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Ovid Quotes

Browse 24 quotes about Ovid.

Ovid Quotes

“There is a place at the centre of the World, between the zones of earth, sea, and sky, at the boundary of the three worlds. From here, whatever exists is seen, however far away, and every voice reaches listening ears. Rumour lives there, choosing a house for herself on a high mountain summit, adding innumerable entrances, a thousand openings, and no doors to bar the threshold. It is open night and day: and is all of sounding bronze. All rustles with noise, echoes voices, and repeats what is heard. There is no peace within: no silence anywhere. Yet there is no clamour, only the subdued murmur of voices, like the waves of the sea, if you hear them far off, or like the sound of distant thunder when Jupiter makes the dark clouds rumble. Crowds fill the hallways: a fickle populace comes and goes, and, mingling truth randomly with fiction, a thousand rumours wander, and confused words circulate. Of these, some fill idle ears with chatter, others carry tales, and the author adds something new to what is heard. Here is Credulity: here is rash Error, empty Delight, and alarming Fear, sudden Sedition, and Murmurings of doubtful origin. Rumour herself sees everything that happens in the heavens, throughout the ocean, and on land, and inquires about everything on earth.”

“Nothing persists without changing its outward appearance, for Nature is always engaged in acts of renewal, creating new forms everywhere out of the old ones; nothing in all of the cosmos can perish, believe me, but takes on a different shape; and what we call birth is when something first changes out of its former condition, and what we call death is when its identity ceases; things may perhaps be translated hither and thither; nevertheless, they stay constant in their sum total.”

“Philemon counselled with old Baucis first; and then discovered to the listening Gods their hearts' desire, ‘We pray you let us have the care of your new temple; and since we have passed so many years in harmony, let us depart this life together— Let the same hour take us both—I would not see the tomb of my dear wife; and let me not be destined to be buried by her hands!’ At once their wishes were fulfilled. So long as life was granted they were known to be the temple's trusted keepers, and when age had enervated them with many years, as they were standing, by some chance, before the sacred steps, and were relating all these things as they had happened, Baucis saw Philemon, her old husband, and he, too, saw Baucis, as their bodies put forth leaves; and while the tops of trees grew over them, above their faces, — they spoke each to each; as long as they could speak they said, ‘Farewell, farewell, my own’—and while they said farewell; new leaves and branches covered both at once.”

“Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.”

“Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.”

“Oh, is that right? You know, a lioness will protect her cub by baring her teeth, by roaring, using her claws to defend her cub if she feels she has to - this mother, has other means. You are standing in the way of my daughter's best interests. If you try to pick our peach from our family tree, you will be picking a fight. Do you understand me?”

“Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.”

“I am the daughter of a mother who would never change...The refusal to modify her aspect, her habits, her attitudes was strategy for resisting American culture, for fighting it, for maintaining her identity...When my mother returns to Calcutta, she is proud of the fact that, in spite of almost fifty years away from India, she seems like a woman who never left. I am the opposite. While the refusal to change was my mother's rebellion, the insistence on transforming myself is mine...All my life I've tried to get away from the void of my origin. It was the void that distressed me, that I was fleeing...Writing, I discovered a way of hiding in my characters, of escaping myself. Of undergoing one mutation after another. One could say that the mechanisms of metamorphosis is the only element of life that never changes. The journey of every individual, every country, every historical epoch, of the entire universe and all it contains, is nothing but a series of changes, at times subtle, at times deep, without which we would stand still. The moments of transitions in which something changes, constitute the backbone of all of us. Whether they are a salvation or a loss, they are moments we tend to remember. They give a structure to our existence. Almost all the rest is oblivion.”

“My vessel is launched on the boundless main and my sails are spread to the wind ! In the whole of the world there is nothing that stays unchanged. All is in flux. Any shape that is formed is constantly shifting. Time itself flows steadily by in perpetual motion. Think of a river: no river can ever arrest its current, nor can the fleeting hour. But as water is forced downstream by the water behind it and presses no less on the water ahead, so time is in constant flight and pursuit, continually new. The present turns into the past and the future replaces the present; every moment that passes is new and eternally changing.”

“The shade of Orpheus now fled below, and recognized all he had seen before; and as he searched through the Elysian Fields, he came upon his lost Eurydice, and passionately threw his arms about her; here and now, they walk together, side by side, or now he follows as she goes before, or he precedes, and she goes after him; and now there is no longer any danger when Orpheus looks upon Eurydice.”

“Aelia, please stop worrying. You look beautiful. We've had large parties before and you haven't been nervous." There was the clink of cosmetic pots and bottles of nard used to perfume the forehead. "I wasn't nervous until you mentioned Ovid would be coming," Aelia said. Aelia was not alone in her love of Ovid's poetry. Passia had read every word the man had ever written. He was considered to be one of Rome's experts on both love and beauty, and most women I knew owned several of his books. When Passia heard he would be in attendance I thought she might swoon. There was the ruffle of a scroll being unraveled. "Could this be one of the sources of your concern? Women's Facial Cosmetics?" I remembered the book. Apicius had bought it and other Ovid titles for Aelia two years earlier as a Saturnalia gift. "I know, I shouldn't worry. But if he didn't know so much, how could he write it down? It is as though he were the mouthpiece for Venus herself!”