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Cosmic Horror Quotes

Browse 18 quotes about Cosmic Horror.

Cosmic Horror Quotes

“The Tentacled Maws by Stewart Stafford Unhook the mind, Put honesty in dispute, From chosen blood, Comes officious brute. Tentacled things taking, Malicious, maladroit maws, In a hubris blizzard blind, Behind lupine power doors. Irradiated golden pockets, Ragged wretches starving, Dynasties sprouting weeds, Names on plaques for carving. © 2025, Stewart Stafford. All rights reserved.”

“There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous.”

“The Behemoth & The Godspawn Surfer by Stewart Stafford Jagged flesh in the behemoth's belly, The city encircled by its tongue's pall, I drank toxic fumes and pumice smoke, As I tried surfing along a lava waterfall. My obsidian bone board, surging fire, Cryptid blood drips from a snapping jaw, In a flash of the beast's fungal jawline, I counted the vacant dead within its maw. In a blaze, I was in its mouth and deeper, I rounded the gullet's scalding turn, Into a sea of swirling bones, stomach bile, Where half-chewed skyscrapers churn. "Leave me, Godspawn!" the monster roared, "Spoil not my prey feasting for my fangs to cut!" My board speared into its festering heart, It ejected me in a howling thunderclap of sulphur soot. And hurled me skyward, sand-blasted, and bruised, The plume cleared, and the beast stood, wound-free— Lava floods scorched, the city’s debt — a lifeblood hue, By sunrise, my perennial task returned to enslave me. © 2025, Stewart Stafford. All rights reserved.”

“In Nevada I could feel the Long Crisis with a terrifying intimacy, as if it was some sort of uncanny, bodily contact— like the feeling you get camped out in the swirling, galaxy-littered darkness of the open range when a reptile brushes up against your prostrate body. Except that the reptile at least shares with you some deep, serpentine connection, a lineage lost somewhere in the plummet of primeval time. The Crisis, on the other hand, is a vast creature, not contained by familiar scales of time or space. It is a social terror made of masses of machinery and animals, yet not in any way kin to these components. And what we sense of it today is merely one of its many limbs extending backward from its true body writhing somewhere just out of sight, at home in our own incomprehensible future.”

“To the North of this, in the direction of the West, I saw The Place Where The Silent Ones Kill; and this was so named, because there, maybe ten thousand years gone, certain humans adventuring from the Pyramid, came off the Road Where The Silent Ones Walk, and into that place, and were immediately destroyed. And this was told by one who escaped; though he died also very quickly, for his heart was frozen. And this I cannot explain; but so it was set out in the Records.”

“The real universe is just that black. The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life — another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod — there's only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It's the explanation for the Fermi Paradox. But in this dark forest, there's a stupid child called humanity, who has built a bonfire and is standing beside it shouting, 'Here I am! Here I am!”

“As he drove down the claustrophobic corridor of khaki colored corn stalks the wicked witch was quickly replaced by Michael Myers. Who better to walk out into the middle of the road at that point. Ok, maybe Leatherface or even Jason Voorhees. The more he let his childhood nightmares fill his mind the faster he drove. The house kept growing in size as he got closer.”

“He senses something wrong. He sees nothing, hears nothing, yet feels surrounded, then enveloped, by a presence of undiluted evil. He is immobilized. Then a savage merging of oblivion and agony, as if buried alive in a living expanse of living, malignant soil invading the self, violating him, becoming him. Every fiber, every atom, strains with the effort to expel it, to escape.”