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Opening Quotes

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Opening Quotes

“The baby explodes into an unknown world that is only knowable through some kind of a story - of course that is how we all live, it's the narrative of our lives, but adoption drops you into the story after it has started. It's like reading a book with the first few pages missing. It's like arriving after curtain up. The feeling that something is missing never, ever leaves you - and it can't, and it shouldn't, because something IS missing. That isn't of its nature negative. The missing part, the missing past, can be an opening, not a void. It can be an entry as well as an exit. It is the fossil record, the imprint of another life, and although you can never have that life, your fingers trace the space where it might have been, and your fingers learn a kind of Braille.”

“Monogamous relationships can be based on fear: fear of losing my partner because he might fall in love with another woman, or fear that she may find a more secure man with a deeper purpose than my own to guide and protect her. “Nevertheless it also can be based on love where our commitment to open and be opened by one intimate partner becomes our way to express love for him or her, our children, friends, and ultimately the whole world and Source.”

“En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua, rocín flaco y galgo corredor. Una olla de algo más vaca que carnero, salpicón las más noches, duelos y quebrantos los sábados, lentejas los viernes, algún palomino de añadidura los domingos, conmuían las tres partes de su hacienda. El resto della concluían sayo de velarte, calzas de velludo para las fiestas, con sus pantuflos de los mesmo, y los días de entresemana se honraba con su vellorí de lo más fino.”

“The darkness is expanding—sixty days of night looming on the horizon—so I step out onto my porch and take a deep breath, the cold air burning my nostrils and making my lungs ache. There is so much to do, so much pain to repurpose into the void. I rub my hands together to warm them, already dressed in layers—long thermal underwear over boxers, two pairs of wool socks—with more to come. The morning is brisk, hoarfrost sparkling across the snow-covered ground, but I know I can’t stand here for long. I inhale again—juniper, salt, a whiff of fish, my own musk—and take in my humble abode, knowing that the season is upon us, preparing for what will come. It is both invigorating and daunting at the same time. (Opening paragraph, first chapter.)”

“Black community, I think as a whole America is dealing with the issue of homophobia. We got to be really honest about whether we believe in civil rights for all people or not. As Black people we need to remember the moment that we say it's okay to disenfranchise one segment of society, we're opening the door to move backward on ourselves.”

“I testify that when the Lord closes one important door in your life, He shows His continuing love and compassion by opening many other compensating doors through your exercise of faith. He will place in your path packets of spiritual sunlight to brighten your way....They point the way to greater happiness, more understanding, and strengthen your determination to accept and be obedient to His will.”

“We can think of Lent as a time to eradicate evil or cultivate virtue, a time to pull up weeds or to plant good seeds. Which is better is clear, for the Christian ideal is always positive rather than negative. A person is great not by the ferocity of his hatred of evil, but by the intensity of his love for God. Asceticism and mortification are not the ends of a Christian life; they are only the means. The end is charity. Penance merely makes an opening in our ego in which the Light of God can pour. As we deflate ourselves, God fills us. And it is God’s arrival that is the important event.”

“Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.”

“Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'”