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Mortar Quotes

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Mortar Quotes

“I don’t know why everyone is still trying to find out whether heaven and hell exist. Why do we need more evidence? They exist here on this very Earth. Heaven is standing atop Mount Qasioun overlooking the Damascene sights with the wind carrying Qabbani’s dulcet words all around you. And hell is only four hours away in Aleppo where children’s cries drown out the explosions of mortar bombs until they lose their voice, their families, and their limbs. Yes, hell certainly does exist right now, at this moment, as I pen this poem. And all we’re doing to extinguish this hellfire is sighing, shrugging, liking, and sharing. Tell me: what exactly does that make us? Are we any better than the gatekeepers of hell?”

“Instead of saying that man is the creature of circumstance, it would be nearer the mark to say that man is the architect of circumstance. It is character which builds an existence out of circumstance. From the same materials one man builds palaces, another hovels; one warehouses, another villas; bricks and mortar are mortar and bricks until the architect can make them something else.”

“Writing is eternal, For therein the dead heart liveth, the clay-cold tongue is eloquent, And the quick eye of the reader is cleared by the reed of the scribe. As a fossil in the rock, or a coin in the mortar of a ruin, So the symbolled thoughts tell of a departed soul: The plastic hand hath its witness in a statue, and exactitude of vision in a picture, And so, the mind, that was among us, in its writings is embalmed.”

“You cannot stay the shell in its flight; after it has left the mortar, it goes on to its mark, and there explodes, dealing destruction all around. Just as little can you stay the consequences of a sin after it has been committed. You may repent of it, you may even be forgiven for it, but still it goes on its deadly and desolating way. It has passed entirely beyond your reach; once done, it cannot be undone.”

“Sometimes among our more sophisticated, self-styled intellectuals--and I say self-styled advisedly; the real intellectual I am notsure would ever feel this way--some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”

“My relationship with brick-and-mortar shopping is, in general, unpleasant. I can't remember a time in my life when I could go to a physical store and find a variety of things in my size that excited me and fit my personal style. As a plus-size shopper at a typical mall, you're limited to at most five stores out of maybe 50 clothing retailers. That leaves us with very few options and, for people on a tight budget, pretty much no chance of comparison shopping. You take what you can get.”

“If you're following the news, you know that the major religions differ in their interpretation of the holy books. For example, one way to interpret God's will is that you should love your neighbor. An alternate reading of the holy books might lead you to rig a donkey cart with small mortar rockets and aim it at a hotel full of infidels. In summary, po-tay-to, poh-tah-to. Religions are very flexible.”

“There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?”

“What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it's not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar.”

“There are forces more powerful and pervasive than the apparatus of war. You may chain a man, but you cannot chain his mind. You may enslave him, but you will not conquer his spirit. In every decade since the war Soviet leaders have been reminded that their pitiless ideology only survives because it is maintained by force. But the day will come when the anger and frustration of the people is so great that force cannot contain it. Then the edifice cracks; the mortar crumbles; one day, liberty will dawn on the other side of the wall.”

“You never know what little bundle of encouragements artists carry around with them, what little pats on the back from what hands, what newspaper clipping, what word of hope from what teacher. I suppose the so-called faith in ourselves is the foundation of our talent, but I am sure these encouragements are the mortar that holds it together.”

“One potential long-term problem with many current digital libraries is that they grew out of and aresupported by bricks-and-mortar libraries. Although there is nothing inherently wrong with that arrangement, inreality it creates a potentially dangerous situation that I call "the other digital divide."”

“There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.”

“All of Koons's best art - the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory - has simultaneously flaunted extreme realism, idealism, and fantasy.”

“It's amazing--my parents call everything a discussion. If I were standing across the street, firing a bazooka at my mother, while my father was launching mortar back at me, and Jeffery was charging down the driveway with a grenade in his teeth, my parents would say we should stop having this public "discussion".”