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Horror Story Quotes

Browse 52 quotes about Horror Story.

Horror Story Quotes

“Assisti a tudo, gotas de suor formando-se na testa. Queria dizer para pararem, mas não tinha voz. Estava emudecida, os meus dedos procurando em vão uma fenda que já não existia. Senti lágrimas nos olhos quando vi a explosão no ecrã. Fechei os olhos por momentos, e, mesmo assim, vi crianças que morriam queimadas nas ruas estreitas onde brincavam, ruas paralelas à da imagem inicial; as mães, arranhando a própria cara, que gritavam pelos filhos que não mais iriam ver; velhos esfarrapados, a boca aberta num grito perante os pedaços de corpos humanos e animais, emaranhados no fim. Vi um edifício explodir, fragmentos pesados em todas as direcções, acertando em formigas de movimentos velozes. Só que não eram formigas! Onde estava a compaixão? A empatia? E o cumprimento das convenções assinadas, das regras?”

“O cheiro é inconfundível, quase metálico, entranha-se como vapores pelas narinas, pela boca e pelos poros. Já não sei se o cheiro é em tal concentração que qualquer pessoa o poderia notar ou se, imperceptível, sou eu que me habituei a tê-lo presente, capaz de o reconhecer mesmo em proporções insignificantes. De qualquer forma, é real, sente-se, está aqui. Esta casa cheira a sangue. Nada de novo.”

“Henry,' at last said one, again dipping the spoon into the flaming spirit, 'hast thou read Hoffman?' 'I should think so,' said Henry. 'What think you of him?' 'Why, that he writes admirably; and, moreover, what is more admirable - in such a manner that you see at once he almost believes that which he relates. As for me, I know very well that when I read him of a dark night, I am obliged to creep to bed without shutting my book, and without daring to look behind me.' 'Indeed; then you love the terrible and fantastic?' 'I do,' said Henry. ("The Dead Man's Story”

“Rebecca uttered a low dry laugh, not facetiously, but more like a stitch coming apart at the seam. A wound opened. Her eyes were opening to a world she had denied for so long. She looked up at Frank and knew, just like in the books, hatred, real hatred is a Gollum that hides under the mountain of our hearts. It buries itself deep underground where no light can touch. And it waits. Rebecca thought of Tolkien and Bilbo and Frodo and that old grey wizard, she thought that maybe they were right. Perhaps “there are older and fouler things in the deep places of the world —in the deep places of our hearts.” And as she sat on the floor with Tom Johnson’s Glock aimed at her husband’s head, Rebecca looked into the space where his eyes should have been. She looked at what was now only darkness and felt something on the other side, something not her husband, looking back.”

“After the deadly Lahaina wildfire in August 2023, there was talk of a blatant cover-up by the government and media. In September 2023 the chatter by some Maui residents was the disaster was far worse than what the world was being told. People on the Hawaiian islands were getting a very different horror story from Maui residents.”

“No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chill and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened and fear grew upon me - the blind, irrational fear of our nursery days. ("Horror: A True Tale")”

“Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all. But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stories tell us truths.”

“When I got home, I seemed in a dream. My windows looked upon hers; I remained all the day looking at them, and all the day they were closed and dark. I forgot everything for this woman; I slept not, I eat nothing. That evening I fell into a fever, the next morning I was delirious, and the next evening I was DEAD!' 'Dead!' cried his hearers. 'Dead!' answered the narrator, with a conviction in his voice which words alone cannot give; 'dead as Fabian, the cast of whose dead face hangs from that wall!' 'Go on,' whispered the others, holding their breath. The hail still rattled against the windows, and the fire had so nearly died out, that they threw more wood on the feeble flame which penetrated the darkness of the studio and cast a faint light upon the pale face of him who told the story. ("The Dead Man's Story”

“People in this world, on this planet, all of these people are lonely. To varying degrees, human beings are lonely. Many are not; but too many are. And they are too frequently lonely, too. They fill their minds with things called dreams, plans, conclusions, outlooks, new stuff, self-imagery, self-esteem, illusions, fabrications; all of these things are noisy. They fill their minds up with all the things that are noisy enough to drown out the silence of their loneliness. And they think they're going somewhere because they gauge direction and success based upon the measurements of the distance covered over the platforms of the things they fill their minds with. The noise they fill their minds with. In reality, they're not going anywhere. They are sitting right there alone in that empty room of their minds where their hearts ache (or are numb), yet the walls are covered in noisy things, the corners filled with noisy things! It's a horror story, really. The people of this world are living inside a horror story and it is taking place within their minds. And you wonder why this world is unkind? You wonder why this world is violent, is unfulfilled, is half-baked? THIS is the reason why.”

