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Shells Quotes

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Shells Quotes

“Celina surveyed her inventory. Candied lemon and orange slices dipped in chocolate, roasted coffee beans enrobed in dark chocolate, and coconut confections enveloped in milk chocolate. Petite Coeurs with a crème fraîche and raspberry liqueur filling, rum-spiked caramels covered in milk chocolate, bittersweet espresso truffles studded with crushed Sicilian pistachios. For her seaside fantasy collection, the antique cast iron molds had yielded whimsical chocolate shells and seahorses. Within clam shells formed from chocolate were nestled pearls of white chocolate. Among the delicacies were her trademark stars: creamy milk chocolate, dark chocolate filled with peppermint-flavored crème fraîche, and white chocolate iced with candied lemon peel.”

“And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense—no—but beach-wise. It begins to drift, to play, to turn over in gentle careless rolls like those lazy waves on the beach. One never knows what chance treasures these easy unconscious rollers may toss up, on the smooth white sand of the conscious mind; what perfectly rounded stone, what rare shell from the ocean floor. Perhaps a channeled whelk, a moon shell, or even an argonaut.”

“I noticed chartreuse lichen scabbing the rocks, the lick and suck of tide against sea-smoothed stones, how every single one of the shells in the bay was different; white limpet shells and ear-shaped mussel shells; kelp fronds, the ones like bronze ribbons, and cream ones like bandages, their stems like bone joints; and, of course, the ocean, that perpetual shapeshifter: one day a disc of hammered gold, the next wild and rearing, like a thousand white horses. I noticed how the ocean had moods, just like a person.”

“Now in her hands, the final copy- every brushstroke, every carefully thought-out color, every word of the natural histories, printed in a book. There were also drawings of the creatures who live inside- how they eat, how they move, how they mate- because people forget about creatures who live in shells. She touched the pages and remembered each shell and the story of finding it, where it lay on the beach, the season, the sunrise. A family album.”

“It was as big as a box kite and mounted on a pole, gesticulating wildly with moving arms, vanes, wheels, and propellers larger and small. I'd never seen it. It was all different colors. It didn't resemble anything in particular, except at the top, where there was a woman's head. Attached to her hair were three reflectors. Shells and chimes hung around her neck. Even with half the moving parts stuck, a gust blowing through it set off a flurry of fluttering and shimmering and ringing, as if a flock of exotic birds was taking flight.”

“My shell collection Here are my shells, orderly to the eye, mysterious to the mind. Some are rough and grainy, others are soft and pearly. Mine are all empty, but out in the sea there are empty ones too – as many as there are full. When the creatures emerge, they leave part of themselves behind. That is why I think of these spirals as living though they are asleep in their forms.”

“Only shells collected from the sea could be crafted into necklaces to soothe anxious hearts. Every day, people crossed the threshold of their home. They settled into the nook of the guest room. They wept onto carefully curated shells, which would later be sanded and shaped into stars and worn as necklaces to soothe their suffering. There was an alchemy between the sea and the shells that her family had melded. Before her mother, the work had been her grandmother's. Before that, her grandmother's mother. Eight generations of Khanani women winding their way down to--- one day--- Yas. She'd once eagerly painted each star before it left their home. Delicate birds. Flowers. Yas had loved the work. The art of catching and cutting and sanding and smoothing.”

“Blue!" The boy shrieked. Yas followed the toddler's pointing finger. The ocean around them rippled with their movement. The water was not pink. Nor lavender. It did not glimmer. Pooling in swirls around her ankles were ribbons of aqua and teal. Threads of silver and gold. "Raf?" she whispered. "You see it, don't you?" "I... Y-yes, I do." From the shoreline, Ernie stared with his jaw parted at the ripples of color. Not bothering to roll up his pajama bottoms, he walked into the water, the sea sloshing around his feet. Spirals of daffodil yellow puddled around his ankles. "What... what is happening?" he whispered. Others stepped into the water. They winced at the shards pricking at their feet. The shards. Yas kneeled in the water. She pulled out a jagged, cracked shell fragment from the ocean floor and cradled it in her palm---the salt water dripping from it trailed rivulets of color down her hands, which glimmered beneath the still-dark sky. "It's the shells." Yas leaned down and scooped out more. She raised her hand and opened her palm---the crowd gasped as gold and red trailed down her arm. "The color is..." Oscar's voice trailed off. "It's leaking out of the broken shells?”

“Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we're rebelling. Between teen movies and sex-ed textbooks we're so ready for our rebellious phase we can't help but feel it's safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.”

“Why does soldiers leave the protection of his trench hole in the ground and go forward in the face of shot and shell? It is because of the leader who is in front of him and his comrades who are around him. Comradeship makes a man feel warm and courageous when all his instincts tend to make him cold and afraid.”

“To mean understandings, it is sufficient honour to be numbered amongst the lowest labourers of learning; but different abilities must find different tasks. To hew stone, would have been unworthy of Palladio; and to have rambled in search of shells and flowers, had but ill suited with the capacity of Newton.”

“Twere better to be born a stone Of ruder shape, and feeling none, Than with a tenderness like mine And sensibilities so fine! Ah, hapless wretch! condemn'd to dwell Forever in my native shell, Ordained to move when others please, Not for my own content or ease; But toss'd and buffeted about, Now in the water and now out.”

“A REAL man, the kind of man a woman wants to give her life to, is one who will respect her dignity, who will honor her like the valuable treasure she is. A REAL man will not attempt to rip her precious pearl from it's protective shell, or persuade her with charm to give away her treasure prematurely, but he will wait patiently until she willingly gives him the prize of her heart. A REAL man will cherish and care for that prize forever.”

“I walked slowly out on the beach. A few yards below high-water mark I stopped and read the words again: WRITE YOUR WORRIES ON THE SAND. I let the paper blow away, reached down and picked up a fragment of shell. Kneeling there under the vault of the sky, I wrote several words, one above the other. Then I walked away, and I did not look back. I had written my troubles on the sand. The tide was coming in.”