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Quote by Paul Fleischman

“It was as big as a box kite and mounted on a pole, gesticulating wildly with moving arms, vanes, wheels, and propellers larger and small. I'd never seen it. It was all different colors. It didn't resemble anything in particular, except at the top, where there was a woman's head. Attached to her hair were three reflectors. Shells and chimes hung around her neck. Even with half the moving parts stuck, a gust blowing through it set off a flurry of fluttering and shimmering and ringing, as if a flock of exotic birds was taking flight.”

Quote by Paul Fleischman

Author

Paul Fleischman
Paul Fleischman

Paul Fleischman is an American writer renowned for his works in children's literature. His books are celebrated for their rich imagination and emotional depth, making them highly popular among readers. more

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“On the surface, I appeared to be a confident young go-getter. But my inner life was, as it had always been, a tremulous fear-scape. I was neither mature nor emotionally secure, and I wasn’t yet ready for the demands of adulthood. Hidden beneath all my apparent ingenuity was a terrified child constantly asking, “Who’s got me? Who will keep me safe? Where do I belong?” And thus I began my lifelong quest to make other people into my home.”

“My shell collection Here are my shells, orderly to the eye, mysterious to the mind. Some are rough and grainy, others are soft and pearly. Mine are all empty, but out in the sea there are empty ones too – as many as there are full. When the creatures emerge, they leave part of themselves behind. That is why I think of these spirals as living though they are asleep in their forms.”

“Only shells collected from the sea could be crafted into necklaces to soothe anxious hearts. Every day, people crossed the threshold of their home. They settled into the nook of the guest room. They wept onto carefully curated shells, which would later be sanded and shaped into stars and worn as necklaces to soothe their suffering. There was an alchemy between the sea and the shells that her family had melded. Before her mother, the work had been her grandmother's. Before that, her grandmother's mother. Eight generations of Khanani women winding their way down to--- one day--- Yas. She'd once eagerly painted each star before it left their home. Delicate birds. Flowers. Yas had loved the work. The art of catching and cutting and sanding and smoothing.”

“Blue!" The boy shrieked. Yas followed the toddler's pointing finger. The ocean around them rippled with their movement. The water was not pink. Nor lavender. It did not glimmer. Pooling in swirls around her ankles were ribbons of aqua and teal. Threads of silver and gold. "Raf?" she whispered. "You see it, don't you?" "I... Y-yes, I do." From the shoreline, Ernie stared with his jaw parted at the ripples of color. Not bothering to roll up his pajama bottoms, he walked into the water, the sea sloshing around his feet. Spirals of daffodil yellow puddled around his ankles. "What... what is happening?" he whispered. Others stepped into the water. They winced at the shards pricking at their feet. The shards. Yas kneeled in the water. She pulled out a jagged, cracked shell fragment from the ocean floor and cradled it in her palm---the salt water dripping from it trailed rivulets of color down her hands, which glimmered beneath the still-dark sky. "It's the shells." Yas leaned down and scooped out more. She raised her hand and opened her palm---the crowd gasped as gold and red trailed down her arm. "The color is..." Oscar's voice trailed off. "It's leaking out of the broken shells?”

“El orgullo no viene a través de nuestra naturaleza animal en absoluto. Este viene directamente del infierno. Es puramente espiritual, y en consecuencia, es mucho más mortífero y sutil. Por la misma razón, el orgullo puede ser a menudo utilizado para combatir los vicios menores. Los maestros, de hecho, a menudo acuden al orgullo de los alumnos, o, como ellos lo llaman, a la estimación que sienten por sí mismos, para impulsarles a comportarse correctamente: más de un hombre ha superado la cobardía, la lujuria o el mal carácter aprendiendo a pensar que estas cosas no son dignas de él… es decir, por orgullo. El demonio se ríe. Le importa muy poco ver cómo os hacéis castos y valientes y dueños de vuestros impulsos siempre que, en todo momento, él esté infligiendo en vosotros la dictadura del orgullo… del mismo modo que no le importaría que se os curasen los sabañones si se le permitiera a cambio infligiros un cáncer. Porque el orgullo es un cáncer espiritual, devora la posibilidad misma del amor, de la satisfacción, o incluso del sentido común.”

“I once estimated that between the ages of twenty and forty-eight, I lived in approximately twenty different homes. That’s not everywhere I stayed (that number would be incalculable); it’s merely everywhere I lived—everywhere that had my actual name on the lease or the mortgage. And I never lived alone. I couldn’t bear to live alone. I couldn’t bear being alone with the open wound that was my own mind. But I also couldn’t bear the chafe and strain of intimacy. I couldn’t last anywhere, and I couldn’t last with anyone. So I came and went, colliding and separating, roaming the planet, constantly looking for places to land and people to merge with. I sometimes used to call this behavior “being a free spirit,” but my wild instability was quite the opposite of freedom, because I had no agency in the matter—only urgency. Also, if I was so “free,” why did I always end up feeling trapped? It’s because my moves were motivated by desperate situations in which I was running either toward somebody or away from somebody else. I constantly found myself in stories that started out with passion but ended up with shame. So much shame, in fact, that during those years there were entire geographic regions that I had to flee at top speed, because my behavior had created dramas that made it impossible to remain there for another day. Goodbye, Philadelphia! Adios, Oaxaca! Well, I guess I can never go back to Wyoming again!”