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Rap Quotes

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Rap Quotes

“But he played music so loudly he could not hear his pain. He stunted his growth beneath a bass that decorated his aura and lyrics that hardened the glass parts of him. He was indeed an autumn leaf dipped in concrete. He wanted sound, any sound but his own thoughts. Ears that needed songs louder than the mind were ears afraid of what they might hear inside.”

“My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs. I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war. So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick. I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.”

“A big reason for their hesitancy to become recording artists was that during their time at WBAU the Spectrum camp has been observing the harsh realities of the developing rap game. Inflated egos meant that they had to treat the upcoming acts who played at their gigs like kings. But after the shows the Spectrum crew would then drive those acts back to the same impoverished neighbourhoods that they'd always lived in. Driving supposed rap stars back to the projects made an impression. 'None of them were really getting paid off records so I was like, "Damn",' is how Chuck assessed the situation.”

“When hip-hop was born she had no commercial home, and was an invention of beautiful creativity. Born from a beautiful struggle, today she is mostly a 'ratchet' bitch spitting nonsense from her pimp's mansion.”

“I want to marry his smile, and if his smile is already married to someone else, then I want to marry his eyebrows and eyes. They're remarkable. Nobody's ever made better use of his or her eyes or eyebrows as a rapper than Kurtis Blow.”

“That's why we sing for these kids who don't have a thing, except for a dream and a fuckin rap magazine; Who post pin-up pictures on they walls all day long, idolize they favorite rappers and know all they songs; Or for anyone who's ever been through shit in they lives, so they sit and they cry, at night, wishin they'd die; Til they throw on a rap record and they sit and they vibe; We're nothin to you, but we're the fuckin shit in they eyes; That's why we seize the moment; Try to freeze it and own it, squeeze it and hold it, cause we consider these minutes golden; And maybe they'll admit it when we're gone; Just let our spirits live on, through our lyrics that you hear in our songs... [Sing for the Moment]”

“If you can't tell from my rap lyrics already, yes I am a feminist. And when I'm saying "hoe" or "bitch" I am actually referring to men. ...That sounded bad, in someway. But at the end of the day, I'm sick of rappers using "bitches" and "hoes" as terms towards women. Feminists are NOT a hate group. Feminists are not all female. Nor has it got an anti-male agenda. It's about equality! I've had a weird, special bond with women since I was a kid. And it's just a shame really that I'm gay.”

“Hopeful dreams - even where crack kings’ and dope fiends feast. Dust from the ash and rubble; they shine like bright stars once the mic is gripped and the bars are spit.”

“The art of rap is deceptive. It seems so straightforward and personal and real that people read it completely literally, as raw testimony or autobiography. And sometimes the words we use, nigga, bitch, motherfucker, and the violence of the images overwhelms some listeners. It's all white noise to them till they hear a bitch or a nigga and then they run off yelling "See!" and feel vindicated in their narrow conception of what the music is about.”

“The misconception is that the genre is a breeding ground for negativity; that it is the birthplace of violence and misogynistic attitudes, and the genesis of every kind of unfavorable stereotype imaginable. When, in fact, if looked at through the lens of neutrality and open-mindedness, the virtues of hip hop far outweigh the negative stigma attached to it.”

“According to a study conducted by the Oxford African American Studies Center, hip hop is part of and speaks to a long line of black American and African traditions. Many observers also make a connection between rap and West African griot tradition, the art of wandering storytellers known for their knowledge of local settings and their superior vocal skills.”

“Since hip hop emerged from the South Bronx in the 1970s, it has become an international, multi-billion-dollar phenomenon. It has grown to encompass more than just rap music. Hip hop has created a culture that incorporates ethnicity, art, politics, fashion, technology and urban life.” This debunks the widely accepted argument that the genre is inherently divisive. With so many factors converging to create such an intricate, informative and multi-faceted genre, whose history and impact have bridged barriers between artist and society, it is not too complicated an endeavor to understand that its relevance repudiates its notorious reputation.”

“A fast note about Ice-T's autobiography: There's a section where he tells a story about hanging out with Flavor Flav that involves going to Red Lobster in a Ferrari. I suspect the phrase "going to Red Lobster in a Ferrari" is the most accurate description of Flavor Flav anyone will ever come up with.”