Quotessence
Home / Topics / Gaze Quotes

Gaze Quotes

Browse 48 quotes about Gaze.

Gaze Quotes

“What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.”

“And yes, there was such a luster in his eyes that I had to look away, and when I looked back at him, his gaze hadn’t moved and was still focused on my face, as if to say, So you looked away and you’ve come back, will you be looking away again soon?—which was why I had to look away once more, as if immersed in thought, yet all the while scrambling for something to say, the way a fish struggles for water in a muddied pond that’s drying up in the heat.”

“Do not avert your eyes. It is important that you see this. It is important that you feel this.”

“There is nothing to be found in human eyes, and that is their terrifying and dolorous enigma, their abominable and delusive charm. There is nothing but that which we put there ourselves. That is why honest gazes are only to be found in portraits. The faded and weary eyes of martyrs, expressions tortured by ecstasy, imploring and suffering eyes, some resigned, others desperate... the gazes of saints, mendicants and princesses in exile, with pardoning smiles... the gazes of the possessed, the chosen and the hysterical... and sometimes of little girls, the eyes of Ophelia and Canidia, the eyes of virgins and witches... as you live in the museums, what eternal life, dolorous and intense, shines out of you! Like precious stones enshrined between the painted eyelids of masterpieces, you disturb us across time and across space, receivers of the dream which created you! You have souls, but they are those of the artists who wished you into being, and I am delivered to despair and mortification because I have drunk the draught of poison congealed in the irises of your eyes. The eyes of portraits ought to be plucked out.”

“Whoever said that time doesn't stop for anyone, apparently had never seen her smile, looking me in the eye, not shying away from the hold my gaze had on her. Whoever said that you can't hold all the happiness of this world within you, obviously had never wrapped her frame into their arms, arms that were coiled around perfection. Whoever said that you can't fly, evidently hadn't been in love ever.”

“It is December in Paris. It was already December when I set out from Luanda, leaving the radiance of your gaze behind me. And it will be December yet, even after the month is over, and then will come only more December and winter, and December again and always the same, until l come back to the Sunny Season, and the land which is lit everywhere, always, by your gaze.”

“Contemplation is a gaze of faith, fixed on Jesus. "I look at him and he looks at me": this is what a certain peasant of Ars in the time of his holy cure used to say while praying before the taberna­cle. This focus on Jesus is a renunciation of self. His gaze purifies our heart; the light of the countenance of Jesus illumines the eyes of our heart and teaches us to see everything in the light of his truth and his compassion for all men. Contemplation also turns its gaze on the mysteries of the life of Christ. Thus it learns the "interior knowledge of our Lord," the more to love him and follow him.”

“You live through each memory you have hidden inside me. Through the places, we had been to and through the songs, which only we have sung and heard. Every night, I lie down and look at the sky gazing the universe in its eye. Watching the breeze and the stars carry the pieces of us and deliver it to the infinity and every time I wonder if you are doing the same somewhere.”

“~Tonight's Sea~ Meet me by the sea, Under the stars. Where we can gaze With our hearts. Today, I am restless, Waiting for tonight's meet. I cannot believe how endless These hours can be. I hope the constellations Are aligned. For tonight we'll see Where our connection wanders. I'll hold on to this dream. My grip isn't fading. My memory isn't gone. Tonight we will be wading In the sea waters of love. -Rachel Nicole Wagner Original”

“Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.”

“Repensei no corpo em desordem da professora, no corpo desgovernado de Melina. Sem uma razão evidente, comecei a olhar com atenção para as mulheres ao longo da estrada. De repente me veio a impressão de ter vivido com uma espécie de limitação do olhar: como se só fosse capaz de focalizar nosso grupo de meninas, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, a mim mesma, minhas colegas de escola, e jamais tivesse realmente notado o corpo de Melina, o de Giuseppina Peluso, o de Nunzia Cerullo, o de Maria Carracci. O único corpo de mulher que eu tinha examinado com crescente preocupação era a figura claudicante de minha mãe, e apenas por aquela imagem me sentira perseguida, ameaçada, temendo até agora que ela se impusesse de chofre à minha própria imagem. Naquela ocasião, ao contrário, vi nitidamente as mães da família do bairro velho. Eram nervosas, eram aquiescentes. Silenciavam de lábios cerrados e ombros curvos ou gritavam insultos terríveis aos filhos que as atormentavam. Arrastavam-se magérrimas, com as faces e os olhos encavados, ou com traseiros largos, tornozelos inchados, as sacolas de compra, os meninos pequenos que se agarravam às suas saias ou queriam ser levados no colo. E, meu Deus, tinham dez, no máximo vinte anos a mais do que eu. No entanto pareciam ter perdido os atributos femininos aos quais nós, jovens, dávamos tanta importância e que púnhamos em evidência com as roupas, com a maquiagem. Tinham sido consumidas pelo corpo dos maridos, dos pais, dos irmãos, aos quais acabavam sempre se assemelhando, ou pelo cansaço ou pela chegada da velhice, pela doença. Quando essa transformação começava? Com o trabalho doméstico? Com as gestações? Com os espancamentos? Lila se deformaria como Nunzia? De seu rosto delicado despontaria Fernando, seu andar elegante se transmutaria nas passadas abertas e braços afastados do tronco, de Rino? E também meu corpo, um dia, cairia em escombros, deixando emergir não só o de minha mãe, mas ainda o do pai? E tudo o que eu estava aprendendo na escola se dissolveria, o bairro tornaria a prevalecer, as cadências, os modos, tudo se confundiria numa lama escura, Anaximandro e meu pai, Fólgore e dom Achille, as valências e os pântanos, os aoristos, Hesíodo e a vulgariadade arrogante dos Solara, como de resto há milênios acontecia na cidade, sempre mais decomposta, sempre mais degradada?”

“Unfortunately for him he looked more like an innocent man on America’s terror watch-list rather than a gallant Viking possessing all the benefits of modernity. More like a villain in a Western fairy tale with his slicked-bouffant obsidian hair rather than the long sun-like curls that all great saviors of the poor have been obliged to possess. I squinted to the side towards him for a second and he caught my gaze almost immediately; his inky irises were comfortable enough to hold my stare indefinitely, his pupils seemed entirely ravenous as opposed to the feminist preferred oceanic turquoise, which for them is a physical demarcation of emotional sensitivity. He seemed like an uncanny bad guy any which way I looked at him, except of course, by his actions thus far…”

“At that moment, I began to fully appreciate the power of attention. Each of us has a characteristic way of showing up in the world, a physical and mental presence that sets a tone for how people interact with us. Some people walk into a room with an expression that is warm and embracing; others walk in looking cool and closed up. Some people first encounter others with a gaze that is generous and loving; other people regard those they meet with a formal and aloof gaze. That gaze, that first sight, represents a posture toward the world. A person who is looking for beauty is likely to find wonders, while a person looking for threats will find danger. A person who beams warmth brings out the glowing sides of the people she meets, while a person who conveys formality can meet the same people and find them stiff and detached. “Attention,” the psychiatrist Iain McGilchrist writes, “is a moral act: it creates, brings aspects of things into being.” The quality of your life depends quite a bit on the quality of attention you project out onto the world.”