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Props Quotes

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Props Quotes

“To prop up the stock price, managers have to turn down the screws on everybody. That forces them to cancel all the projects that would lead to future growth in order to drop money to the bottom line. This is HP's dilemma today. Once a company's growth has stopped, the game as we have known it is over. It's a scary thing.”

“One of the biggest things for me was driving two hours to the location everyday, and then having to lug out two carts of equipment alone, and I always had to consider - I was shooting on a beach - I'm like, "Okay, bring out the props first that no one will steal," because I have to leave it unattended for a couple minutes while I grab my second cart of things.”

“We have new technology that allows us... After we've blocked it, all the actors usually run over to the monitor and we can see the hallways and what's there. But I find it difficult, because you're in such a large room and you feel so small and inadequate. There's so much space around you and actors always want a prop or something just to make it comfortable.”

“People like Sean Penn, he is someone that is politically progressive and yet is still at the top of his game in the industry. So I love that he is out there just virtually shaming all the people that voted for Prop 8. He was a really great example of a straight ally, someone who used his talent and used his ability to further our cause, not just for political progressiveness but also specifically for gay marriage and specifically for Harvey Milk's entire life.”

“I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.”

“I mean, props to Paris Hilton because she's doing it really well and for someone that's such a wealthy heiress she doesn't really have to lift a finger at all. She was the first example of really strong branding and is obviously a very clever businesswoman. I remember recently they printed in a British magazine, they compared her to Kim Kardashian in the sales of perfume and all of this other stuff. She still makes huge revenue from all of her different business endeavors.”

“There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.”

“When you are on the set, you have different departments - you got camera, sound, props, hair, makeup, catering, executives. Imagine each one of those are spokes on the wagon wheel. All the spokes come into a hub: the hub is the director. The wood the spokes go into are distribution and promotion; the steel wheel around the hub is the film. None of these have anything in common with each other.”

“The early 20th Century was probably the high tide of global white supremacy - I'm going to call it that because that's how people thought of it - and to be specific, Anglo-Saxon supremacy: The idea that white Anglo-Saxon Protestants were at the top of the world, representing the highest achievement possible for all of humanity, with Darwin's theories being used to prop up this belief.”

“Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.”

“I'm a lifelong movie addict, and one of my favorite projects is making replica props and costumes. Nearly every one of these - from R2D2 to Hellboy's revolver - ends with the paint job. And it's not just cosmetic. The paint literally tells a story: what this thing is made of, where it's been, what it's been used for, and for how long.”

“There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.”

“To compose our character is our duty, not to compose books, and to win, not battles and provinces, but order and tranquility in our conduct. Our great and glorious masterpiece is to live appropriately. All other things, ruling, hoarding, building, are only little appendages and props, at most.”

“Television, radio, and all the sources of amusement and information that surround us in our daily lives are also artificial props. They can give us the impression that our minds are active, because we are required to react to stimuli from the outside. But the power of those external stimuli to keep us going is limited. They are like drugs. We grow used to them, and we continuously need more and more of them. Eventually, they have little or no effect. Then, if we lack resources within ourselves, we cease to grow intellectually, morally, and spiritually. And we we cease to grow, we begin to die.”

“I'm all right,' Jace protested, but his hand gripped Alec's sleeve tightly. 'I can stand.' It looks to me like you're using a wall to prop you up. That's not my definition of "standing."' It's leaning,' Jace told him. 'Leaning comes right before standing.”

“Rochester: "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard…And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" Jane: "You are no ruin sir - no lighting-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop.”

“I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing. "Props," Ranger told me. "Didn't want to look out of place." I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.”

“The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”

“It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquility was no more.”