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Apollo Quotes

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Apollo Quotes

“We need to be those that revere Apollo, yet do not ignore Dionysus. We must give Dionysus his due, but always in a subordinate sense to Apollo. As things stand, we live in a primitive Dionysian world where Apollo scarcely gets a look in. We need an Apollonian world by day (work hard, intelligently, rationally and logically) and a Dionysian world by night (play hard, satisfying our deepest needs in sublimated, ritualistic, and staged ways, avoiding the horror of the untamed, bestial Dionysian).”

“Reason, when understood ontologically, takes on an entirely different meaning from the one conventionally assigned to it. It takes on the extra “dimensions” of emotion, perception, intuition, desire and will. All of these are involved in the intricate nexus for providing sufficient reasons for actions. People who don’t understand our work keep reducing reason to one dimension, which means that our central point that reason is ontological and explains everything – including love, human error, insanity, and everything else that, according to the conventional treatment of reason, has nothing to do with reason – has completely escaped them. Reason, in our system, is both syntactic (structural) and semantic (meaningful). Its semantic aspect is what gives it the capacity to generate all the weird and wonderful things that average people do not associate with reason. They regard reason in strictly syntactic, machinelike terms. That is only one aspect of reason. It has many others.”

“they would be astonished to discover the seriously German problem that we are dealing with, a vortex and a turning-point at the very centre of German hopes. But perhaps those same people will find it distasteful to see an aesthetic problem taken so seriously, if they can see art as nothing more than an entertaining irrelevance, an easily dispensable tinkle of bells next to the 'seriousness of life': as if no one was aware what this contrast with the 'seriousness of life' amounted to. Let these serious people know that I am convinced that art is the supreme task and the truly metaphysical activity of this life in the sense of that man, my noble champion on that path, to whom I dedicate this book.”

“Sad to say, in my four-thousand-plus years, the times I'd felt most at home had all happened during the past few months: at Camp Half-Blood, sharing a cabin with my demigod children; at the Waystation with Emma, Jo, Georgina, Leo and Calypso, all of us sitting around the kitchen table chopping vegetables from the garden for dinner; at the Cistern in Palm Springs with Meg, Grover, Mellie, Coach Hedge and a prickly assortment of cactus dryads; and now at Camp Jupiter, where the anxious, grief-stricken Romans, despite their many problems, despite the fact that I brought misery and disaster wherever I went, had welcomed me with respect, a room above their coffee shop and some lovely bed linen to wear. These places were homes. Whether I deserved to be part of them or not - that was a different question.”

“Above, a vivid painting hung over the fireplace. Inside its frame, a woman was transforming into a tree. The lower half of her body was bark and roots, plunging into soil, while her waist and chest arched upwards and her outstretched hands reached for the sky. The nymph's dark hair was a knotted mass of branches around her head, sprouting bright green leaves. It was the myth of Daphne---the nymph who begged the river god to save her from Apollo and was turned into a laurel tree. "It must be a terrible thing to lose," Hawthorne said, making her jump. He looked up from where he crouched near the fire: to the woman in the frame. His left forearm was streaked with black ash. "What's a terrible thing to lose?" Hawthorne's eyes glittered as he studied the nymph. "Your humanity." "But it was her choice," said Emeline, feeling defensive of Daphne. If the river god hadn't turned her into a laurel, she would have fallen prey to Apollo. "She asked to be saved." Firelight flickered over Hawthorne's face as his gray-eyed gaze caught hers and held it. "Saved," he murmured, considering this. "Is that really what the river god did? As a tree, her life is forfeit. She'll never be human again. She'll never laugh or sing, ponder or love, again. Don't you think she would have preferred the river god defeat Apollo, or at the very least warn him away, instead of taking something so precious from her?”

“O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.”

“Rachel crossed her arms. “And the other three Oracles? I’m sure none of them was a beautiful young priestess whom you praised for her…what was it?…‘scintillating conversation’?” “Ah…” I wasn’t sure why, but it felt like my acne was turning into live insects and crawling across my face. “Well, according to my extensive research—” “Some books he flipped through last night,” Meg clarified.”

“He turned the crank handles, hoping the thing wouldn’t explode in his face. A few clear tones rang out-metallic yet warm. Leo manipulated the levers and gears. He recognized the song that sprang forth-the same wistful melody Calypso sang for him on Ogygia about homesickness and longing. But through the strings of the brass cone, the tune sounded even sadder, like a machine with a broken heart-the way Festus might sound if he could sing. Leo forgot Apollo was there. He played the song all the way through. When he was done, his eyes stung. He could almost smell the fresh-baked bread from Calypso’s kitchen. He could taste the only kiss she’d ever given him.”

“Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her. No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore. Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon. It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.”

“Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.”

“I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service." He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep. Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?" Thanks, Apollo," I said. "I'll, um, let you handle the poetry.”

“Percy," Apollo said, "I wouldn't worry too much. The last Great Prophecy about you took almost seventy years to complete. This one may not even happen in your lifetime." I thought about the lines Rachel had spoken in that creepy voice: about storm and fire and the Doors of Death. "Maybe," I said, "but it didn't sound so good." "No," said Apollo cheerfully. "It certainly didn't. She's going to make a wonderful Oracle!”

“Kronos couldn't have risen if it hadn't been for a lot of demigods who felt abandoned by their parents," I said. "They felt angry, resentful, and unloved, and they had a good reason." Zeus's royal nostrils flared. "You dare accuse-" "No more undetermined children," I said. "I want you to promise to claim your children-all your demigod children-by the time they turn thirteen. They won't be left out in the world on their own at the mercy of monsters. I want them claimed and brought to camp so they can be trained right, and survive." "Now, wait just a moment," Apollo said, but I was on a roll. "And the minor gods," I said. "Nemesis, Hecate, Morpheus, Janus, Hebe--they all deserve a general amnesty and a place at Camp Half-Blood. Their children shouldn't be ignored. Calypso and the other peaceful Titan-kind should be pardoned too. And Hades-" "Are you calling me a minor god?" Hades bellowed.”

“I see you like to study,” I said. “Well done.” Percy snorted. “I hate to study. I’ve been guaranteed admission with a full scholarship to New Rome University, but they’re still requiring me to pass all my high school courses and score well on the SAT. Can you believe that? Not to mention I have to pass the DSTOMP.” “The what?” Meg asked. “An exam for Roman demigods,” I told her. “The Demigod Standard Test of Mad Powers.” Percy frowned. “That’s what it stands for?” “I should know. I wrote the music and poetry analysis sections.” “I will never forgive you for that,” Percy said.”