane, e il mio cuore dopo gravosi anni di lutto per i miei morti non è incline all'allegria. Inoltre, le mura del mio castello sono diroccate; molto sono le ombre e il vento soffia freddo fra le merlature e i battenti. Amo la semi-oscurità e le ombre e restare solo con i miei pensieri quando è possibile.”

“Enquanto Stoker via seus vampiros como manifestações do proibido e do profano, Rice explorou-os como formas de lidar com sua realidade, com conflitos que lhes eram particulares; ela, que sempre se viu refletida na figura do outsider, sentiu-se confortável ao lidar com figuras que tentavam encontrar um significado para si fora da normatividade. Louis e Lestat, tão diferentes, carregam em si um pouco do fantasma da culpa católica e do desejo por ruptura e liberdade – sentimentos conflituosos, mas presentes simultaneamente em Rice.”

“Resta o entendimento de que o contato com o vampiro potencialmente acarreta um contaminar-se por perniciosa moléstia simultaneamente do corpo e da alma: o contágio não é apenas uma infecção, é também maldição, um contrair impurezas. Essa construção perpassa até mesmo o nível linguístico; entre as acepções etimológicas comumente atribuídas ao vocábulo “nosferatu”, que Stoker apenas popularizou ao se referir ao seu vampiro icônico, estariam “o impuro”, ou também, “aquele que carrega doenças”.”

“In a way, Darius brings the vampire back to a more classical interpretation. A modern day Dracula who is charming, sensual, and completely monstrous. There is no pretense of humanity with him. He considers himself a member of a species that is the true apex predator of the world, feeding on humans and using them as puppets for their own bizarre games. He's not struggling with any inner angst. Most humans are either food, entertainment, or useful tools to him. Sometimes all three. He finds the modern popular interpretation of vampires both amusing and useful for his own agenda.”