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How the King of Elfhame Learned to Hate Stories

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Holly Black
Holly Black

Holly Black, born on November 10, 1971, is a renowned fantasy fiction writer from the United States. Her works are known for their unique imagination and profound emotional depth, which have won her a large fan base. more

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“He looked down at a red book, embossed in gold. The title was Alice's Adventures in Wonderland & Through the Looking Glass. He frowned at it in confusion. It wasn't what he'd thought a mortal book would be like; he thought they would be dull things, odes to their cars or skyscrapers. ... 'This is really a mortal book?' he asked.”

“Cardan had his polished boots resting on a rock and his head pillowed on the utterly ridiculous mortal book he'd been reading. Since the one with the girl and the rabbit and the bad queen, he'd discovered he had a taste for human novels. A hob in the market traded them to Cardan for roses smuggled out of the royal gardens.”

“He visited the weavers and tailors with his brother, choosing garments with cuffs of feathers and exquisite embroidery, with collars as sharp as the points of his ears, and fabrics as soft as the tuft of his tail- a tail he tucked away, for it showed too much of what he schooled his face to hide. A poisonous flower displays its bright colours, a cobra flares its hood; predators ought not to shrink from extravagance. And that was what he was being polished and punished in to being.”

“He thought of one of those girls frowning over a book, pushing a lock of brown hair back over one oddly curved ear. He thought of the way she looked at him, brows narrowed in suspicion. Scornful and alert. Awake. Alive. He imagined her as a mindless servant and felt a rush of something he couldn't quite untangle- horror, and also a sort of terrible relief. No ensorcelled human could look at him as she did.”

“The odd curve of her ear was what he had noticed first. A roundness echoed in her cheeks and her mouth. Then it was the way her body looked solid, as though meant to take up space and weight in the world. When she moved, she left behind footprints in the forest floor. Because she didn't know how to glide silently, to disturb no leaf of branch. He felt smug to see how bad she was at even such an easy thing. It was only later that it disturbed him to think back on the shape of her boot in the soil, as though she was the only real thing in a land of ghosts. He had seen her before, he supposed. But at the palace school, he really looked. He noted her skirts, spattered with mud, and her hair ribbons, partially undone. He saw her twin sister, her double, as though one of them were a changeling child and not human at all. He saw the way they whispered together while they ate, smiling over private jokes. He saw the way they answered the instructors, as though they had any right to this knowledge, had any right to be sitting among their betters. To occasionally better their betters with those answers. And the one girl was good with a sword, instructed personally by the Grand General, as though she was not some by-blow of a faithless wife.”

“The seeds of Prince Cardan's resentment came full bloom. What was the point of her trying so hard? Why would she work like that when it would never win her anything? ... He had never tried like that for anything in his life. Jude, Cardan though, hating even the shape of her name. Jude.”

“The weight of the sea seemed to pass down on him. He no longer had a sense of up or down. One was always suspended, fighting against the current or giving in to it. There would be no lying on beds of moss, no barbed words easily spoken, no falling down from too much wine, no dancing at all.”

“Rhyia leaned over and pushed a fallen strand of his hair back over one of his ears. 'Take it.' 'You want me to have it?' he asked, just to be sure. He wondered what he'd done that was worthy of being commemorated with a present. 'I thought you could use a little nonsense,' she told him, which worried him a little.”

“One of Locke's finest qualities was his ability to recast all their lowliest exploits as worthy of a ballad, told and retold until Cardan could almost believe that staggeringly better or thrillingly worse version of events. He could no more lie than any of the Folk, but stories were the closest thing to lies the Folk could tell.”