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Statues Quotes

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Statues Quotes

“Throughout my days on Earth, I have gone by a myriad of names. I seasonally got wind of epithets such as a rootless strider, a hammer lacking a head, a trampled idealist, and in most instances a hopeless dreamer. And yet: One cannot bring a fantasist back to ground by such utterings. Words for him are like indistinct silhouettes above a sea. Seagulls that disappear into a morning fog. They will erode like statues of stone and abate like the men who built them. A dreamer’s hope can only succumb at the dawn of a more brilliant, precious one.”

“True leaders are like statues, whether it rains or it shines, they never bend their necks to look backwards! They never run away from challenges!”

“In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.”

“Journalist Tony Horwitz describes its laser show as an unfortunate mix of Coca-Cola, the Beatles, the Atlanta Braves, and Elvis sining "Dixie," followed by the "Battle Hymn of the Republic." Television ads end with the inclusive slogan, "Stone Mountain: A Different Day for Everyone." Eventually the desire for everyone's dollar may accomplish what the physical elements cannot: eradicating Stone Mountain as a Confederate-KKK Shrine.”

“Jefferson made no consistent effort to abolish slavery ... It would be nice if Jefferson were the photo-abolitionist that the memorial and the park service brochure pretend he was ... his memorial needs to be more complex than it is ... the National Park Service could supply the contexts missing from the juxtaposed questions on its panels. Then visitors could see Jefferson as a man who not only envisioned but also betrayed the hopes of mankind.”

“Some of those who say they are worried about erasing history are really objecting to decisions about monuments being taken down by a small group of people, whether protesters or officials. Ideally, communities as a whole should decide, but you cannot impose this as a requirement without the existence of a real process for having these conversations. Today, what we are truly in danger of losing is not history but rather the chance to use monuments, whether fallen or still standing, as paths to get to a better future”

“But the statue attracted a middle-aged, brown-haired, overweight White guy. Clearly drunk, he climbed onto the tiny stage and started fondling Buddha before his laughing audience of drunk friends at a nearby table. I had learned a long time ago to tune out the antics of drunk White people doing things that could get a Black person arrested. Harmless White fun is Black lawlessness.”

“The students on campuses with such a [Confederate] statue had higher levels of implicit racial bias. This finding speaks to the haunting effects of historical expressions of racism. Not only do these statues cause pain for many black students and faculty; they may help to sustain implicit anti-black bias.”

“Away with this prating dotard,” said Front-de Boeuf, “lock him up in the chapel, to tell his beads till the broil be over. It will be a new thing to the saints in Torquilstone to hear aves and paters; they have not been so honoured, I trow, since they were cut out of stone.” “Blaspheme not the holy saints, Sir Reginald,” said De Bracy, “we shall have need of their aid to-day before yon rascal rout disband.” “I expect little aid from their hand,” said Front-de-Boeuf, “unless we were to hurl them from the battlements on the heads of the villains. There is a huge lumbering Saint Christopher yonder, sufficient to bear a whole company to the earth.”

“He looked down at baby Jesus’ feet and could see the etched marks of previously grazed fingers. Everyone loved to adore the feet of statues. And Andrei could see why—baby Jesus had adorable toes. Andrei turned back at the older Jesus on the cross, hanging from the ceiling, and looked at his feet that were nailed. There was something about feet that never aged. Even with a little hair, feet seemed the body part of human beings that lived unblemished and pure. Their evolution had not gone far from what they were before, growing merely in size and always coveting that soft layer of perfect, glistening skin wrapped over veins. They were a part of the body men could trust—a piece of flesh that stayed childish and weird. The heel was not only the closest contact one had with the earth, but one of the most untouched areas of the body. Few people cup their hands to hold another’s heel. The heel was always away, underneath the fabric of a sock, on the bottom of one’s anatomy, deep down and far from immediate openings for conventional contact such as the hands, arms, and lips. A deep impression remained in Andrei: the image of man’s feet was quite angelic.”