“Books and movies are like a blueprint…a survival manual disguised as fiction. As folklore. Because the truth hides in plain sight and those that see have to hide and those that can’t see…well, they’re just a part of the plan.' ~ Excerpt from a NYPD Investigation, November, 1951”

“Peering and scowling at the returning familiar leviathan in the glass, Maddie tries to wish it away. Trembling, she searches around in the medicine cabinet for something that might reverse the effects. At once she finds herself wincing. Tasting the warm sticky liquid, she touches her tongue to her bottom lip. The place she normally chews on when she was nervous is bleeding. Maddie’s face exchanges its shocked expression for horror. Her eyes turn down. Reluctantly she opens her mouth to reveal those monstrously elongated teeth. A hysterical scourging washes over her face.”

“If you’re afraid of dying, “You died,” is really the ultimate horror story. It’s what every horror story you’ve ever read boils down to. Every monster, every killer, every disastrous happenstance in every story is actually death playing masquerade. In this case, the threat in all horror is the threat that you, precious you, will no longer be.”

“Nevertheless, making up twisted stories was what she was all about, and really, the only thing she was good at. As well as keeping something from others is also what she was about to. Then one day it all changed, I got a knock on my front door, and by the time I got there, the woman was gone. They're sitting on my doorstep as my granddaughter… there she was alive in my sight. She was seven years old at that time; I recall that she was completely nude crying on my porch, and all she had on was Lily’s other childhood ribbon in her hair. Then when I saw the ribbon, I knew what happened. Then she leaped into my arms, and it was love for me from that point on! I remember that Kristen had smashed fingers, and cut up legs, they used a taser gun on her… as well as her butt and vulva were bleeding from being chewed, fondled, and penetrated repeatedly. She was sold many times by Ava and was used as a slave for others' thrills. She had to have virginity restoration surgery to regain her innocence so that someday she can be deflowered to whom she wants. She was only seven years old when the doctors put her under to do that, yet it was the right thing to do, for her. The doctor, Dr. Fennel, said that he never saw anything like what he saw with her in his whole time in practice. I did not care how much it cost, I knew what it was like to have that taken away and I did not want that for her to go through in her life.”

“O medo é o oroboro, a serpente que come a própria cauda. Cada acção ou pensamento tocado por este mecanismo autotrófico o alimenta e enraíza dentro de nós. Incapacitante, destrutivo, progenitor de almas consumidas e privadas de desígnio ou direcção, propensas a um dia darem um passeio nocturno até ao fim de um qualquer cais de madeira, onde a água é fria e funda.”

“As he drove down the claustrophobic corridor of khaki colored corn stalks the wicked witch was quickly replaced by Michael Myers. Who better to walk out into the middle of the road at that point. Ok, maybe Leatherface or even Jason Voorhees. The more he let his childhood nightmares fill his mind the faster he drove. The house kept growing in size as he got closer.”

“The lantern held aloft; brief flashes of our surroundings were all we were privy to. The masses of bones were brown now, jaws collapsed mid-scream and crammed into boxes three at a time. Wooden coffins crumbled effortlessly to time, exposing ancient, dusty remains, some crushed by metal plate armour. They nested bugs and creatures that need never know the light of day, that probed in the darkest reaches of the world, far away from human sights and sensibilities. The loose stone floor was looser than ever, the path narrower, threatening to roll ankles and cast curious wanderers into a pit of forgotten despair. Everything felt tighter around me as if the walls of skulls were closing in, but also supernaturally colder. ~ Chief Inspector Frederick Abberline, The Ripper Lives, Into the Black (4/10)”

“Did anyone hear me? I had to be outside, just for a little while. I had to walk, and think, and tell myself I was really here. But did they hear me? Did they lie in the dark, listening, trying not to scream? If they heard me, they kept quiet. But when I closed my eyes, I could hear them. In my mind, I could hear them scream. I could imagine how it will be. But now is too soon. I'll have to be more careful. It's not time yet. When I'm ready, when I start, I'll hear them scream for real. I'll never have to imagine it again.”