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“I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.”

PoetryImaginationMagicMagical RealismOutcastNorseWiccaSelkieAncestralShapeshift
Book:Becoming Leidah
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“The Midgard Serpent opened its mouth and swallowed the ox head. The hook dug into the gums of its mouth, and when the serpent felt this, he snapped back so hard that both of Thor’s fists slammed against the gunwale. Thor now became angry and, taking on his divine strength, he strained so hard that both his feet pushed through the bottom of the boat. Using the sea floor to brace himself, he began pulling the serpent up on board. It can be said that no one has seen a more terrifying sight than this: Thor, narrowing his eyes at the serpent, while the serpent spits out poison and stares straight back from below. It is told that the giant Hymir changed colour. He grew pale and feared for his life when he saw the serpent and also the sea rushing in and out of the boat.”

MythMythologySeasonThorNorse MythologyNorseNorse MythOxHymirMidgard Serpent
Book:The Prose Edda: Norse Mythology
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“Loki was now captured, and with no thought of mercy he was taken to a cave. They [the Æsir] took three flat stones and, setting them on their edges, broke a hole through each of them. Then they caught Loki’s sons, Vali and Nari or Narfi. The Æsir changed Vali into a wolf, and he ripped apart his brother Narfi. Next the Æsir took his guts, and with them they bound Loki on to the top of the three stones – one under his shoulders, a second under his loins and the third under his knees. The fetters became iron. ‘Then Skadi took a poisonous snake and fastened it above Loki so that its poison drips on to his face. But Sigyn, his wife, placed herself beside him from where she holds a bowl to catch the drops of venom. When the bowl becomes full, she leaves to pour out the poison, and at that moment the poison drips on to Loki’s face. He convulses so violently that the whole earth shakes – it is what is known as an earthquake. He will lie bound there until Ragnarok.”

MythMythologyThorLokiNorse MythologyNorseBaldr
Book:The Prose Edda: Norse Mythology
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“When the builder saw that the work would not be finished, he flew into a giant’s rage. Once the Æsir realized for certain that they were facing a mountain giant, they no longer respected their oaths. They called upon Thor, who came immediately, and the next thing to happen was that the hammer Mjollnir was in the air. In this way Thor paid the builder his wages, but not the sun and the moon. Rather, Thor put an end to the giant’s life in Jotunheim. He struck the first blow in such a way that the giant’s skull broke into small pieces, and so Thor sent him down to Niflhel.”

HumorMythMythologyThorNorse MythologyNorseGiantJotunheimMjollnir
Book:The Prose Edda: Norse Mythology
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“Everybody can imagine how frightened the farmer became as he watched Thor’s eyebrows sink down low over his eyes. The small part of Thor’s eyes that was visible was a sight that alone could have killed. Thor’s hands clenched the shaft of the hammer until his knuckles whitened. As might be expected, the farmer and all his household began to wail. Begging for mercy, they offered in return everything they owned. When Thor saw their fear, his anger passed. Calming down, he took from them their children, Thjalfi and Roskva, as compensation. They became Thor’s bond servants and follow him ever since.”

HumorAngerMythMythologyThorNorse MythologyNorseNorse Myth
Book:The Prose Edda: Norse Mythology
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“When the Æsir saw Odin flying, they placed their vats in the courtyard, and when Odin entered Asgard he spat the mead into the vats. It was such a close call, with Suttung almost catching him, that he blew some of the mead out of his rear. No one paid attention to this part, and whoever wanted it took it; we call this the bad poets’ portion.”

HumorHumourMythMythologyMeadOdinNorse MythologyNorseNorse Myth
Book:The Prose Edda: Norse Mythology
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“When he heard these words, Loke ceased to look like a god, for the fury and hate of a devil were in his face. He cursed the gods until every face was pale with horror. Like an accusing conscience he told them all their faults and sins; he made them feel their weaknesses so keenly that Vidar, the silent god, rose to give him his seat and silence him, but now that his fury was let loose nothing could stop him. One by one he called each god by his name, and dragged his weaknesses into the view of all, and last of all he came to Sif, Thor's wife, and cursed her; and now a low muttering was heard afar off, and then a distant roll of thunder deepening into awful peals that echoed and re-echoed among the hills.”