“Flames burst into life all along the wall, following the channel's rectangular course around the vast room. The flames continued around the rest of the room, until the great torch over the archway burst into flames. The torch formed the apex of an arch where two great statues were joined. Carved from black marble, the two figures framed the hall's entrance like great columns. On the left was a giant Prometheus, whose facial features looked suspiciously demonic. He was depicted handing the torch to a smaller, but still Herculean statue of a man. Both figures grasped the handle of the torch, which continued to burn overhead as Kate and Rohan advanced slowly into the great chamber. "I think we've found the Hall of Fire," she murmured. "It would appear so," he agreed with a sardonic nod. "This was mentioned in the Journal. Lord, look at all this loot! O'Banyon was right." Treasure abounded in the now-fully-illuminated Hall of Fire. Walking deeper into the chamber, they were surrounded by dazzling riches, mounds of gold, open chests full of glittering coins from bygone eras, jewels, crowns, scepters, swords of power, gold and silver cloth, a throne, ancient vases and jeweled cups, classical statues no doubt worth a fortune. There was even a chariot that looked like it might have belonged to the likes of Alexander the Great.”

“Vienna was the city of statues. They were as numerous as the people who walked the streets. They stood on the tip of the highest towers, lay down on stone tombs, sat on horseback, kneeled, prayed, fought animals and wars, danced, drank wine and read books made of stone. They adorned cornices like the figureheads of ships. They stood in the heart of fountains glistening with water as if they had just been born. They sat under trees in the parks summer and winter. Some wore costumes of other periods, and some had no clothes at all. Men, women, children, kings, dwarfs, gargoyles, unicorns, lions, clowns, heroes, wise men, prophets, angels, saints and soldiers preserved for Vienna an illusion of eternity.”

“Jefferson made no consistent effort to abolish slavery ... It would be nice if Jefferson were the proto-abolitionist that the memorial and the park service brochure pretend he was ... his memorial needs to be more complex than it is ... the National Park Service could supply the contexts missing from the juxtaposed questions on its panels. Then visitors could see Jefferson as a man who not only envisioned but also betrayed the hopes of mankind.”

“I always thought that would be really neat if black people ever got control of the United States we would, of course, tear down some of the statues because we just don't like them...like all of Richmond would probably not have a statue standing.”

“Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden. The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.”

“Once upon a time Sister Mary Margaret had answered a loud knocking at the door of the orphanage. It was very early one morning, before the city was awake. All the pigeons had their heads tucked under their wings and all the rats were curled up tight behind the dustbins. All the cars and lorries were asleep in their garages and depots, and all the trains slumbered on their tracks at Connolly Station. All the boats bobbed gently in the harbor, dreaming of the high seas, and all the bicycles slept leaning along the fences. Even the angels were asleep at the foot of the O’Connell Monument, fluttering their wings as they dreamt, quite forgetting to hold still and pretend to be statues.”

“You'll notice all around the Hindu temples couples, statues and drawings, in various erotic forms of love-making. This used to give the British a lot of trouble because they were kind of white and uptight. It didn't quite fit. How could a temple of God be covered with pictures of people, in their term, fornicating?”

“It is by far the most elegant worship, hardly excepting the Greek mythology. What with incense, pictures, statues, altars, shrines, relics, and the real presence, confession, absolution, - there is something sensible to grasp at. Besides, it leaves no possibility of doubt; for those who swallow their Deity, really and truly, in transubstantiation, can hardly find any thing else otherwise than easy of digestion.”

“I believe a leaf of grass is no less than the journeywork of the stars, And the pismire is equally perfect, and a grain of sand, and the egg of the wren, And the tree toad is a chef-d'oeurve for the highest, And the running blackberry would adorn the parlors of heaven, And the narrowest hinge in my hand puts to scorn all machinery, And the cow crunching with depress'd head surpasses any statue, And a mouse is miracle enough to stagger sextillions of infidels!”

“Cut away all that is excessive, straighten all that is crooked, bring light to all that is overcast, labour to make all one glow of beauty and never cease chiselling your statue, until there shall shine out on you from it the godlike splendour of virtue, until you shall see the perfect goodness surely established in the stainless shrine.”

“Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions.”