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Moss Quotes

Browse 188 quotes about Moss.

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Moss Quotes

“I follow him behind the throne and off the dais, where a small door is set against the stone wall, half hidden by ivy. I've never been here before. Cardan sweeps aside the ivy, and we go in. It is a small room, clearly intended for intimate meetings and assignations. Its walls are covered in moss, with small glowing mushrooms climbing them, casting a pale white light on us. There's a low couch upon which people could sit or recline, as the situation called for. We are alone in a way we have not been alone for a long time, and when he takes a step toward me, my heart skips a beat.”

Holly BlackThe Folk Of The AirJude DuarteCardan GreenbriarJudeCardanMushroomsMossThe Wicked KingRoom
Book:The Wicked King
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“Only six? Mon Dieu!’ Cleo ceased her pacing and whirled around to face the two Trackers, eyes narrowed, hands on hips. ‘I suppose this is all rather exciting for the two of you, non?’ Cleo’s usually melodic French accent was growing sharper and sharper in pitch with every word. ‘You…’—she nodded at Moss—‘finally get to see some action! And you…’—she turned her attention to Julian, hazel eyes narrowed—‘I know you loathed Iceland, and poof! here you are, back with your buddy, enjoying the sunshine!’ Julian and Moss exchanged exasperated glances. ‘Meanwhile, all of my hard work is going to waste. Do you know how difficult it is to manipulate a person’s lifeline? Hmm? To set up every single tiny decision and event so that they get to their death at the right time? And so that they die in exactly the right way?’ She glanced from one boy to the other as if daring them to contradict her. ‘There’s a reason we assign natural deaths and accidents to certain people and murders to others! This girl was supposed to die in an accident—now the lifelines of everyone around her have changed. Everything is out of balance.' She threw her hands up. 'Again!”

MossCleoJulian
Book:Out of the Shadows
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“There is nothing softer on which to walk. Your footsteps are silent, as if treading on velvet; each step becomes slower and more cautious. To set foot on a moss path, even the short one at the top of my garden, slows your pace, every movement now more thoughtful. The luminosity of moss is extraordinary. It holds water, a dampness reminiscent of cloisters and cathedral walls. I imagine that is how the walls of a monastery might smell.”

MossSoftMonastery
Book:A Thousand Feasts: Small Moments of Joy… A Memoir of Sorts
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“I found myself noticing familiar plants and features as we travelled through the woods. Some brownies, for instance, had stone dwellings built into the earth--- closer to cellars than houses, to my eye--- roofed in densely interwoven fern fronds. Doubtless others dwelt in the canopy, for when I looked up, I saw the telltale silver gleam of impossibly narrow bridges connecting the trees like spiderthread. But as we moved away from the castle, I saw less of this glittering architecture, and more of the humble, cellarlike variety. I also noted that I was growing increasingly adept at spotting moss-brownies, as I had begun to call them in my head, for the mossy caps they wore. These small, black-eyed creatures, whose bodies were often covered in moss as well, could be seen peeking at us from behind branches, or sometimes in plain view upon a green stone or bough, where they were surprisingly difficult to detect.”

MossBrowniesFairy RealmDwellingsIn The Woods
Book:Emily Wilde's Compendium of Lost Tales
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“I am trying to understand what it means to own a thing, especially a wild and living being. To have exclusive rights to its fate? To dispose of it at will? To deny others it’s use? Ownership seems a uniquely human behavior, a social contract validating the desire for purposeless possession and control. To destroy a wild thing for pride seems a potent act of domination. Wildness cannot be collected and still remain wild. Its nature is lost the moment it is separated from its origins. By the very act of owning, the thing becomes an object, no longer itself.”

NatureMossDestructiveness
Book:Gathering Moss: A Natural and Cultural History of Mosses
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“Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!”

MossSmall WorldAlma WhittakerMicroscopicMosses
Book:The Signature of All Things
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“There is an ancient conversation going on between mosses and rocks, poetry to be sure. About light and shadow and the drift of continents. This is what has been called the "dialect of moss on stone - an interface of immensity and minute ness, of past and present, softness and hardness, stillness and vibrancy, yin and yan.”

NatureMoss
Book:Gathering Moss: A Natural and Cultural History of Mosses
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“In the heated idleness of youth we were all rather inclined to quarrel with the implication of that proverb which says that a rolling stone gathers no moss. We were inclined to ask, "Who wants to gather moss, except silly old ladies?" But for all that we begin to perceive that the proverb is right. The rolling stone rolls echoing from rock to rock; but the rolling stone is dead. The moss is silent because the moss is alive.”

LifeWisdomNoiseMossProverbStone
Book:Heretics
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“Each tile is curved and has an attractive rough texture. The colour varies from bright vermilion to dull Venetian red. They have the patina of almost two centuries of English sunshine and rain and are patterned with mosses in a wide range of emerald, apple and viridian greens. Any one of them, tastefully framed and hung in a London art gallery, would get rave notices from the critics.”

