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Artemis Quotes

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Artemis Quotes

“It only takes about fifteen minutes for me to get totally lost. We’re somewhere in the outskirts of the property, but I’ve pushed us past the tree line too far to remember which way we came from. But I’m not going to admit it to her. I wrack my brain for any of Lady Artemis’s navigation skills. Unfortunately, almost all of them rely on the nighttime constellations, and I am not spending six hours out here with Atalanta.”

“The Jeep inched forward at a painfully slow rate, made all the more excruciating by the anticipation building in Artemis's chest. He could suppress it no longer. Could they at last be at the end of their quest? After six false alarms across three continents, could this wine-sodden healer be the gold at the end of the rainbow? Artemis almost chuckled. Gold at the end of the rainbow. He'd made a joke. Now there's something that didn't happen everyday.”

“Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.”

“My faithful companion, Zoe Nightshade, has passed into the stars. I must have a new lieutenant. And I intend to choose one. But first, Father Zeus, I must speak to you privately." Zeus beckoned Artemis forward. He leaned down and listened as she spoke in his ear. A feeling of panic seized me. "Annabeth," I said under my breath. "Don't." She frowned at me. "What?" Look, I need to tell you something," I continued. The words came stumbling out of me. "I couldn't stand it if… I don't want you to—" Percy?" she said. "You look like you're going to be sick." And that's how I felt. I wanted to say more, but my tongue betrayed me. It wouldn't move because of the fear in my stomach”

“You must forgive my Hunters if they do not welcome you," Artemis said. "It is very rare that we would have boys in this camp. Boys are usually forbidden to have any contact with the Hunters. The last one to see this camp…" She looked at Zoe. "Which one was it?" That boy in Colorado," Zoe said. "You turned him into a jackalope." Ah, yes." Artemis nodded, satisfied. "I enjoy making jackalopes.”

“Bianca, camp is cool! It's got a pegasus stable and a sword-fighting arena and… I mean, what do you get by joining the Hunters?" To begin with," Zoe said, "immortality." I stared at her, then at Artemis. "She's kidding, right?" Zoe rarely kids about anything," Artemis said. "My Hunters follow me on my adventures. They are my maidservants, my companions, my sisters-in-arms. Once they swear loyalty to me, they are indeed immortal… unless they fall in battle, which is unlikely. Or break their oath." What oath?" I said. To foreswear romantic love forever," Artemis said. To never grow up, never get married. To be a maiden eternally." Like you?" The goddess nodded. I tried to imagine what she was saying. Being immortal. Hanging out with only middle-school girls forever. I couldn't get my mind around it.”

“[Girls] may feel safer and more at home under a tree or currying horses in a stable than in a home where they may be neglected or abused. When these girls find mother bear in themselves and find the support to be themselves in the archetype symbolized by the protective mother bear, they become competitors in the world. It is the archetype of Artemis that comes to the aid of these girls who, in some significant way, were abandoned and then found in nature or with animals the parents that they did not have at home. It may also be their nature as an Artemis to prefer to be in the woods, uninterested in staying at home or in doing womanly or girlish things.”

“Butler snapped his fingers. "Focus, Artemis! Time enough for your Atlantis Complex later. We have the Atlantis Trench outside that door and six miles of water above it. If you want to stay alive, you need to stay alert." He turned to Holly. "This is ridiculous. I'm pulling the plug." Holly's mouth was a tight line as she shook her head. "Navy rules, Butler. You're on my boat, you follow my orders." "As I remember, I brought the boat." "Yes, thanks for bringing my boat.”

“He glanced up at her and somehow he’d come back to himself, contained all that terrible sorrow and anger and fear, enough to make ten strong men fall down like babes. Maximus held it all inside of him and straightened his shoulders, his chin level, and Artemis couldn’t understand it—where he got the strength to hide that awful, bloody wound in his soul—but she admired him for it. Admired him and loved him. She felt an answering wound open within her own soul, a kind of faint reflection of all the pain he’d endured, just because she cared for him.”

“Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.” Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.” “Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?” “Well, I—” “Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?” “When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.” “Oh, that’s much better,” Reyna snarled. “If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?” “I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!” “Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in. “You suck,” Meg agreed.”

“And I don't have a present for you.' 'A present?' said Artemis. 'Of course,' sang his mother, spinning him around. 'Don't you know what day it is?' 'Day?' 'It's Christmas Day, you silly boy. Christmas Day! Presents are traditional, are they not?' Yes, thought Artemis. Traditional. San D'Klass. […] 'Now Arty, I want to know everything. First of all, what happened here?' 'Remodeling,' said Artemis. 'The old doorway was riddled with damp.' Angeline frowned, completely unconvinced. 'I see. And how about school? Have you decided on a career?' While his mouth answered these everyday questions, Artemis's mind was in turmoil. He was a boy again. His life was going to change utterly. His plans would have to be much more devious than usual if they were to escape his mother's attention. But it would be worth it. Angeline Fowl was wrong. She had brought him a Christmas present.”

“He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. “Was it?” “Yes. What about I am so bigheaded?” “No, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. “Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" “I’ve got it!” Apollo announced. “I am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.”

“The compelling thing about making art — or making anything, I suppose — is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art.”

“The goddess Artemis had a twin brother, Apollo, the many-faceted god of the Sun. He was her male counterpart: his domain was the city, hers the wilderness; his was the sun, hers the moon; his the domesticated flocks, hers the wild, untamed animals; he was the god of music, she was the inspiration for round dances on the mountains.”

“We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought”

“I was an ambassador for Betway during the Rugby World Cup and at the moment I'm working as an ambassador for Artemis Investment Management. I also organised the first Rugby Aid in 2015. We had celebrities playing rugby against former England team players and raised a ton of money for Rugby For Heroes [a charity for former servicemen and women]. Only one celeb got crunched quite badly - Jaime Laing from Made in Chelsea ended up with cracked ribs.”

“My motto in life is 'aim true'. It came from my love of Artemis, the goddess of the hunt. She inspired me to sport a gold arrow around my neck because it reminded me of her strength and that I can always hit my mark when I set intention, follow what makes my heart beat, and aim true. The arrow was a reminder that I can cut through any obstacles, that I have power, beauty, and the ability to choose love over fear every moment of my life.”