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Chorus Quotes

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Chorus Quotes

“I’m sorry,' [Marty] said unexpectedly. “Huh?” “That we never got to perform that duet together. Don’t you remember? For the Spring Concert?” “Oh, yeah. What was that song we were going to sing?” I asked. She placed her right hand on her hip and mock-pouted at me. “James Garraty, don’t tell me you forgot.” I gave her an impish who, me look. When she smiled, I said in a more serious tone: “‘Somewhere,’ from West Side Story.” I hummed the song’s first measure; it sounded a half-octave off key. Marty frowned. “You haven’t practiced lately,” she said disapprovingly. “No, I haven’t,” I said, and as I said it waves of melancholy washed over me like a cold dark tide. Marty saw my expression change; she walked up to me and placed her arm around my shoulder comfortingly. “I know,” she said softly, “how much you were looking forward to it, Jim. I was looking forward to singing that duet with you, too.” “Really?” I asked. “Really. You’re a terrific singer. Who wouldn’t want to sing a duet with you?” “I bet,” I said, “you say that to all the boys.” She laughed. My heart jumped as it usually did when she laughed. A thought clicked in my brain: What was it I’d written just a while ago? You are the one person who has the ability to brighten up a sour day. You have always managed to make me return a smile to someone else.”

“Slowly, ever so slowly, the heavy door to the chorus room creaked open. We all looked to see who was entering the room. It was a girl. She was of average height, clad in new 'first day of the semester' jeans, a white blouse that peeked out from under a navy-blue jacket, and clean new Keds girls’ sneakers. Her chestnut-colored hair was pulled up into a ponytail, and her cheeks were rosy against her pale skin, partly because it was cold outside, partly because she thought she was interrupting the class. 'Can I help you?' Mrs. Quincy asked. The girl hesitated at the door, clutching her backpack tightly. She looked at Mrs. Quincy nervously and fumbled for a piece of paper in her pocket. She walked up to the teacher, holding out the class schedule change form with both hope and a bit of fear. She bit her lip and waited for Mrs. Quincy’s reaction, hoping she wouldn’t be turned away or scolded.”

“Same time as every day, Fyl..." she fussed, the rest of the bridge crew seeming to hold their breaths. "TWELVE THIRTY!" came the chorus. The next hour dragged by, in about the same way as the hour before that. At twelve twenty-five, Commander Ortez found himself stepping out of an elevator into an equally mundane grey steel corridor on his way to the mess hall. Turning a corner, he met with a stream of crewmen milling around between shifts. Some off-duty personnel were lounging around in civvies, which consisted mostly of re-revamped 60's hippy fashions. Of all the places on the ship, the mess was the most spacious, (i.e.: it was a big mess.) The command officer’s balcony overhung the rest of the crew dining area. Ortez sat at his usual place, wincing as he remembered to get someone to fix the springs in his chair. An ensign, 3rd class dressed in chef’s white, served him with a plate of what either ended up feeding the chefs latest pet - or strangling it. Marnetti, Barnum and the sciences officer Commander Jaris Skotchdopole filed in, not necessarily in that order, and found seats. After a few bites, Marnetti -- who was the first officer and navigator, put up a hand and signalled a waiter. The lad approached fearfully, appreciating the highlight of his day.”

“So, Jim, are you going to sing a solo at the Christmas concert?" Bruce Holtzman whispered to me as we sat in our usual seats in the back of the crescent-shaped dais, strategically placed between the basses and the tenors. “I know you’ve been saying you don’t want to, but you still have a few days to practice – if you change your mind, that is.” “I don’t think so,” I muttered back as quietly and firmly as possible. Class was still in session, and even though Mrs. Quincy was easygoing and not as strict as some of the other teachers at South Miami High School, she still expected us to focus on learning our songs for the concert and behaving like mature young adults. Not like “a bunch of undisciplined hooligans,” as she once put it. “But it’s an easy way to get extra credit,” Bruce persisted. “I don’t get it. You’ve been a Singing Cobra for what? Nearly a year now? And we only get a few chances to shine per semester, you know.” “Bruce,” I said, trying to keep my voice low and calm so as not to draw attention. “I don’t mind singing in a group, as part of a larger unit. Singing a solo? That’s another story altogether.” “Why? What’s the difference?” “I don’t know,” I confessed. “Safety in numbers, maybe? I’m perfectly happy to sing the songs in the program and let others who want to sing a solo strut their stuff. I get nauseous at the thought of going on stage and singing all by myself in front of everyone in the auditorium.” “Why, Jim,” Bruce exclaimed with a surprised, puzzled tone, “don’t tell me you still get stage fright!” “Hey,” I snapped, “pipe down, man. Do you want us to get in trouble with Mrs. Quincy? I’m not doing a solo. End of story.” “Okay, okay,” Bruce said in a placating tone. “But that extra credit sure will look good on your transcripts come next year. Especially if you want to get a scholarship.”