MossWabi Sabi
Book:A Plank Bridge by a Pool
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“The cave was cool and silent- thoroughly carpeted- with the most luxuriant mantle of mosses Alma Whittaker had ever seen. The cave was not merely mossy; it throbbed with moss. It was not merely green; it was frantically green. It was so bright in its verdure that the color nearly spoke, as though- smashing through the world of sight- it wanted to migrate into the world of sound. The moss was a thick, living pelt, transforming every rock surface into a mythical, sleeping beast. Improbably, the deepest corners of the cave glittered the brightest; they were absolutely studded, Alma realized with a gasp, with the jewellike filigree of 'Schistotega pennata.' Goblin's gold, dragon's gold, elfin gold- 'Schistotega pennata' was that rarest of cave mosses, that false gem that gleams like a cat's eye from within the permanent twilight of geologic shade, that unearthly sparkling plant that needs but the briefest sliver of light each day to sparkle like glory forever, that brilliant trickster whose shining facets have fooled so many travelers over the centuries into believing that they have stumbled upon hidden treasure. But to Alma, this 'was' treasure, more stunning than actual riches, for it bedecked the entire cave in the uncanny, glistering, emerald light that she had only ever before seen in miniature, in glimpses of moss seen through a microscope... yet now she was standing fully within it.”

GreenMossBotanyCaveGenus SpeciesHorticultureAlma Whittaker
Book:The Signature of All Things
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“More delicately, more intricately fashioned than any grasses of the field, more subtle in texture than any seaweed of the sea, more thickly woven, and with a sort of intimate passionate patience, by the creative spirit within it, than any forest leaves or any lichen upon any tree trunk, this sacred moss of Somersetshire would remain as a perfectly satisfying symbol of life if all other vegetation were destroyed out of that country. There is a religious reticence in the nature of moss.”

Moss
Book:A Glastonbury Romance
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“But this is certain, that on the broken rocks of the foreground in the crystalline groups the mosses seem to set themselves consentfully and deliberately to the task of producing the most exquisite harmonies of color in their power. They will not conceal the form of the rock, but will gather over it in little brown bosses, like small cushions of velvet made of mixed threads of dark ruby silk and gold, rounded over more subdued films of white and grey, with lightly crisped and curled edges like hoar frost on fallen leaves, and minute clusters of upright orange stalks with pointed caps, and fibres of deep green, and gold, and faint purple passing into black, all woven together, and following with unimaginable fineness of gentle growth the undulation of the stone they cherish, until it is charged with color so that it can receive no more; and instead of looking rugged, or cold, or stern, as anything that a rock is held to be at heart, it seems to be clothed with a soft, dark leopard skin, embroidered with arabesque of purple and silver.”

Moss
Book:Modern Painters: Volume 4. Of Mountain Beauty
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“Moss was one of those things that, once one was aware of it, was everywhere. She knew its subspecies from botanical books: bearded moss, bog moss, grizzled emerald, twisted moss. Reindeer moss. Emerald tufted stubble. Toothless moss. Maidenhair. Wooly fringe. It was the earth's pantry, feeding its surroundings. Expansive green mother. Lavender recalled one species in her own garden that, to the touch, felt like her mother's hair. Mother-hair moss. In a floriography book, Lavender had read that moss stood for motherhood, charity. All the more to adore. She perused the ground, found: pocket moss pincushion bristle wasted-tea moss stubble-on-a-boy's-chin moss prickly oracle moss heart's tussle Oh, the tales moss told.”

SymbolicMossVarieties
Book:The Apothecary's Garden
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“How hard to realize that every camp of men or beast has this glorious starry firmament for a roof! In such places standing alone on the mountain-top it is easy to realize that whatever special nests we make - leaves and moss like the marmots and birds, or tents or piled stone - we all dwell in a house of one room - the world with the firmament for its roof - and are sailing the celestial spaces without leaving any track.”

MenWorldHardHouseEasyNatureRealizingSpaceRoomsSpecialMountainBirdStandingStonesLeavingTrackBeastGloriousWildernessCampsRoofSailingNestsCelestialTentsMossCampingStanding AloneFirmamentMountain Top
Book:John of the Mountains: The Unpublished Journals of John Muir
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“[Concerning the Water Ouzel, now called American Dipper:] In a general way his music is that of the streams refined and spiritualized. The deep booming notes of the falls are in it, the trills of rapids, the gurgling of margin eddies, the low whispering of level reaches, and the sweet tinkle of separate drops oozing from the ends of mosses and falling into tranquil pools.”

WayEndsFallWaterLevelsSweetMusic IsLowsNotesStreamsPoolRapidsMarginsRefinedWhisperingTranquilMossTrill
Author:John Muir
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“I am delighted, one more time, by the daring of my species and the audacity of our flying machines. There is poetry and music in our technology, a beauty as touching as that of eagle, moss campion, raven or yonder limestone boulder shining under the Arctic sun.”

TechnologySunMachinesShiningSpeciesFlyingMore TimeTouchingDaringEaglesDelightedMossArcticRavensAudacityBouldersPoetry And MusicFlying MachinesLimestone
Book:Beyond the Wall: Essays from the Outside
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