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Props Quotes

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Props Quotes

“Performing magic in the live show thrills me. Just get me a deck of cards and some attentive audience, and I have made my day and theirs too”

“A magician may step out without a purse, but he should never step out without a pack of playing cards.”

“In the film Death and the Maiden, there is a point during which Sigourney Weaver has duct-taped Ben Kingsley to a chair in her living room. The characters are re-enacting a reverse torture scene. To move the plot of a woman tortured toward its desire: to torture the torturer. To extract a confession. The chair is a prop. A prop is a stage object that supports the drama. If the audience suspends their disbelief the chair transforms itself in time and space. If the audience is left unconvinced the chair is silly and imaginable in anyone’s living room. In the film Romeo is Bleeding Lena Olin sits in a chair and spreads her legs so that her cunt can be seen/scene. Her nationality keeps slipping; she is what we want her to be in a million ways. Her severed arm our severed arms. Her mouth opening like a country. In the film Exotica Atom Egoyan has the male lead (primary actor, financial draw) sit in a chair immobile while a child-stripper dances excruciatingly close to his body. His hands on his thighs. His mouth open. His mind seated. Torture. In the film Barbarella Jane Fonda is trapped inside of a science fiction sexual orgasm chair. This is before her politics come. In the film Breaker Morant two men mutated soldiers lost are executed—shot through the chest—while seated in chairs. In my kitchen I jack my father off while he sits in a chair, my hand smally domestic, the back of the chair holding his back, the legs of the chair forgiving his weight, the wood of the chair blonde, the hair of the girl blonde, the room magnified to cinematic proportions.”

“We had an electronic head and arm for Threepio, and I manipulated the mechanism with a joystick. But it wasn't working. The propman said, 'Give me fifteen minutes.' We all went to get coffee, and when we came back, Threepio's head turned perfectly and his arm moved naturally. I looked up and realized that the prop man had a fishing pole with a fine nylon string attached to Threepio's arm. He had rigged another string around the head, which Chewbacca was holding. As Chewie moved his hands, Threepio's head turned!”

“There are dons who care for the intellect and the imagination, and there are priests who care for the spirit; but broadly speaking the function of universities and churches alike is to trim and tame enthusiasm, to suppress curiosity, and, in short, to whittle immortal souls into serviceable props of the established order.”

“Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty.... People with no imagination feed it with sex -- the clown of love. They don't know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that -- softly, without props.”

“I wanted to be in the FBI. I also wanted to be a pie salesman. It was so intense that the studio got the prop department to make a little pie wagon and they filled it with tarts. I wheeled it around the set and sold them to the crew. I was about eight years old. I always sold out and I didn't have to pay for them. It was a great deal.”

“Technical progress and more comfortable living permit the systematic inclusion of libidinal components into the realm of commodity production and exchange. But no matter how controlled the mobilization of instinctual energy may be (it sometimes amounts to a scientific management of libido), no matter how much it may serve as a prop for the status quo - it is also gratifying to the managed individuals, just as racing the outboard motor, pushing the power lawn mower, and speeding the automobile are fun.”

“Stirner's political praxis is quixotic. It accepts the established hierarchies of constraint as given. ... Not liable to any radical change, they constitute part of the theatre housing the individual's action. ... The egoist uses the elements of the social structure as props in his self-expressive act.”

“The median family of four ... paid $4,722 in federal taxes last year. That's enough to pay for a new curtain for the secretary of commerce's office, to bribe a farmer not to plant 38 acres with corn ... seven weeks of salary for a Customs man assigned to save us from the terror of high-quality, low priced foreign TV sets, or the subsidy on 6,000 bushels of wheat to prop up the Soviet regime. Surely civilization would collapse without such essential services.”

“As the places where Americans dwell become evermore depressing and impossible, Disneyworld is where they escape to worship the nation in the abstract, a cartoon capital of a cartoon republic enshrining the falsehoods, half-truths, and delusions that prop up the squishy thing the national character has become--for instance, that we are a nation of families; that we care about our fellow citizens; that history matters; that there is a place called home.”

“There is a grand fearlessness in faith. He who in his heart of hearts reverences the good, the true, the holy--that is, reverences God--does not tremble at the apparent success of attacks upon the outworks of faith. They may shake those who rest on those outworks--they do not move him whose soul reposes on the truth itself. He needs no prop or crutches to support his faith. Founded on a Rock, Faith can afford to gaze undismayed at the approaches of Infidelity.”

“Pluck from under the family all the props which religion and morality have given it, strip it of the glamour, true or false, cast round it by romance, it will still remain a prosaic, indisputable fact, that the whole business of begetting, bearing and rearing children, is the most essential of all the nation's businesses.”

“It seems to me that obliviousness about white advantage, like obliviousness about male advantage, is kept strongly inculturated in the United States so as to maintain the myth of meritocracy, the myth that democratic choice is equally available to all. Keeping most people unaware that freedom of confident action is there for just a small number of people props up those in power and serves to keep power in the hands of the same groups that have most of it already.”