MythologyThorLokiNorseLokeSif
Book:Norse Mythology: Great Stories from the Eddas
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“Yea, and thy deeds shall thou know, and great shall thy gladness be; As a picture all of gold thy life-days shalt thou see, And know that thou too wert a God to abide through the hurry and haste; A God in the golden hall, a God on the rain-swept waste, A God in the battle triumphant, a God on the heap of the slain: And thine hope shall arise and blossom, and thy love shall be quickened again: And then shalt thou see before thee the face of all earthly ill; Thou shalt drink of the cup of awakening that thine hand hath holpen to fill; By the side of the sons of Odin shalt thou fashion a tale to be told In the hall of the happy Baldur: nor there shall the tale grow old Of the days before the changing, e'en those that over us pass. So harden thine heart, O brother, and set thy brow as the brass!”

NostalgiaHeroismNorseAnaphora
Book:The Saga of the Volsungs
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“Wolves are such a powerful example of sticking power. They teach us to see things through, approaching life, our projects, our relationships and growth with determination and passion. However, the wolf sees clearly and makes informed decisions. They know when a kill is not worth making, they know when it is better to say 'not this time'. They ask you to cleverly access and weigh up, listening and considering the perspectives of your mind, body and soul. They encourage you to ask 'does this really contribute to my soul's path, my heart's joy or the benefit of humanity?'" Rachel S Roberts, WOLF. An inpsirational Guide to embodying your inner Wolf.”

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Book:Wolf: Untamed. Courageous. Empowered. An Inspirational Guide to Embodying Your Inner Wolf
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“Wisdom of the Wolf Pup: Know when you need to ask or receive help and surrender to it. Surrendering or letting go does not make you weak or deem you incapable but rather it is an act of honesty and trust. In many ways, like the pups, we are blind in this world and experience will open our eyes, but it is the alchemical transformation of knowledge into wisdom, via experience, that enables us to see. This takes time, patience, reflection, openness and allowance." Rachel S Roberts, WOLF. An inspirational guide to embodying your Inner Wolf.”

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Book:Wolf: Untamed. Courageous. Empowered. An Inspirational Guide to Embodying Your Inner Wolf
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“The saga teems with life and action, with memorable and complex characters from the heroic Gunnar of Hlidarendi, a warrior without equal who dislikes killing, to the villainous, insinuating Mord Valgardsson, who turns out to be less dastardly than we first expect. Unforgettable events include Skarphedin’s head-splitting axe blow as he glides past his opponent on an icy river bank, or Hildigunn’s provoking of her uncle to seek blood revenge by placing on his shoulders the blood-clotted cloak in which her husband was slain... Just as in the Norse poem Völuspá (‘The Seeress’s Prophecy’) the gods met their doom (no mere twilight) at the hands of brute giants and monsters, after which a new and peaceful earth arose, so do the terrible events of Njal’s Saga lead finally and at great cost to a dignified resolution bearing the promise of a better time. (Robert Cook(”

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Book:Njal's Saga
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“Valholl contained 540 doors. From each there emerged simultaneously 800 warriors who spent their days fighting one another, but the dead and wounded found their lives and health restored every evening. They then dined together, eating the flesh of the wild boar Saehrimnir, which always grew back, and drinking the mead served them by the Valkyries. This would continue until the Twilight of the Powers (Ragnarok), which Wagner immortalized under the name of Twilight of the Gods. At this time, three cocks would crow in Hel; the wolf Fenris would become free; the earth would convulse; Yggdrasil the World Tree would tremble; the sun and moon would vanish; the stars would go out; the Midgard Serpent would leave the sea; the giants would set sail on Naglfar; Surt, the fire giant, would advance by rain-bow; and, at the sides of the gods, the Unique Warriors would engage in their ultimate battle, a combat that would culminate with the conflagration of the world.”

AfterlifePaganismNorseValhallaRagnarok
Book:The Return of the Dead: Ghosts, Ancestors, and the Transparent Veil of the Pagan Mind
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“It is probable, as Anthony Faulkes suggests, that the pagan religion was never systematically understood by those who practiced it. Different areas of Scandinavia worshipped different gods at different times in the pre-Christian era; the localized nature of cults and rituals produced neither dogma nor sacred texts, as far as we know. Rather pre-Christian religion was 'a disorganized body of conflicting traditions that was probably never reduced in heathen times to a consistent orthodoxy such as Snorri attempts to present'.”

