Quotessence
Home / Topics / Broadway Quotes

Broadway Quotes

Browse 519 quotes about Broadway.

Related topics

Broadway Quotes

“And I audition and I see people in the waiting room. And I can’t help but think: there’s a very slim chance people like acting,' said Eden. 'It has too many other things. Attention. Escape. People. Spotlight. But the actual thing of acting, the kernel, has to belong to fewer people than there are actors in this city. They were kids lacking something at a young age and the splendid world of the theatre offered them that, but as soon as they found love, drama, stability, or attention from another source, they abandoned the Theatre. Imagine how sad that feels—to be abandoned. To be told you are loved, again and again, and then be told it was never the case.”

“Rarely offstage, rarely on hiatus, Fiddler on the Roof has already been back on Broadway for four revivals, played London's West End four times, and remains among Broadway's longest-running shows ever.”

“When I talked with Patti LuPone at a San Francisco coffeehouse, she said "Don't Cry For Me Argentina" wasn't a showstopper originally. The role had a big impact on her stage persona. She says playgoers didn't make a distinction between Perón and LuPone (whose names even sound similar.),”

“When I talked with Patti LuPone at a San Francisco coffeehouse, she said "Don't Cry For Me Argentina" wasn't a showstopper originally. The role had a big impact on her stage persona. She says playgoers didn't make a distinction between Perón and LuPone (whose names even sound similar.). She believes that her tough-cookie reputation-enhanced years later after she snatched a smartphone out a playgoer's hand-is largely due to being Evita, whom she reluctantly tried out for Kevin Kline, then her boyfriend talked her into going for it”

“I am still so proud to have been a part of something that introduced theater to so many people who weren't exposed to it before. We took Broadway and put it in peoples' living rooms once a week for two seasons. People still come up to me in the street and say, 'I never went to theater before I saw "Smash.'" That's the greatest compliment.”

“I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.”

“I think... you know, collaboration, in general - no matter movies, television or Broadway - is offering of what you can bring to the table and also fighting what you think the important battles are. Not everything is going to make it in there. Not everything is going to work. You have to collaborate. And you have to be a good listener.”