“One side of the church auditorium was shouting, “Halle-Loo, Halle-Loo, Halle-Loo, Halle-loo-yah!” The other side would retort at a volume many decibels above a jet airplane’s with the phrase, “Praise – Ye – The – Lord.” They would counter each other several times before switching roles. If there ever was a perfect illustration of making a joyful noise, this was it. Several kids appeared to be close to unconsciousness from over-exertion. There’s not a shadow of a doubt that God heard it, but I wasn’t quite sure how He’d feel about the display. He hadn’t accepted Cain’s gift, and this seemed kind of along the same lines to me.”

“The Psalms offer us a way of joining in a chorus of praise and prayer that has been going on for millennia and across all cultures. Not to try to inhabit them, while continuing to invent non-psalmic 'worship' based on our own feelings of the moment, risks being like a spoiled child who, taken to the summit of Table Mountain with the city and the ocean spread out before him, refuses to gaze at the view because he is playing with his Game Boy”

“HOG, n. A bird remarkable for the catholicity of its appetite and serving to illustrate that of ours. Among the Mahometans and Jews, the hog is not in favor as an article of diet, but is respected for the delicacy and the melody of its voice. It is chiefly as a songster that the fowl is esteemed; the cage of him in full chorus has been known to draw tears from two persons at once. The scientific name of this dicky-bird is _Porcus Rockefelleri_. Mr. Rockefeller did not discover the hog, but it is considered his by right of resemblance.”

“There was once a town in the heart of America where all life seemed to live in harmony with its surroundings Then a strange blight crept over the area and everything began to change There was a strange stillness The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of scores of bird voices there was now no sound; only silence lay over the fields and woods and marsh.”

“It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was now no sound; only silence lay over the fields and woods and marsh... Even the streams were now lifeless... No witchcraft, no enemy action had silenced the rebirth of new life in this stricken world. The people had done it themselves.”

“If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I'd go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the 'Hallelujah Chorus'.”

“Songs start with my bringing in the basic riffs for what you might call a verse and a chorus, an A and a B part...whatever. And sometimes a C and even a D. That's kind of the easy, or at least easier part. The hard part is finding that special, perfect way to order things - how many times to do A before B and back and how the second verse differs from the first. That's all we got.”

“The Unheavenly Chorus is the definitive study of participatory inequality in America. Marshaling prodigious evidence, the authors show how money not only buys influence directly but also affects associations that are supposed to be democratic antidotes to concentrated wealth. A monumental achievement of careful scholarship, this book offers real knowledge of how politics actually operates.”

“Man passes; he knows that he is dust; nothing is more evident than his frailty. If he should for a single moment forget it, what a chorus of voices would recall it to him! And yet, in the drop of existence which he absorbs, he takes in ages through memory and ages through presentiment. In the moments as they pass, he dimly sees eternity, and more than this, he possesses it by anticipation.”

“The secret belief that the Lord of conscience loves and accepts each faithful sacrifice is the ultimate and sufficient support of all goodness; dispensing with the chorus of approving voices; replacing all vain self-reliance with a Divine strength; and with the peace of a reconciled nature consoling the inevitable sorrows of a devoted life.”

“I closed my eyes and listened to the occasional chirps of tiny birds hidden in the trees around us, the bubbling of water over rocks down below, cicadas rattling a chorus off in the distance. All sounds of the world carrying on like it always had. So much could change or be lost, and still, the rest of the world went on like it was nothing. It didn't seem wrong, but it didn't seem right either. I'd gone on today like it was nothing. I'd laughed and felt happy and forgotten for a little while that this was now a world without my brother in it.”

“Talking Taboo is a groundbreaking book. This chorus of bold female voices is presenting the church with an opportunity to engage real but all too frequently avoided or unseen issues impacting countless Christian women today. Their candid essays cover a wide spectrum of perspectives. Readers will resonate with some and be shocked by others. Talking Taboo took courage to write. Reading taboo takes courage too. So buckle up and brace yourself for an eye-opening but vitally important read!”

“Priests, kings, statesmen, soldiers, bankers and public functionaries of all sorts; policemen, jailers and hangmen; capitalists, usurers, businessmen and property-owners; lawyers, economists and politicians - all of them, down to the meanest grocer, repeat in chorus the words of Voltaire, that if there were no God it would be necessary to invent Him.”

“In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.”

“How can we accept a situation in which there are no longer orchestras, choruses, libraries or art classes to nourish our children? We need more support for the arts, not less -- particularly to make this rich world available to young people whose vision is choked by a stark reality. How many children, who have no other outlet in their lives for their grief, have found solace in an instrument to play or a canvas to paint on? When you take into consideration the development of the human heart, soul and imagination, don't the arts take on just as much importance as math or science?”

“I speak without reservation, from what I know and who I am. I do so with the understanding that all people should have the right to offer their voices to the chorus whether the result is harmony or dissonance. The worldsong is a colorless dirge without the differences that distinguish us, and it is that difference which should be celebrated not condemned.”

“His (Swami Vivekananda) words are great music, phrases in the style of Beethoven, stirring rhythms like the march of Handel choruses. I cannot touch these sayings of his, scattered as they are through the pages of books, at thirty years' distance, without receiving a thrill through my body like an electric shock. And what shocks, what transports, must have been produced when in burning words they issued from the lips of the hero!”