ReligionPaganismNorseScandinaviaHeathenry
Book:The Poetic Edda: Stories of the Norse Gods and Heroes
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“Thor looked out on the two great rolling rivers of cloud. It was a bad way for one to go, cold and suffocating. Yet if he went that way he could keep on his shoulder the hammer which he would not leave in another's charge. He stept out into the Cloud River that flowed by the Rainbow Bridge, and with his hammer upon his shoulder he went struggling on to the other river. Odin, Tyr, and Baldur were beside Urda's Well when Thor came struggling out of the Cloud River, wet and choking, but with his hammer still upon his shoulder. There stood Tyr, upright and handsome, leaning on his sword that was inscribed all over with magic runes; there stood Baldur, smiling, with his head bent as he listened to the murmur of the two fair swans; and there stood Odin All-Father, clad in his blue cloak fringed with golden stars, without the eagle-helmet upon his head, and with no spear in his hands.”

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Book:THE CHILDREN OF ODIN: The Book of Northern Myths
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“I have always been interested in mythology and history. The more I read, the more I realized that there have always been people at the edges of history that we know very little about. I wanted to use them in a story and bring them back into the public's consciousness. Similarly with mythology: everyone knows some of the Greek or Roman legends, and maybe some of the Egyptian or Norse stories too, but what about the other great mythologies: the Celtic, Chinese, Native American?”

PeopleKnowsLittlesStoriesUseWantedConsciousnessEdgesI RealizedMythologyChineseGreekNativeLegendsNative AmericanEgyptianCelticNorse
Author:Michael Scott
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“In the ninth and tenth centuries the Vikings invaded Britain from Scandinavia and settled in large numbers. Their language, which we call Old Norse, was at least partly comprehensible to the English, who did not hesitate to take over hundreds of words from it: skirt, window, scrub, sky, give, hit, kick, scatter, scrape, skill, scowl, score, fellow, want, skin, knife, law, happy, ugly, wrong and even the pronouns they and them.”

WantGivingLawLanguageNumbersSkyCenturySkillsWindowSkinsFellowsUglyKicksBritainScoreKnivesSkirtsLarge NumbersVikingsPronounsNorseScandinavia
Author:Larry Trask
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“My eighth grade teacher, Mrs. Pabst, had done her master's thesis on Tolkien. She showed me how the trilogy was patterned after Norse mythology. She was also the first person to encourage me to submit stories for publication. The idea of writing a fantasy based on myths never left me, and many years later, this would lead me to write Percy Jackson.”

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Author:Rick Riordan
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“Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.”

IfsWantWritingMeanStoriesReadingCan DoFantasySpecialEffectsMy FavoriteVampireGenreRobotsDinosaursPropsUnicornReading And WritingSpecial EffectsNorseFantasy Stories
Author:Patrick Rothfuss
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“How did you learn all this?" Vic sighed. "See, while you spend all your time making out with Balthazar, and Raquel stays holed up with her art projects, and Ranulf's off studying his Norse myths again, i do something else. Something crazy. Something strange. I call it 'talking to other people.' Through this miraculous process, I am sometimes able to learn facts about two or three other human beings in a single day. Scientists plan to study my method." ~Vic”

PeopleHumansArtTwoSometimesFactsAbleThreeProcessHuman BeingsTalkingStudyPlansCrazyStrangeProjectsScientistMethodMythMiraculousNorseArt Projects
Author:Claudia Gray
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“I can make some calls. There is a guy. Dagfinn Heyerdahl. He used to be with Norse Heritage Foundation." Norse Heritage Foundation wasn't so much about heritage as it was about viking, in the most cliché sense of the world. They drank huge quantities of beer, they brawled, and they wore horned helmets despite all historical evidence to the contrary. "Used to be?" Curran asked. "They kicked him out for being drunk and violent." Curran blinked. "The Norse Heritage?" "Mhm." "Don't you have to be drunk and violent just to get in?" he asked. "Just how disorderly did he get?”

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Author:Ilona Andrews
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“Sometimes, looking at the many books I have at home, I feel I shall die before I come to the end of them, yet I cannot resist the temptation of buying new books. Whenever I walk into a bookstore and find a book on one of my hobbies — for example, Old English or Old Norse poetry — I say to myself, “What a pity I can’t buy that book, for I already have a copy at home.”

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Book:This Craft of Verse
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“I had been a reader of THOR in college. I had read the Stan Lee and Jack Kirby stuff. I had loved it. I had been a Norse mythology fan since I was a kid and was thrilled to discover a comic that was kind of based on Norse mythology-there's not a one-to-one correspondence, but there's no reason there should be. I was delighted to find it, and I didn't care that it wasn't exactly the myth. For one thing, Thor didn't have red hair in the comics. I was fine with that.”

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Author:Walt Simonson
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